Robocop

Robocop
by Paul Verhoeven

Robocop
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DVD Cover Information

Actor: Dan O'Herlihy, Kurtwood Smith, Nancy Allen, Peter Weller, Ronny Cox
Director: Paul Verhoeven
Brand: TCFHE/MGM
Producer: Arne Schmidt
Producer: Edward Neumeier
Writer: Edward Neumeier
Producer: Jon Davison
Producer: Phil Tippett
Producer: Stephen Lim
Writer: Michael Miner
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 5.1; Spanish (Dubbed), Dolby Digital 5.1
Format: Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD, NTSC, Original recording remastered, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 102 minutes
Published: 2001-10-01
DVD Release Date: 2001-10-02
Audience Rating: R (Restricted)
Studio: Orion Pictures Corporation

Movie Reviews of Robocop

Movie Review: Go get 'em, Robo!
Summary: 5 Stars

Before director Paul Verhoeven gave us the ultra gory and special effects laden "Starship Troopers" in the 1990s, he lensed the gritty 1987 movie "Robocop." Verhoeven, of course, never limited himself to producing science fiction gorefests; he also made the controversial "Basic Instinct" and, more importantly, carries most of the blame for "Showgirls." The latter film would have permanently ended a lesser director's career, but not Verhoeven. He's still gamely making interesting pictures. "Robocop" may have been his first real success story; fans love the first film, many critics adored it when it came out, and no less of a company than Criterion decided to give it a spectacular release on DVD. Sadly, I did not get a chance to view the Criterion disc; I had to settle instead for the lesser MGM treatment. If you want to see "Robocop" with all the trimmings, seek out the Criterion Collection DVD. It has tons of extras including most of the footage originally cut from the theatrical release in order to avoid the notorious 'X' rating for violence. Still, if you cannot find a Criterion disc, go ahead and check out the MGM one anyway. "Robocop" is such a fun movie, such a hilarious social satire about the greed of the 1980s, that even watching it on television is preferable to not seeing it at all.

Verhoeven sets his film in a disturbing near future Detroit where corporations have assumed most of the functions of civil society. Big business runs, for example, city police departments. The suits on the top floors fund crime prevention measures at the same time they market new products. One corporation in Detroit called OCP, sick of rampant crime and looking for a way to level a large part of the city in order to build a huge complex of buildings, starts researching new and innovative weapons to battle the anarchy rapidly taking over the city. One way to accomplish this feat is to remove human beings from patrol duty. Who wants to explain why dozens of cops die every week in violent shootouts with criminal gangs? Who needs the bad PR from such unseemly events? Not OCP. If the company can develop a robot to do the dirty work, costs will drop, profits will go up, and everyone will bask in the glow of a job well done. There is one big problem with the new programs--they don't work. Try as they might, the company keeps coming up with one expensive failure after another. After the latest model turns one of the corporation's executives into swiss cheese in the boardroom, an up and coming suit gets his big break from the boss. Fortunately for this greedy little runt, Officer Alex Murphy happens to die in the line of duty while trying to bring down one of the biggest crime bosses in the city.

"Robocop" takes off from this point, as the corporation turns Murphy into a mean looking cyborg, an armor plated automaton capable of blowing off the bad guys' heads as easily as he can create good PR for the company by making televised appearances at local schools. Heck, this huge mechanized cop can even drive a car, speak to people, and survive withering gunfire. Problems emerge when Robocop starts to regain memories of his former life, recollections of his wife and child, his female partner, and the bad guys who blew him away. When the cyborg launches a campaign to bring his killers to justice, the corporation that created him turns ugly. It seems a few suits have a several nasty secrets better left hidden, and Robocop's quest for justice threatens to bring to light things that could ruin careers. Soon the cops and the criminals are gunning for the confused cyborg in a series of chases and shootouts loaded with over the top violence and extreme gore. Will Robocop get his man in the end? Will he reconcile his human memories with his robotic exterior? Who knows, but finding out is a lot of fun.

One thing you might notice about "Robocop" is Verhoeven's vision about corporation politics. His take on big business in the 1980s is uniformly cynical as he constructs a world where the boardroom is no better than the conflicts taking place outside on the mean streets. The top floors of OCP seethe with violent conflicts as department heads jockey for position with the boss in order to promote their own agendas. Murder, conspiracy, drug use, and a host of other anti-social behaviors inform the daily activities of the company's managing elite. Is "Robocop" Verhoeven's way of taking a slap at the lack of business ethics in the 1980s? Of course! If a commentary on how to run an evil corporation leaves you cold, however, you can always enjoy the great performances. Miguel Ferrar conveys sleazy here like no one else in the movie world. Ronny Cox, when summoned to play a baddie, rarely fails to deliver a memorable turn. Peter Weller does Murphy/Robocop in a way that draws real emotion. Nancy Allen takes her role as Murphy's caring partner seriously even though the film doesn't really do much with her. One of my favorites, Kurtwood Smith, plays the slimy crime boss Clarence Boddicker with enthusiastic gusto.

I hate to harp, but you really should try to find the Criterion DVD version of this film. That disc has a commentary from Verhoeven and a bunch of other interesting stuff. The MGM release pales in comparison, as anyone who has ever viewed a MGM disc knows anyway. Still, you do get most of the super gory scenes--Murphy's death sequence, the toxic sludge bath, and the arterial puncture scene--in their partial glory. If you liked "Starship Troopers" and you haven't watched "Robocop" yet, now is the time to get moving.

Summary of Robocop

There's a new law enforcer in town and he's half man, half machine! From the director of Total Recall and Basic Instinct comes a "sci-fi fantasy with sleek, high-powered drive" (Time) about an indestructible high-tech policeman who dishes out justice at every turn! When a good cop (Peter Weller) gets blown away by some ruthless criminals, innovative scientists and doctors are able to piece him back together as an unstoppable crime-fighting cyborg called "Robocop."Impervious to bullets and bombs, and equipped with high-tech weaponry, Robocop quickly makes a namefor himself by cleaning up the crime-ridden streets of violence-ravaged Detroit. But despite his new, hardened exterior, Robocop is tormented by scraps of memory of his former life, and relives vividnightmares of his own death at the hands of the vicious killers. Now he is out to seek more than justice...he wants revenge! "Fast, furious and entertaining" (L.A. Daily News), Robocop is "a fiercely paced action film" (Screen International) that doesn't let up on the thrills.
When it arrived on the big screen in 1987, Paul Verhoeven's RoboCop was like a high-voltage jolt of electricity, blending satire, thrills, and abundant violence with such energized gusto that audiences couldn't help feeling stunned and amazed. The movie was a huge hit, and has since earned enduring cult status as one of the seminal science fiction films of the 1980s. Followed by two sequels, a TV series, and countless novels and comic books, this original RoboCop is still the best by far, largely due to the audacity and unbridled bloodlust of director Verhoeven. However, the reasons many enjoyed the film are also the reasons some will surely wish to avoid it. Critic Pauline Kael called the movie a dubious example of "gallows pulp," and there's no denying that its view of mankind is bleak, depraved, and graphically violent. In the Detroit of the near future, a policeman (Peter Weller) is brutally gunned down by drug-dealing thugs and left for dead, but he survives (half of him, at least) and is integrated with state-of-the-art technology to become a half-robotic cop of the future, designed to revolutionize law enforcement. As RoboCop holds tight to his last remaining shred of humanity, he relentlessly pursues the criminals who "killed" him. All the while, Verhoeven (from a script by Edward Neumeier and Michael Miner) injects this high-intensity tale with wickedly pointed humor and satire aimed at the men and media who cover a city out of control. --Jeff Shannon
When it arrived on the big screen in 1987, Paul Verhoeven's RoboCop was like a high-voltage jolt of electricity, blending satire, thrills, and abundant violence with such energized gusto that audiences couldn't help feeling stunned and amazed. The movie was a huge hit, and has since earned enduring cult status as one of the seminal science fiction films of the 1980s. Followed by two sequels, a TV series, and countless novels and comic books, this original RoboCop is still the best by far, largely due to the audacity and unbridled bloodlust of director Verhoeven. However, the reasons many enjoyed the film are also the reasons some will surely wish to avoid it. Critic Pauline Kael called the movie a dubious example of "gallows pulp," and there's no denying that its view of mankind is bleak, depraved, and graphically violent. In the Detroit of the near future, a policeman (Peter Weller) is brutally gunned down by drug-dealing thugs and left for dead, but he survives (half of him, at least) and is integrated with state-of-the-art technology to become a half-robotic cop of the future, designed to revolutionize law enforcement. As RoboCop holds tight to his last remaining shred of humanity, he relentlessly pursues the criminals who "killed" him. All the while, Verhoeven (from a script by Edward Neumeier and Michael Miner) injects this high-intensity tale with wickedly pointed humor and satire aimed at the men and media who cover a city out of control. --Jeff Shannon
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