Princess Mononoke
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Movie Reviews of Princess Mononoke
Movie Review: Truly a special film.
Summary: 5 Stars
Princess Mononoke is a movie for anyone. It is not restricted to fans of anime, but to those intelligent enough to appreciate such a great story. It represents everything that is great about anime. It leaves out the senseless sex and violence that plagues many anime films and give anime a bad reputation to those who don't know any better. Fans of Ninja Scroll might very well be bored by this film but the truth is they're not looking for an insightful story. No, they're looking for an endless amount of gore that looks 'cool' according to them. Princess Mononoke does have its fare share of violence but it's rather tame in comparison to some other anime. True, it does include some decapitating scenes but they aren't without reason. Considering the character's cursed arm is turning him into a demon, the options for showcasing that terrifying power are quite slim, especially when the bow his the weapon of choice. If the arrow was to wound the enemy just as it normally would, then it would prove nothing in terms of the character becoming a demon. It is also important to note that these killings are not glorified in any way, they're brief, and to the point. There's no need for pools of blood and guts.
The dubbing in this movie isn't spectacular but you should never expect it to be, in my opinion. If you watch a dubbed movie expecting to be blown away then you're already putting too much emphasis on it. Some people have a real hard time with dubbed films and in some cases I agree, it gets in your head and to tell your self not to think about it is to think about it. You know dubbing's done right when you never have to pay any piece of mind to it and that's why Princess Mononoke works for me. Some people are arrogantly sold on the belief that subtitles are the only way to translate movies. They will watch any dubbed anime and pick out every flaw they can find, which in turn ruins the experience. I pity these people.
The visuals are no doubt spectacular, there's no room for debate, you will be impressed. The story backs up the animation perfectly. A person familiar with eastern philosophy/culture will likely have an easier time picking up on subtle things but to be honest, this movie is not very complicated. Any westerner should have no problem with it, so long as they pay good attention.
If there's one complaint I agree with to some extent is the lack of character development. You probably won't find yourself caring to much about the characters. The thing is, Princess Mononoke is beyond individuals, and to develop some characters even more would be wasted time in a movie that's already long. You will learn all you need to know. The main character is a man away from his normal surroundings, trying to find truth. He has a short time to live, no time to waste revealing his own quirks which define him. But he is human after all, so we do get to see small glimpses of his personality at times. As for the main heroine, one could argue that she has too much personality considering that she's brought up by wolves. The side characters have a good deal of personality which is great.
Now some people have a problem with the ending. It appears to be rather static but gained knowledge and wisdom should not be underestimated. It is a fine ending to an amazing movie. Anyone open to fantasy should love this film.
Movie Review: One of the best animated movies ever
Summary: 5 Stars
To appreciate how exceptional 'Princess Mononoke' is, just try to imagine Disney doing something like this. Imagine how overbearing and preachy its message would be, or how sickly cute and perfect they would make San, or how the owner of the ironworks would be a ruthless, ugly, rich old guy. In contrast, `Mononoke' is a thought-provoking film that refuses to settle for easy answers, and contains very complex and well-drawn characters.
One thing to note is that this is quite adult-oriented compared to some Miyazaki films such as `Kiki' or `Totoro'. Although there's nothing gratuitous, there is a surprising amount of violence, and some mature themes. That apart, this film explores typical Miyazaki themes; including environmentalism, alternate history, Japanese mythology, and feminism. And like all Miyazaki films, `Mononoke' is superbly drawn and animated, incorporating some fairly subtle CG effects for the first time. In the original Japanese, the voice acting is universally excellent. (Although people have problems with some performances in the English dub, I can't comment as I always watch anime in its original language).
For the characterisation, the movie aggressively turns history on its head by having strong, capable women in powerful positions (even if Ashitaka is cast as the traditional `hero'). Lady Eboshi especially is a fascinating character, as she is a genuine antagonist. Her position puts her in direct conflict with Ashitaka and San not because she is evil, but simply because her needs clash with theirs. San herself is extremely aggressive for a heroine, and the various forest animals are even more ruthless and determined. The film constantly blurs the line between protagonist and antagonist; Eboshi destroys the forest but provides work and shelter for social outcasts, San and Moro defend the forest creatures but resort to violence to do so. There is no `right' and `wrong' in this movie, just competing agendas. Such depth and thoughtfulness is welcome, and is one reason why I consider Japanese animation to be above its American counterpart.
If I had to make one criticism of this film, it's that there might be one too many competing agendas. We have Ashitaka and his quest, San, Eboshi and the ironworks, Moro and the wolves, the boars, the monkeys, the forest gods, Jigo, and the Emperor's mercenaries. There is an awful lot happening in this movie, and the various alliances and battles do require some concentration to follow. This alone means `Mononoke' is more suited to an adolescent/adult audience than for children. The pacing and storytelling is perfect, though, meaning the movie is not really difficult to fully appreciate or understand, provided you put in a little effort.
In my opinion, `Princess Mononoke' is Miyazaki's best film, and that's saying something. Outstanding animation, well-drawn characters, intricate plot, and some thought-provoking themes, all presented in a more mature and complex style. An amazing piece of work, and one of the best anime ever made.
Five stars all the way.
Movie Review: Perfection. 5++
Summary: 5 Stars
Rare is it for a film, animated or otherwise, to impact you so deeply that you sit in your chair, unable to move, as the end credits begin to roll; stunned at what unfolded before your eyes, what you have just had the pleasure of beholding - of experiencing. There or two other anime features that have done this to me. One was Studio Ghibli's heart wrenching masterpiece 'Grave of the Fireflies' and the other was Studio Gainax's groundbreaking 'The End of Evangelion'. 'Princess Mononoke' has taken a place as one of the best films ever created, or should I say dreamed. 'Princess Mononoke' is a dream come true. I will not go into the plot because I feel everyone should go into this film with an open mind, with no preconceived notions, as I did. Sure, I had a faint idea what the basic premise was, but nothing had prepared me for what I saw on that screen.
Mononoke was previously in limited release, showing in small/art theaters in the top 20 markets (LA, NYC, Chicago, etc.) Miramax had stated that if it did well in the Minneapolis/St. Paul area then they would go ahead with a full release. Sadly, Mononoke bombed in this market, so many people will never be able experience the film in the theatrical ratio Director Miyazaki originally envisioned. If any Japanese Animation deserved national theatrical release, it is this one. The animation is, in every sense of the word, stunning. Far surpassing traditional Disney animation in terms of CG ingenuity and attention to detail.
The film is only rated PG-13, but it is really borderline 'R'. The themes and emotions it deals with will go right over the heads of younger viewers. Plus there is some intense and often times violent action. Decapitations become a common trend in the film, and there is a particularly graphic sequence in which a hog like animal begins to spew blood from its body. In the screening I attended I noticed one boy, around 6/7, bury his head in his father's shoulder. Afterwards, I couldn't help but overhear and younger girl saying to her dad "You didn't tell me it was going to be scary...". Mononoke is not a child's cartoon, it is serious adult animation with imagery and dialogue to back that up. Speaking of the dialogue, there is *a lot* of it. The film spans more than two hours, which will be too long to keep most second graders interested.
As far as dubbing is concerned, it was [surprisingly?] done quite well. Probably one of the best dubs, actually. The translation is excellent and the voice-lip synch is nearly flawless. This is one anime where the dubbing won't detract from the enjoyment of the film.
As you probably have figured out by now, I am very excited about Mononoke. I can't help but call the film completely and utterly perfect. From the epic story to the breathtaking animation, Mononoke succeeds on all levels. Any film buff that is a film buff deserves to see this, and this film deserves to be seen.
Movie Review: Vivid, Crisp, Brilliant
Summary: 5 Stars
First, some concessions. I do not speak Japanese, so I can say nothing about the Japanese language version or the quality of the translation. Also, I am not an rabid anime fan, and in fact this was the first japanese-animated feature film I ever saw (I have seen more since). Finally, this movie takes maturity to watch and appreciate - there is some graphic animated violence and mature themes throughout. Now, on to the review.This animated film by Hayao Miyazaki is absolutely amazing. It embodies all the things you should look for in animation, and it stands as one of the greatest films - and, along with Ran (directed by Kurosawa), my favorite film from Japan. First, let me say that the story was terrific, using developed characters and tackling real-world problems of environmentalism and technology tastefully and without an abundance of feel-good Sierra-club nonsense a la Captain Planet and Ferngully. It explores humanity's relationship with nature, the struggle for human survival, and the difficulties of human advancement. While there is a large degree of sentimentalism (Randians beware) the story should appeal to a wide range of audiences.
The most amazing thing about the movie is the art and art direction, all masterfully done. The entire movie is a feast for the eyes, both characters and backgrounds are drawn with fascinating detail and rich, crisp color. The artistic and directorial talent deserves the utmost respect. You'll have to see the movie to believe how good it is.
The sound is well done, but for those of you wanting to utilize your overly expensive surround sound systems, you'll find yourself missing out (sorry). The sounds are crisp, though, and complement the visual experience beautifully. The music is a chapter all to itself, both complementing the other senses and leading your emotions throughout the whole film.
The voice talent is mixed. Americans will certainly recognize Jada Pinkett Smith (horrible), Minnie Driver (excellent), Billy Bob Thorton (so-so), and Claire Daines (excellent). A fellow reviewer claims that the poor voice actors hurt the movie beyond repair, but this is nonsense. The dubbing is excellent (read: does not look stupid and mismatched). Regarding translation, see the concessions.
This movie showcases japanese animation and animation in general. The crispness of sound, enchantment of music, and vividness of color make this film a thrill ride for the senses. The movie avoids the problem of having many things happening at once, and clearly shows what is happening even during the fast-paced battle scenes -- a sure sign of directorial experience. Praise for Hayao Miyazaki is practically neverending.
If you enjoy Japanese animation, you probably already own this film. If you absolutely hate it, watch this movie anyway - I think it will change your mind. This movie is essential for any DVD library. Buy it.
Movie Review: See With Eyes Uncouded
Summary: 5 Stars
Japanese anime has a never-ending ability to surprise and refresh my concepts of that is possible in an 'artificial' format. Perhaps this is merely due to my status as a rank amateur, but I seem to get more excited by this format than I have by any other in some time. There is something in anime that reaches past the traditional limits of modern illustrative animationFor example, take 'Princess Mononoke.' On the surface, this is not a complicated film. Prince Ashitaka receives an evil wound while defending his village from a forest wild boar god that has been driven insane by poisoned bullet. The village wise woman tells Ashitaka that he is doomed to death, and sends him on a quest to the home of the ruined deity, where his task is to 'see with eyes unclouded by hatred.' And so, Ashitaka comes to Irontown where the need for resources has put the town in conflict with the natural world about them.
The beautiful Lady Eboshi leads the town on a perpetual assault against the forest. There, with the aid of Jigo, the Emperor's representative, she plans to kill the forest spirit and give its head to the Emperor. Opposing her is the wolf girl San, Princess Mononoke. San and her wolves are fighting a losing battle to stop Eboshi and her villagers. She has renounced her fellow humans and seeks to kill all who endanger the forest. Into the middle of this steps Ashitaka, who tries to help both sides to survive, and receives few thanks for his concern.
Too often, this type of plot would invite a great deal of overacting and bombastic dialogue. Yet that is exactly what does not happen in Hiyao Miyuzaki's delivery of this tale. The viewer will come to love the villagers and can at least admire Lady Eboshi for her fierce determination and care for her own. Jigo is driven by greed, but he is hardly unwise, and knows how to bend with circumstances. Mononoke is angry, fiercely bloodthirsty as well as beautifully and tragically heroic. Only Ashitaka is all of one color, despite a wound that threatens to turn him into a demon.
Instead of being a pretty film with a message, Miyazaki has created a film with many levels. He turns his eye to many conflicts that have no clear resolution and allows them to retain the dignity of their context. Thus, an animated film becomes more real than reality, where even the tragedy of change can become life affirming. The naturalness of the translation and dubbing (carried out under the watchful eye of Neil Gaiman) will also surprise those of us who are used to having to watch the sub-titles to get a true sense of what is being said.
This film is extremely worthwhile, and watchable by any audience that can manage the unavoidable violence. One that will stay in mind for some time to come, and that I will mention when someone asks me what I would recommend as an introduction to the complex world of anime.