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Man on Wire by James Marsh
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DVD Cover InformationActor: Philippe Petit Director: James Marsh Brand: MAGNOLIA FILMS DVD: Region Code 1 Audio: English (Original Language); French (Original Language); English (Subtitled); Spanish (Subtitled) Format: Color, Dolby, DVD, NTSC, Subtitled, Widescreen Picture Format: 1.78:1 Running Time: 94 minutes DVD Release Date: 2008-12-09 Audience Rating: PG-13 (Parental Guidance Suggested) Studio: Magnolia Home Entertainment Product features: - On August 7th 1974, a young Frenchman named Philippe Petit stepped out on a wire and illegally rigged between New York's twin towers. After nearly an hour dancing on the wire, he was arrested, taken for psychological evaluation, and brought to jail before he was finally released. This documentary complies Petit s footage to show the numerous extraordinary challenges he faced in completing the arti
Movie Reviews of Man on WireMovie Review: Overhyped, but still worth watching Summary: 3 StarsIt's clear to me that the Oscar was granted due to the subject matter; the nostalgia for the time when the Twin Towers were brand new, and when America was free enough that a man could actually wire walk between them without being picked off by a police or military sniper in mid-performance or being sentenced to life after he walked off the wire. It's impossible for an American to watch this movie and not be constantly reminded of 9/11; this movie takes back the Towers from Bin Laden to some extent, and for that reason alone I think it won the Oscar for best documentary. I felt the nostalgia myself, being old enough to remember Petit's feat and the construction of the Towers.
It's great to see Petit perform; his enthusiasm is contagious; and as the participants admit, the planning and execution of the walk are like a heist movie where no one is robbed or hurt. The climax, where we see him walking between the Towers, is worth watching the entire movie to see. But the remainder of the film is flawed. Primarily, I wanted to know more about his friends who helped him in his guerilla wire-walking endeavors, particularly the Americans who he recruited in New York. How did he meet them? Why did they agree to help? I understand that artistically the choice may have been made to not tell us; it's Petit's life, and they're just along for the ride, and cut loose after he reached his lifelong dream. But I think it would have been a better documentary if we knew a little more about how he persuaded his friends and helpers to help with his epic feat. It's not like the movie didn't have enough time; even at 100 minutes, it felt awfully long.
"Man on Wire" is at least worth a rent; you will like it, even if you don't love it. But it probably won't be a movie you'll want to add to your permanent collection.
Summary of Man on WireOn August 7th 1974, a young Frenchman named Philippe Petit stepped out on a wire and illegally rigged between the New York's twin towers. After nearly an hour dancing on the wire, he was arrested, taken for psychological evaluation, and brought to jail before he was finally released. This documentary complies Petit s footage to show the numerous extraordinary challenges he faced in completing the artistic crime of the century. Native New Yorkers know to expect the unexpected, but who among them could've predicted that a man would stroll between the towers of the World Trade Center? French high-wire walker Philippe Petit did just that on August 7th, 1974. Petit's success may come as a foregone conclusion, but British filmmaker James Marsh's pulse-pounding documentary still plays more like a thriller than a non-fiction entry--in fact, it puts most thrillers to shame. Marsh (Wisconsin Death Trip, The King) starts by looking at Petit's previous stunts. First, he took on Paris's Notre Dame Cathedral, then Sydney's Harbour Bridge before honing in on the not-yet-completed WTC. The planning took years, and the prescient Petit filmed his meetings with accomplices in France and America. Marsh smoothly integrates this material with stylized re-enactments and new interviews in which participants emerge from the shadows as if to reveal deep, dark secrets which, in a way, they do, since Petit's plan was illegal, "but not wicked or mean." The director documents every step they took to circumvent security, protocol, and physics as if re-creating a classic Jules Dassin or Jean-Pierre Melville caper. Though still photographs capture the feat rather than video, the resulting images will surely blow as many minds now as they did in the 1970s when splashed all over the media. Not only did Petit walk, he danced and even lay down on the cable strung between the skyscrapers. Based on his 2002 memoir, Man on Wire defines the adjective "awe-inspiring." --Kathleen C. Fennessy
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