Movie Reviews for Luis Bunuel's L'Age d'Or

Luis Bunuel's L'Age d'Or

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Movie Reviews of Luis Bunuel's L'Age d'Or

Movie Review: Surrealism is Back!
Summary: 5 Stars

Luis Bunuel teamed up with Savaldor Dali to create this absurd masterpiece. It contains many interesting and infuriating images, most sexual and irreligious. This film got Luis Bunuel excommunicated from the Catholic Church. The film quality isn't great but I am not sure what was done to restore it so don't want to comment too much. I did enjoy the film and was glad to see it.

Movie Review: must see
Summary: 5 Stars

The diffinative surrealist masterpiece OF ALL TIME. Banned for 50 years/Andre Brenton said :"L'AGE D'OR" says it all and all others must follow!!! If you love surrealism you must see this film!!
If you don't get it, see it till you do.

Movie Review: Luis Bunuel's L'Age d'Or
Summary: 5 Stars

Old film with the best of visions from Salvador Dali. Softly erotic.
The best off scenes was with the cow in the bed. Because then was very good music made by the cow bels, it was very inovative.

Movie Review: "In Christian tradition, the Golden Age is identified with Eden." (From Wikipedia, the free encyclopedia),
Summary: 4 Stars


I saw "L'Âge d'or" ("Age of Gold") last week (twice, the second time with the commentary) and I am absolutely fascinated by it. As much as "Un chien andalou", Bunuel's first movie (1929) was equally Dali's and his, "L'Âge d'or" which is a sequel to "Un chien andalou" is all Bunuel's even with Dali credited for writing. All Bunuel's favorite themes and subjects have been stored in this relatively short (62 minutes) but still shocking and amazingly sensational film. And as all Bunuel's movies it is a great fun to watch. I think the closest to "L'Âge d'or" is his later masterpiece, "Le Fantôme de la liberté" (1974), another excellent collection of satirical vignettes, dark and comical.

The irony starts in the title of the movie - In the ancient mythology, the Golden Age emphasized the idea of original peacefulness, innocence and harmony in all of nature, including human society. In Christian tradition, the Golden Age is identified with Eden but in the Bunuel's paradise, there is no harmony or happiness and innocent are frustrated and rebellious by all kinds of obstacles, social and religious that prevent them from fulfilling their desire for each other ((favorite Bunuel's subject that he would explore over and over in his following films). There are many disturbing and shockingly violent images in the paradise created by Bunuel's fantasy; one is Lya Lys's face when she is sucking on the marble toe of the Greek goddess's statue desperately waiting for her beloved with whom she is never able to be together. It is agony and ecstasy which have not been matched on the screen since. The frustration and anger that always go together with Bunuel's unique humor culminate in the final attack on the organized religion of such vicious and darkly comical power, that the toothless and harmless "Da Vinci Code" could only dream about. The last episode contains the long quote from the infamous "120 Days of Sodom" by Marquise de Sade and the scandal as well as the dark humor is in the way some characters are presented in the scene. No surprise that the movie was banned for over fifty years. Made over 70 years ago, "L'Âge d'or" is still deliciously fresh, completely realized, outstanding work of one of the best and mysterious Masters of the Art of Cinema.

4.5/5

Movie Review: Where's Criterion When You Need Them?
Summary: 4 Stars

Bunuel's first feature "L'Age d'Or" provoked such a fierce reaction among the Right that it was almost immediately banned by the French authorities after its release and not shown for another 50 years (it was finally allowed to play in Paris again in 1980). Suffice it to say, when you see it, you'll understand why: especially the final sequence.

While it is wonderful to have this landmark film finally available on DVD (as well as "Un Chien Andalou" in a separate release), I'm rather saddened by the lack of restorative effort here. The film has the visual and aural quality of the old 16mm prints I saw 15 years ago and there's virtually no extras worth mentioning. By all means get this release if only because it may not come out in any other format here in the US (and some of us can't afford a code-free DVD to buy the BFI version) but it would be nice if the rights holders would lease these films to Criterion to create a: "Bunuel: The Early Years" disc.
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