Payback

Payback
by Brian Helgeland

Payback
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DVD Cover Information

Actor: Bill Duke, David Paymer, Gregg Henry, Maria Bello, Mel Gibson
Director: Brian Helgeland
Cinematographer: Ericson Core
Writer: Brian Helgeland
Editor: Kevin Stitt
Producer: Bruce Davey
Producer: Stephen McEveety
Writer: Donald E. Westlake
Writer: Terry Hayes
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Surround; English (Subtitled); English (Original Language), Dolby Digital 2.0 Surround; French (Original Language), Dolby Digital 2.0 Surround
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, Widescreen
Picture Format: 2.35:1
Running Time: 100 minutes
DVD Release Date: 1999-07-27
Audience Rating: R (Restricted)
Studio: Paramount

Movie Reviews of Payback

Movie Review: Payback - A truly enjoyable film!
Summary: 5 Stars

"Payback" hails back to the seventies type movies where rooting for the bad guy is the whole point of the movie and it works quite successfully in this first-rate film. Mel Gibson does an terrific job of playing the bad guy that you really want to root for. Fair warning to the light of heart and young ones though, for this film is not for them. Sticking with Mel Gibson's type of film making, the realism in this film is astonishing and could be considered rather shocking.

Given that this is an entirely different type of movie for Mel Gibson in which he is the hero of the film but his character isn't quite the "hero" type, I found his performance to be exceptional, but then again, name a film where his performance wasn't exceptional. Maria Bello of "ER" fame stars as Mel Gibson's love interest and she performs quite well in this film. Gregg Henry who plays the "true" bad guy of the film and he does a great job of playing the extraordinarily sadistic mafia "wannabe." Kris Kristofferson plays the "mob" boss of the film. Lucy Alexis Liu performs quite "scarily" as the masochistic/sadistic call girl with some interesting associates.

This is the first film from Director Brian Helgeland that I've seen and he certainly deserves a great amount of praise for bringing the novel "The Hunter" by Richard Stark to the silver screen and DVD format. This film is certainly the last of its type in the twentieth century! The sound track for the film matches perfectly with the entire "feel" and atmosphere of the film, greatly enhancing the experience.

The premise:

Mel Gibson plays Porter who, while being little more than a common criminal is not so much a common criminal as the film unfolds. As the film opens Porter is retelling the recent events of his life after he's been shot and has now recovered enough to make his way back to New York City and he's on a mission. We soon learn that he and Val Resnick had planned and executed the robbery of $130,000 from a Chinese organized crime group and that when it came time to divide the money between himself and his wife and Val, Val had been conspiring with Porter's wife, showing her a picture of Porter and Rosie (Maria Bello). Porter's wife shoots him in the back. He's now recovered and he's coming to town, looking for his $70,000 and to kill Val Resnick.

What follows from there is nothing short of one of the most brilliant films of its type where Mel Gibson brings his style of acting to the forefront where he can throw in some well placed and funny lines in the most serious of situations for his character.

I highly recommend this film to any and all fans of this genre as you will soon find that it bears many viewings quite easily and all the way through you'll be "rooting for the bad guy." {ssintrepid}

Special Features:

There's not much to look for here when it comes to the Special Features for "Payback." In the end though, this DVD is about the movie and that's what you get, in all its glory!

- 2 Theatrical Trailers
- Behind the Scenes Featurette

Summary of Payback

There were reasons writer-director Brian Helgeland's cut of Payback was dismissed by distributors Paramount and Warner Bros., then heavily re-shot and re-tooled by Mel Gibson's production company, Icon Entertainment. Those reasons are explained in detail by Gibson, Helgeland, and others in the special features of Payback: The Director's Cut (Special Collector's Edition). Among them: Helgeland's version was too dark. America wasn't ready in 1999 to see Gibson play an unapologetic, 1970s-style antihero who might not get exactly what he wants. Audiences didn't have the patience to wait for answers to their story questions. A dog dies. (A big no-no.) All of these comments make sound, practical sense. But here's the bottom line: Helgeland's cut, perhaps even a bit more disciplined and taut (according to Payback?s editor, Kevin Stitt) than it was in 1999, is a serious movie with an organic tone and logic that makes the film look the way it was meant to look: as a neo-noir film for adults. The theatrical release of Payback, by contrast, was and is silly and vulgar, self-sabotaging, pointlessly vicious, and perversely jaunty. It is very much like--deliberately like--the Lethal Weapon series. The Director?s Cut makes clear that?s not at all what Helgeland had in mind.

Kudos to Gibson and Icon for giving Helgeland a chance to restore his film and get it out on this DVD. But a look at both versions (this disc does not include the theatrical cut) back-to-back can certainly make one's head spin. Icon?s revisions in the original release show little faith in a contemporary audience?s ability to discern much about a story or mood or character from spare but telling details. That film relies on crass swatches of voiceover narration, cute inserts, added scenes, and hipster tunes on the soundtrack. All of that was designed to tell an audience how to feel rather than encourage a cinematic experience encountered with an open heart and mind. Worst of all is a specious third act nakedly built around an obligatory Gibson-gets-tortured sequence, leading the film to a lazy, comforting conclusion. The Director?s Cut eschews all of that. Gibson?s character, Porter (based on the central character in the novel "The Hunter," written by Donald E. Westlake under the pseudonym Richard Stark), is a man returning from the brink of death with nothing but his identity and the memory of something (an almost-nominal amount of money) taken from him. His iron determination, his capacity for brutality and inducing fear, and his survival instinct make him anything but warm and cuddly. It's his few ties to the past--especially an interrupted relationship with a call girl (Maria Bello)--that humanize him. One doesn't have to like Porter; one just accepts him and follows his journey in an honest, unmitigated fashion. That?s exactly what Helgeland does, and his cleaner, leaner, smarter cut is instantly rewarding for its uncompromising, undistracted toughness. Special features include a documentary about the film?s history, and a wonderful interview with Westlake. --Tom Keogh
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