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Monsieur Verdoux
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DVD Cover Information Actor: Allison Roddan, Audrey Betz, Charles Chaplin, Mady Correll, Robert Lewis Director: Charles Chaplin Brand: Warner Brothers Writer: Charles Chaplin Writer: Orson Welles DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Subtitled); Portuguese (Subtitled); Georgian (Subtitled); Chinese (Subtitled); Thai (Subtitled); English (Original Language), Dolby Digital 2.0 Mono; French (Dubbed) Format: AC-3, Black & White, Closed-captioned, Dolby, Dubbed, DVD, NTSC, Subtitled Picture Format: 1.33:1 Running Time: 124 minutes DVD Release Date: 2004-03-02 Audience Rating: Unrated Model: 37652 Studio: Warner Home Video Product features: - Charles Chaplin turns his traditionally sunny sensibilities inside out with this sublime black comedy about a family man who secretly uses murder to support his beloved invalid wife and child. There's little of the immortal Tramp in Verdoux, yet the fastidious dandy is not lacking in comic graces. Most hilarious of all are the always-foiled attempts to dispatch the raucous Annabella (Martha Raye).
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Movie Reviews of Monsieur VerdouxMovie Review: Reveals much about Chaplin Summary: 3 Stars
According to the commentary included with this 1947 film, Chaplin considered Monsieur Verdoux one of his best films. It would be more accurate to regard it as one of the best for illustrating his enormous vanity and self-obsession. In his 1940 film, The Great Dictator, Chaplin found humor in Hitler, who resembled him slightly in appearance and more than slightly in ego. In this film he finds a similar humor in a French serial killer who woes and murders women for their money. For Chaplin, the central figure in all human history and the only person who matters is always himself.
A better man would have used the film as a launching pad for actors younger, poorer, and less well-established than himself. Chaplin, who also wrote and directed it, sees it as another opportunity to strut his talents. No other actor was given a major role. Even the pretty young woman (Marilyn Nash) who has the second most important role merely exists to inflate our opinion of M. Verdoux. We are supposed to be impressed that, intending to kill her to test a new poison, he takes pity and lets her live. Chaplin is that self-obsessed.
In a city park, I once had to tell a man throwing knives at a tree just a few feet from a busy walkway that he had to stop. He defended his actions by talking about all those who die in highway accidents each year. I told the deluded twit that he was talking nonsense, that there was no relationship between the danger that one of his knives would bounce off a tree, hitting an child's eye and far away car crashes. In this film, Chaplin, scriptwriter and actor, is equally deluded. He really does think he i's demonstrating a superiority morality when he compares his murders to the millions who die in wars: '"As a mass killer,"' a smug and smiling Verdoux tells us, "'I am an amateur in comparison.'"
This film may be sick as a comedy, but it is worth watching for what it tells us about Chaplin's politics and, by extension, the politics of similar celebrities today. When G. K. Chesterton warned between the wars that Germany would start another and still more horrible war, he explained why pacifists and militarists "are always in alliance, by a fatal logic far beyond any conscious conspiracy."' By defining every aspect of war as evil, he wrote, they equate the arsonist with the firefighter. Chaplin does just that in this film, equating the French and English, who certainly did not want the war that had ended two years before, with Nazi Germany, which did. M. Verdoux (and by extension M. Chaplin) is claiming to be above any criticism we might direct at him. He is that vain and that self-obsessed. That's the main message this film carries.
'Michael W. Perry, editor of Chesterton on War and Peace: Battling the Ideas and Movements that Led to Nazism and World War II
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