Return of the Magnificent Seven
by Burt Kennedy
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DVD Cover Information
Actor: Claude Akins, Juli?n Mateos, Robert Fuller, Warren Oates, Yul BrynnerDirector: Burt Kennedy
Cinematographer: Paul Vogel
Editor: Bert Bates
Producer: Robert Goodstein
Producer: Ted Richmond
Writer: Larry Cohen
DVD: 2 Layers, Region Code 1
Audio: English (Original Language), Dolby Digital 2.0 Mono; French (Original Language), Dolby Digital 2.0 Mono; Spanish (Subtitled); French (Subtitled); Spanish (Dubbed), Dolby Digital 2.0 Mono
Format: Anamorphic, Closed-captioned, Color, DVD-Video, NTSC, Subtitled, Widescreen
Picture Format: Anamorphic Widescreen, 2.35:1
Running Time: 95 minutes
DVD Release Date: 2002-04-02
Audience Rating: Unrated
Studio: MGM (Video & DVD)
Movie Reviews of Return of the Magnificent Seven
Movie Review: A Sequel With Virtues Of Its Own!
Summary: 4 Stars
No, Burt Kennedy's "Return of the Seven" doesn't surpass the John Sturges classic western "The Magnificent Seven." Remember, however, the Sturges film itself was a remake of Japanese director Akira Kurosawa's "The Seventh Samurai." First, I contend that "The Magnificent Seven" is one of the top ten best westerns. Second, I get a kick out of watching "Return of the Seven" for its own modest virtues. This sagebrusher came about as a result of the sequel craze in the 1960s. After the tension on the set of "The Magnificent Seven" with Yul Brynner, Steve McQueen refused to play second fiddle again to 'the King.' Anyway, McQueen's star was rising, while Brynner's stardom was becoming eclipsed.
It is important to remember the theatrical title, too, because it is "Return of the Seven" with the omission of the adjective "Magnificent." Indeed, Brynner is the only one who made it back for the sequel. McQueen refused to and Horst Buchholz had disappeared in Europe making other movies.
Mind you, around this time, the Europeans had spawned the so-called 'Spaghetti' western craze. Moreover, the Franco government in Spain subsidized filmmakers, and the rough-hewn Spanish scenery substituted more than adequately for the frontier American Southwest. When the scenery is more interesting to look at, the music stands out by itself, and the corpses outnumber the horses ten-to-one, you know that you're watching a 'Spaghetti' western. Oh, yeah, if the dialogue isn't lip-synched, you know you're watching a 'Spaghetti' western. Consequently, the Mirish Production company must have felt that they could knock out a sequel very inexpensively in Spain. Reportedly, the Alicante location where they filmed "Return of the Seven" had not been used in a picture. Unquestionably, "Return of the Seven" looks like an epic western, and Paul Vogel's cinematography is a feast for the eyes. Everybody looks really picturesque when they shoot their guns in this western. Burt Kennedy's "Seven" surpasses Sturges' "Seven" only in terms of its rugged, breath-taking scenery, Vogel's ace cinematography, and the lavish production values. Burt Kennedy stages some exception gunfights, but he cannot top the vintage Sturges shoot-outs.
"Return of the Seven" picks up years after the Sturges epic. An insane rancher decides to honor the memory of his two dead sons by abducting the farmers of several villages and having them build a shrine--a church--to commemorate his sons. Right off, "Return of the Seven" differs from "The Magnificent Seven." Francisco Lorca (Emilio Fern?ndez of "The Wild Bunch") looms above all as a law unto himself, whereas Calvera (Eli Wallach) was a cunning, ruthless bandit that lived outside the law. These films have different villains. One of the villages that Lorca's men raid and enslave is Chico's village. Julian Mateos takes over the role that Horst Buchholz created.
The worst scene is the first between Chris (Yul Brynner) and Vin (Robert Fuller of "Laramie") at a bullfighting arena. Vin sidles up to Chris during a bullfight and makes up a story that he is looking to collect bounty on Chris. Scenarist Larry Cohen of the "It's Alive" trilogy could have contrived a better reunion scene. Although Cohen received credit for writing the screenplay, all the dialogue sounds like something that Burt Kennedy would have written for Randolph Scott on those Budd Boetticher westerns of the 1950s. My favorite line is when Chris and Vin meet again during a cockfighting tournament and talk about their luck rounding up candidates. Vin asks, "Are they any good?" Chris retors, "They're alive." Staying alive is what "Return of the Seven" is all about. Meanwhile, Cohen replays themes from the original. The villagers huddle in a rainy church and admit their fear of anything.
The cast differs obviously and so do the characters. Burt Kennedy's "Seven" is harsh, definitely less sentimental than the Sturges "Seven." Some of these guys don't get along. Chris averts a gunfight between the loquacious Colbee (Warren Oates of "In The Heat of the Night") and the tight-lipped Frank (Claude Atkins of "A Man Called Sledge") in one scene. "Is he faster than you, Chris," Frank asks. "I'd hate to have the live on the difference," Chris observes. I'd heard this line in "Rio Bravo," but it fares better here. Another great scene occurs earlier when Chris buys Frank out of jail. "He killed five men in a gunfight," complains the jailer about the amount of Chris' bribe. "I could make it six," growls Frank. The bargain is sealed. The dialogue in this scene compares with the dialogue in the Charles Bronson scene in the original "Seven." This time the Seven face at least fifty gunmen, twenty or so more than in the first picture. Interestingly, Chris gets not only Frank but also Luis Emilio Delgado (Verg?lio Teixeira of "The Seventh Voyage of Sinbad") from the local jail. This anticipates the classic Lee Marvin war movie "The Dirty Dozen." Another scene that matched the original is the initial hero and the villains confrontation. Chris rides boldly into the construction site and demands the release of Chico and everybody else to the incredulity of Lorca's second-in-command Lopez (Rodolfo Acosta of "Rio Conchos") who replies, "I could have you shot like that." Lopez snaps. "There are six Winchesters pointed at your head." Chris is far more audacious here than he ever was in "The Magnificent Seven." Emilio Fern?ndez is a splendid foll0w-up to Eli Wallach. In real life, Wallach was gentle, whereas Fern?ndez was violent, handy with a gun, a gangsta of sorts. He looks like he means business as the villain in "Return of the Seven." Like Yul Brynner, Elmer Bernstein encores his original Oscar nominated orchestral soundtrack and amazingly he received another nomination for it. If you haven't seen the first "Seven," you could swear that Bernstein created the score for the sequel!
Too bad MGM/UA didn't put an audio commentary track on this one.
Summary of Return of the Magnificent Seven
The legendary Magnificent Seven thunder through Mexico and make cinematic historyagain! StarringAcademy Award?(r)winner* Yul Brynner and a stellar supporting cast that includes Robert Fuller, Warren Oates and Claude Akins, Return of the Magnificent Seven features Elmer Bernstein's Oscar?(r)-nominated** score and raises the bar for rugged western adventure to a new, heart-stopping level!It's been six years since Chico (Julian Mateos) rode with Chris Adams (Brynner) and his band of gunslingers. It was then that he married the beautiful Petra (Elisa Montes) andpromised to lay down his weapons forever. But when the cruel outlaw Lorca (Emilio Fernandez) beginsto terrorize his village, Chico, Chris and five new brave gunmen must ride again. Now, with the odds against them, the heroic seven emerge with guns blazing to face the shootout of their lives and what may be their final battle!Yul Brynner returns to lead a new band of gunfighters in this sequel to the classic Magnificent Seven, which delivers enough Western action to please genre fans. Return has Brynner's Chris recruiting a new Seven to rescue original member Chico (Julian Mateos, replacing Horst Buchholz), who has been kidnapped by a bandit (Emilio Fernandez). The Magnificent Seven is such an established critical and fan favorite that comparisons between it and Return will inevitably yield negative reactions, and while some aspects of the second film are inferior (in particular, a colorless new Seven, save for veteran scene-stealers Claude Akins and Warren Oates), it's capably directed by Western specialist Burt Kennedy, who is aided in no small part by returning composer Elmer Bernstein's rousing score. Two sequels followed--Guns of the Magnificent Seven and The Magnificent Seven Ride!--with George Kennedy and Lee Van Cleef, respectively, in the Brynner role. --Paul Gaita
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