Movie Reviews for Raising Arizona

Raising Arizona

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Movie Reviews of Raising Arizona

Movie Review: Perfectly Hilarious
Summary: 5 Stars

I don't often watch a movie more than one time, but this one grabs me whenever I hear the music or a line of dialog as I flip through the channels. By now we own a copy and I can't even count the number of times I've laughed my way through it.
The basic story involves an ex-con and his wife who's a cop. They kidnap an infant from a set of quintuplets. The deadpan narration teamed up with Nicholas Cage's hapless expression and disarranged hair is the perfect foil for all the mayhem, car chases, robberies, as the infant is kidnapped again and again by a zany cast of characters.
Sure other movies have incompetent bank robbers, dogs chasing criminals, and lovable babies, but this one puts them all together with Nicholas Cage for a comedy classic.

Movie Review: Reminiscent of the humorous two-dimensional anarchy of Warner Bros. cartoons...
Summary: 3 Stars

For all the visual flair and deft performances on display in their films, the Coens' greatest virtue lies in writing... In terms of cheerful stories, witty dialog and the creation of a coherent, plausible fantasy world peopled by vivid characters, their ability to work original and entertaining variations on a genre indicates well for the future...

Opening with a brilliant pre-credits monologue, "Raising Arizona" tells of an incompetent, compulsive petty criminal's love for his prison warder: married but infertile, the couple kidnap a baby, whose tycoon father hires a crazed biker to find and kill the culprits... A surreal, slapstick satire, it takes intense pleasure in exciting plotting, showy and cheap colors, and hilarious screwball characters...

Movie Review: "Sometimes it's a hard world for small things."
Summary: 5 Stars

While The Big Lebowski (1998) is probably my favorite Coen Brothers film, Raising Arizona (1987) is a very close 2nd. Written and directed by the Coen Brothers (Miller's Crossing, Fargo, O Brother, Where Art Thou?), the film stars Nicolas Cage (Wild at Heart, Ghost Rider) and Holly Hunter (The Piano, O Brother, Where Art Thou?), in her first starring feature film role, a part written specifically with her in mind (apparently Kevin Costner was first offered Cage's role, but turned it down). Also appearing is Trey Wilson (Twins), John Goodman (The Big Lebowski), William Forsythe (Out for Justice), Sam McMurray (Addams Family Values), Academy Award winner Frances McDormand (Fargo), who's married to Joel Coen, and former professional boxer Randall 'Tex' Cobb (The Golden Child), who, apparently, once took such a brutal, prolonged beating in the ring from heavyweight Larry Holmes during a 1982 match at Houston's Astrodome that it caused a disgusted Howard Cosell to swear off announcing boxing matches for the rest of his life.

Cage plays H.I. McDunnough, a career criminal who has a penchant for robbing convenience stores, along with getting caught. During his various incarcerations he falls for, and eventually marries, a police officer named Edwina aka Ed (Hunter) and the pair move into a starter home (a trailer) while H.I. goes on the straight and narrow, taking on a respectable job. Things go well, that is until the couple learns, while trying to start a family, that they can't have a baby due to the fact Ed's `insides were a rocky place where H.I.'s seed could find no purchase'. Not only that but adoption isn't an option, given H.I.'s checked past. As despair over their situation sets in, the couple learns of a local businessman named Nathan Arizona (Wilson), `the owner of the largest chain of unpainted furniture and bathroom fixtures throughout the southwest', and how his wife just gave birth to quintuplets. From disparity comes a plan to snatch one of the babies and raise it as their own, the thought being perhaps Arizona and his wife have more than they can handle, and won't miss one too much. They snatch the baby and return home, only to soon be visited by a couple of H.I.'s jailbird buddies, the brothers Gale (Goodman) and Evelle (Forsythe) Snoats, who've recently effectuated themselves an early release from prison. Matters are further complicated as H.I. loses his job and soon finds himself reverting back to his old, criminal ways (seems Gale and Evelle are planning a bank job, and want H.I. in on the heist). Eventually things come to a head as a large, dirty, greasy, hairy bounty hunter aka the warthog from hell named Leonard Smalls (Cobb) makes the scene, his intent being to collect the child by any means necessary.

This is one of those movies where everything works in terms of the writing, dialog, direction, performances, casting, and so on...the best aspect, in my opinion, is the unique writing as there's a ton of quotable lines from the film, a few of my favorites listed below (for context on most, you'll just have to see the film)...

`Son, you got a panty on yer head.'

`Now, what's it gonna be young feller? You want I should freeze or get down on the ground? Cause if'n I freeze, I can't rightly drop. And if'n I drop, I'm gonna be in motion.'

`Anyone found bipedal in five wears his a** for a hat!'

And then, of course, there's the classic line that comes as Nathan Arizona, after the abduction, is being questioned by local, state, and federal authorities. At one point someone asks him what the baby was wearing at the time of the abduction and Arizona replies, in an agitated state, `I don't know - they were jammies! They had Yodas'n s**t on 'em!'...and there's a lot more where that came from...something else, what makes the dialog work as well as it does is the delivery, not only by the main performers but also by the supporting cast members. Both Cage and Hunter are excellent in their roles, as are Goodman and Forsythe as the criminally dimwitted, slovenly Snoats, and Trey Wilson, as Nathan Arizona. Frances McDormand also does very well as the wife of H.I.'s boss, but know her role is fairly small, at least compared to her part in the Coen Brothers' Fargo (1996), for which she ended up earning her an Academy Award. I also really liked Randall 'Tex' Cobb in his role, which presented him more as a malevolent force of nature rather than your average, on screen villain. As far as the direction, I thought it was done extremely well, especially during the opening sequences prior to the opening credits, which sets up a lot in a relatively short amount of time, and subsequently sets the tone well for the rest of the film. There are so many great scenes throughout the film but the one that comes to my mind is a short one, and features Gale and Evelle, who've absconded with the baby after learning his true identity, as they stop at a gas station/convenience store to pick up supplies. Evelle's interaction with the store attendant in terms of diapers, balloons, and whatnot, is worth the price of admission alone. All in all this is an extremely funny, entertaining, and even thoughtful film, and one definitely worth owning as, if you're like me, you'll most likely watch it more than once.

The picture, presented in widescreen (1.85:1), on this DVD is very clean and clear, and the Dolby Digital Surround audio, available in English and French, comes through very well. There's really not much in terms of extras, except for an original theatrical trailer, subtitles in English and Spanish, three television spots, and previews for a couple of other Coen Brothers releases including Barton Fink (1991) and Miller's Crossing (1990). Actually, I'm somewhat surprised, at the time this review was written, that a newer DVD release of this film, one packed with extras, including a commentary or two, has yet to come out, but perhaps we'll see one sometime in the near future.

Cookieman108

Movie Review: Funny
Summary: 5 Stars

Son You Got a panty on your head i think is the most funny thing on this movie that is very funny the hole movie is great.When his boss runs in to a tree that is really funny. !!!!!!!!!!!!!!