Reap the Wild Wind
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DVD Cover Information
Actor: John Wayne, Ray MillandBrand: Universal Studios
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Mono; Spanish (Original Language), Dolby Digital 2.0 Mono
Format: Closed-captioned, Color, DVD, NTSC
Picture Format: 1.33:1
Running Time: 123 minutes
DVD Release Date: 1998-12-15
Audience Rating: NR (Not Rated)
Studio: Universal Studios
Movie Reviews of Reap the Wild Wind
Movie Review: Young John Wayne in color!
Summary: 5 Stars
I don't know of any other Wayne film before the forgettable '47 "Tycoon" that was filmed in color. All those classic '40s Republic westerns and war movies were filmed in B&W. After his epic B&W '39 western: "Union Pacific", De Mille had the clout to insist that all his future films be shot in Technicolor, a rare luxury treatment in the '40s.
In contrast to most other reviewers, this film is perhaps my favorite Wayne film(if we can consider it a Wayne film, since he was not originally given top billing). The Technicolor treatment is certainly one factor, but I guess I'm just hooked on DeMille's better films(In spite of several other fine '39 westerns, "Union Pacific" is my clear favorite for that year). The general style of the present film often apes that of "Gone with the Wind", to which it has often been disparagingly compared. I've never been a big fan of the latter film. If given a choice,I would see DeMille's film again. It is also commonly compared with Wayne's later film "The Wake of the Red Witch", which I haven't seen, but is said to be largely a reworked version of the present film.
Considering the age of this film, I thought the DVD transfer quality was excellent, with vivid colors. I also enjoyed some of the extras. For example, we learn that much of the shooting was done on location in Charleston and around Key West, although the underwater action was done in a huge tank. Both Paulette Goddard and Susan Hayward had tried out for the role of Scarlett in "Gone with the Wind". It is speculated that Paulette lost the role because of her uncertain official relationship with her recent lover, Charlie Chaplin. By the time the present film was begun, that relationship had ended.
There are so many complexities to this film and so many interesting, if sometimes stock, characters. I thought all of the main characters and most of the supporting characters were well cast. Captain Jack and Steve Tolliver seem destined to be at each other's throat throughout the story. Yet, occasionally, they fight together against a common enemy or help the other in a desperate situation. Captain Jack is a tragic figure, sometimes in hot water through no fault of his own, yet performing a dastardly deed to help win his love that precipitates the demise of many of the main characters. Raymond Massey sheds his Lincoln and John Brown images to become an engaging masterful villain. In one of the many convoluted relationships, Susan Hayward's character falls for Massey's handsome younger brother, who lives in his brother's shadow as a marginal villain. This romance, on the sneak, will become central to the tragic and redemptive events near the end of the story. In contrast to some viewers, I thought the talking dog and mischievous pet capuchin helped provide a bit of comic relief. I also enjoyed Lynne Overman's portrayal of Captain Phil, a classic old salt and grandfatherly figure.
Summary of Reap the Wild Wind
REAP THE WILD WIND - DVD MovieJohn Wayne was in the early stages of superstardom when this lavish Cecil B. DeMille adventure was produced in 1942, so it's interesting to see the Duke in a heroic supporting role as opposed to the commanding one. Here he's on equal footing with Ray Milland in the romantic lead; they play a pair of dashing yet wildly different characters who've both fallen for a feisty Southern belle played by Paulette Goddard. It's 1840 on Florida's Key West, and while Wayne plays a daring seaman eager to command a brand-new steamship, his ambitions are hampered by his daredevil reputation and the ruthless profiteering of a salvager (Raymond Massey) who preys on ships that are routinely wrecked in the Key's rocky coastal waters. Milland plays the dapper gentleman who can decide Wayne's future, but Wayne's competitive edge leads to a progression of apparent betrayals and shifting allegiances. Ultimately, both men cast aside their differences to seek justice on the open sea, where an underwater encounter with a giant octopus threatens to bury them both in a watery grave. Providing spectacle and romance as only DeMille could serve it up, this blustery adventure has its share of corny dialogue and obligatory crowd-pleasing action, but that's all part of the movie's considerable charm. It's like Gone with the Wind on the open sea, with the high-spirited Goddard (who had been a candidate for the role of Scarlett O'Hara) holding her own with her chest-thumping costars. DeMille fills his frame with delightful characters and background business, spicing up the story with just enough humor and hokum to offset the movie's forgivable flaws. Presented in glorious Technicolor that's been flawlessly preserved on DVD, the film earned Oscar nominations for its cinematography and costumes, and its still-exciting climax earned an Oscar for Best Special Effects. All in all, this is rousing Hollywood entertainment from the peak years of the studio system that DeMille had dominated for decades. --Jeff Shannon.
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