King Arthur - The Director's Cut (Widescreen Edition)
by Antoine Fuqua
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DVD Cover Information
Actor: Clive Owen, Ioan Gruffudd, Keira Knightley, Mads Mikkelsen, Stephen DillaneDirector: Antoine Fuqua
Brand: Buena Vista Home Video
Producer: Bruce Moriarty
Producer: Chad Oman
Producer: James Flynn
Producer: Jerry Bruckheimer
Producer: Mike Stenson
Producer: Morgan O'Sullivan
Writer: David Franzoni
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 5.1; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 5.1; Latin (Original Language)
Format: AC-3, Closed-captioned, Color, Director's Cut, Dolby, Dubbed, DVD, NTSC, Subtitled, THX, Widescreen
Picture Format: 2.35:1
Running Time: 142 minutes
DVD Release Date: 2004-12-21
Audience Rating: R (Restricted)
Studio: Touchstone / Disney
Product features:
- Now, from the producer of PEARL HARBOR and the director of TRAINING DAY . . . experience the extended unrated director's cut of this hard-hitting action epic! Prepare for more thrills, more adventure, and more intensity as the heroic true story behind one of history's greatest legends explodes onto the screen! It is the valiant tale of Arthur (Clive Owen) and his bond of brotherhood with L
Movie Reviews of King Arthur - The Director's Cut (Widescreen Edition)
Movie Review: An indispensable addition to the cinematic release
Summary: 5 Stars
SPOILERS BELOW!
I've commented on this movie before: the cinematic PG-13 version. This is what I wrote in Auagust 2004:
Saw it twice. Liked it even better the second time around. I know a lot of folks had their problems with it, especially those who wanted either a rehash of exisiting 'Arthur' tales, or alternatively expected a 'historically accurate' account.
Get a life, people. It's a MOVIE. A STORY. And it's well-told, with the mystical mumbo-jumbo removed and the French soap opera elements rinsed away, so that just the names are recognizable. Despite that-and that's one of the things I really liked about it-the movie managed to retain the flair of (demythologized) 'legend'. It was an uabashed story about a hero, and there's nothing wrong with that.
Another nice tweak: Arthur making the transition from trying to serve a 'higher purpose' to humanization, when he realizes that the 'higher purpose' is probably well and truly corrupted, and that if any purpose in life is to be found it lies in the service of one's people. A good and noble soldier's creed. The stuff indeed, of heroic legend, well told, and with a kick-ass cast.
---- Now, finally, I got the DVD, so here goes... ----
There's been a lot of complaining about the de-mythologizing of the legend. Mostly that means the removal of the French soap-opera component and the pretense that anybody really believes in magical swords, witches and spirits living in lakes. Is that a loss? I suppose it depends on who's talking. A review in the Guardian (complete with the inevitable political anti-American end-commentary) moans that 'Britain's national myth has suffered its own catastrophe' and that KA is 'one of the worst historical, or history-esque, films ever made'. Complaints also abound about its historical inaccuracies, and Keira Knightley's battle dress continues to draw major vitriol. Well, if you look at the latest research by people like John Matthews and Linda Malcor you may find that the inaccuracies may not be and that Keira, like her male comrades, should have been fighting in the buff, their bodies painted head-to-toe. That would have been a sight, would it not?
Of course, there's an argument for 'preserving' legends, and I think KA did that well. It just twisted it into a different direction. The DVD also contains an alternate, darker ending, without the PG-13 feel-good wedding. This had been Fuqua's choice, but apparently the money-men walked over him and Bruckheimer and what was intended to be an R-rated movie became a PG-13 nice-kiddy flick in the editing room: sanitized and dumbed down.
Fuqua's commentary is very revealing and shows up not only his disenchantment with studio politics, but also reveals his personal philosophy, which I've always liked, ever since listening to him comment on Tears of the Sun. Above all, he makes the interesting observation (one I happen to completely agree with) that, in particular, the adultery soap-opera element in the traditional versions of the legend actually makes no sense. It may be perfectly in line with what we expect from daily TV soap fare and Reality TV, but between comrades-in-arms there is a kind of ethics that folks living within the comfortable and boring confines of refined civilization may well find incomprehensible.
To those who wish to advance the virtues of the 'noble' and 'clean' traditional versions: it occurs to me that the very _ignoble_ soap-operatic characters, whose 'courtly' nobility appears to be more one of declaration and general pomposity, can only cower in shame before the much less sophisticated but honest nobility of the Arthur and knights depicted in this movie. Surely, if we look for heros of the Campbellian kind, this is where we find them, not in the classical bedroom dramas centering around the betrayal of Arthur by Guinevere and Lancelo, or people's obsession with that ultimate of social taboos, incest.
Watching KA again after listening to Fuqua's commentary gives the movie additional depth and reveals dimensions one might easily have missed before. All in all a worthy and important addition to the cinema release version. So many things I initially missed suddenly became clear, such the obvious parallels to such classics as 'Seven Samurai' and 'Magnificent Seven', and the even closer kinship between this movie and 'Tears of the Sun', another classic Campbellian hero tale.
Another nice touch (I keep discovering things about this movie!) was pointed out to me by a lady who truly loves horses. When the knights, together with the Roman garrison and a bunch of refugees, leave Hadrian's Wall and the Saxon drums of war start rolling, the horses bolt, prompting the knights to reflect on their decisions to leave. I thought it was a good scene, but it becomes even better when we remember that, as we're told early on in the movie, slain warriors return as horses. So it wasn't just that the knights had a sudden and not easily understood change of heart: it was their horses, the souls of the dead warriors, that reminded them who they were, and who refused to continue avoiding their destiny-albeit a destiny which, as Arthur reminded his knights later, they chose as free men, rather than indentured soldiers for the Romans.
Till Noever
Author: KEAEN, SELADIENNA, CONTINUITY SLIP
owlglass.com
Summary of King Arthur - The Director's Cut (Widescreen Edition)
King Arthur the Extended Unrated Director's Cut contains fourteen minutes of never-before-seen footage, including more intense battle sequences and the scenes "Rain and Snow" and "Saxons Surrounded." Bonus Features? Alternate Ending "Badon Hill" With Optional Director Commentary
? Blood On The Land: Forging King Arthur
? Cast And Filmmaker Round Table
? Director Commentary
? "Knight Vision" Trivia Track
? Producer's Photo Gallery
? Konami's King Arthur Playable Xbox Demo
It's got a round table, some knights, and a noble warrior who rises to become King Arthur, but everything else about this revisionist legend is pure Hollywood. That's not such a bad thing if you enjoyed Rob Roy, Braveheart, Gladiator, and Troy, and there's some intriguing potential in presenting the "real" Arthur (played by Clive Owen) as a 5th-century soldier of Rome, assigned to defend Roman-imperial England against a hoard of invading Saxons (led by Stellan Skarsgård in hairy villain mode). As revamped history and "archaeological findings" would have us believe, Guinevere (Keira Knightley) is a warrior babe in face-paint and Lancelot (Ioan Gruffudd) is a nonentity who fades into the woodwork. Never mind! Best to enjoy the harsh, gloomy atmosphere of Irish locations, the ruggedness of Owen and his hearty supporting cast, and the entertaining nonsense of a Jerry Bruckheimer production that strips battle-ready Guinevere down to leather-strap S&M gear while all the men sport full-body armor. Hail to the queen, indeed! --Jeff Shannon
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