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Ready to Wear by Robert Altman
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DVD Cover InformationActor: Julia Roberts, Marcello Mastroianni, Rupert Everett, Sophia Loren, Stephen Rea Director: Robert Altman DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 5.1; English (Original Language), Dolby Digital 5.1 Format: Closed-captioned, Color, DVD, Letterboxed, NTSC, Widescreen Picture Format: 2.20:1 Running Time: 133 minutes DVD Release Date: 1999-06-29 Audience Rating: R (Restricted) Studio: Miramax
Movie Reviews of Ready to WearMovie Review: A Crazy Quilt Summary: 5 Stars
Why all the hate for FEADY TO WEAR? Like many of you, I was underwhelmed when it first came out but now thanks to constant showings on the Sundance Channel and all those channels in that narrow band of indie cable, it has been growing on me and now I can't stop watching it. Barbara Shulgasser's writing is wonderful, and if it has been chopped up like cole slaw by Altman's fitful direction, and by the generally improvisatory style embodied by Kim Basinger's steamrolling fashion reporter, it is still Altman who gives the picture its life, its joie de vivre. And the fantastic outfits are to die for, each one crazier than the last.
Sophia Loren is so over the top in this one role that retrospectively her entire career takes on a veneer of camp Carlo Ponti could never have intended. If she was Elton John her sunglasses couldn't get any vaster, like two TV screens perched on her nose, and her breasts bobbing like apples in the tub of her sausage cased cleavage deserve equal billing with Mastroianni, who perhaps overdoes his sad sack clown persona. Together they're not so much fun as you'd think, but she's great. Is there any black satin left in the world or was all of it used for her widows' wear!
My favorite, Anouk Aimee, gets all the drama parts. Why didn't Altman use Anouk Aimee more, she is simply the most striking and hawklike actress who ever lived! She and Rupert Everett as her avaricious son are playing out whole 3 decker Balzac novels with their back and forth, their mutual accusations of greed and contempt.
OK, there are some inanities to READY TO WEAR, and I'm never sure if Forest Whitaker isn't laughing up his sleeve or revealing new previously unknown dimensions to his private life, but all in all it is a movie for the ages, and my favorite by Altman (except for NASHVILLE and A WEDDING). Maybe its angle about fashion being stupid is itself pretty banal, but you know, I just don't care any more. If it's on, I'll watch it all the way through and I'll cry when it's over, just like Julia Roberts pretending her lost luggage hasn't yet been delivered to her closet.
Summary of Ready to WearA glittering Hollywood all-star cast shines in Robert Altman's deliciously sexy comedy hit READY TO WEAR! At the world's hottest fashion show, there's been a murder. Now, everybody's a suspect -- including two guests who end up sharing much more than a hotel room! Add to the fun a hilariously inept TV reporter on the trail of her most shocking interview yet! They're all caught up in the year's biggest see-and-be-seen events -- where steamy scandals and spectacular supermodels turn up the heat in a riotous show of high-fashion hilarity. Robert Altman's much-anticipated broadside at the world of fashion is a disappointment. The film's crazy-quilt Nashville-like narrative structure and ensemble casting (Julia Roberts, Tim Robbins, Lauren Bacall, Marcello Mastroianni, Sophia Loren) are a thing to behold, but the story's many interlocking pieces lack overall depth and resonating emotion. There is a grand, satiric statement about fashion and society at the end of the film, and there are hints of an aging, nostalgic filmmaker's skepticism about our postmodern world of short-lived attachments and meanings. But watching this film is a long, long uphill climb, with a lot of thin air to endure before arriving at a destination. --Tom Keogh
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