Masters of Russian Animation - Volume 4
by Eduard Nazarov
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DVD Cover Information
Actor: Leonid Kuravlyov, Nelli Korniyenko, Nina RuslanovaDirector: Eduard Nazarov
Brand: MASTERS OF RUSSIAN ANIMATION
Cinematographer: Mikhail Druyan
Writer: Eduard Nazarov
Editor: Nataliya Stepantseva
Producer: Joan Borsten
Producer: Oleg Vidov
Producer: Regina Billings
Producer: Sofia Konbrandt
Writer: Boris Shergin
DVD: Region Code 1
Audio: Russian (Original Language)
Format: Animated, Color, DVD-Video, NTSC
Picture Format: 1.33:1
Running Time: 141 minutes
DVD Release Date: 2000-12-05
Audience Rating: NR (Not Rated)
Studio: Image Entertainment
Movie Reviews of Masters of Russian Animation - Volume 4
Movie Review: Nothing short of Stunning
Summary: 5 Stars
American audiences in general are not as familiar with animation that is OTHER than Saturday morning Warner brothers, or other kiddie directed style.
And while it's possible that the films in this collection are below par for great world animation - they are still mindblowingly beautiful works.
Especially Door, and Big Underground Ball.
The imagination and effort that goes into these brilliant stop motion doll, and claymation works is inspiring and delightful.
And a long artistic way from the few celebrated claymation features that get rolled out every year for the past 45 years and are the staple of American diet on holidays.
This series 1-4, along with Jan Svankmayer's works, should be part of any fan of visual arts collection.
Summary of Masters of Russian Animation - Volume 4
An extraordinary collection of award-winning animated short films by Russia's world-renowned directors and artists. Digitally restored from 35mm materials newly printed by the National Film Archive of Russia, these are the highly personal animated short films from the Soyuzmultfilm Studio. Produced during from 1986 through 1990 -- perestroika -- this volume of films, many of which received highest honors at international film festivals, are each unique, crafted artistically and intellectually. Vol 4 includes twelve films, seven directed by women. Door, Dream and Alter Ego are all by Nina Shorina; Boy is A Boy and Cat and Clown are both by Natasha Golovanova; Girlfriend is by Yelena Gavrilko and Croak x croak is by Yelena Fedorova. Also Liberated Don Quixote by Vadim Kurchevsky, Martinko by Eduard Nazarov, Bit Underground Ball by Stanislav Sokolov, Kele by Mikhail Aldashin & Peep Pedmanson, and Cat and Company by ALexander Guriev.The 12 shorts in this collection were made at the Soyuzmultfilm Studio during the late '80s, shortly before the collapse of the Soviet regime ended the subsidies that had financed the studio's output since its establishment in 1936. Nina Shorina's mordant stop-motion film "Door" (1986) probably ranks as the best known work in the anthology. The outr? inhabitants of a crumbling apartment house go to enormous trouble getting in and out of the building without using the front door--even after a boy demonstrates that it's unlocked. "Door" satirizes the mismanaged life Soviet citizens endured for decades, but the rest of the films draw primarily on non-Russian sources for inspiration. Natasha Golovanova's charming "Boy Is a Boy" (1986) reflects the influence of British illustrator Ronald Searle; "Liberated Don Quixote" (1987) by Vadim Kurchevsky offers backgrounds that evoke the paintings of El Greco; Mikhail Aldashin and Peep Pedmanson borrowed heavily from the Hubley Studio films "Keke" (1988). While Shorina's "Alter Ego" (1989) resembles a watered-down version of the work of Czech surrealist animator Jan Svankmajer. Although many of the films are interesting and entertaining, the studio was clearly past its prime. The viewer looks in vain for the compelling personal visions of Yuri Norstein and Fyodor Khitruk, who dominated Soyuzmultfilm during its most creative period. Complete contents: 1. "Door," 2. "Boy Is a Boy," 3. "Liberated Don Quixote," 4. "Martinko," 5. "Big Underground Ball," 6. "Cat and Clown," 7. "Dream," 8. "Kele," 9. "Alter Ego," 10. "Girlfriend," 11. "Croak x Croak," 12. "Cat and Company." Unrated, it is suitable for ages 10 and older for minor cartoon violence, grotesque imagery, and difficult themes. -- Charles Solomon
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