It's Alive
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Movie Reviews of It's Alive
Movie Review: great old 70s flick
Summary: 5 Stars
if your a fan of the 70s horror flicks with their subtle way of scareing you then youll love this flick,Movie Review: It's newborn. It's alive. And murder is what it knows best.
Summary: 4 Stars
We're pushed (or dragged) from our mothers' wombs kicking, screaming, disorientated, all misshaped, covered in viscous goo, and just generally unhappy, but it's not surprising, as the world can be a cold, harsh place, unlike that from hence we came. Let's face it, once the cord is cut, you're out there, for better or worse...now usually things settle after the birth, as babies settle into a regular routine of sleeping, crying, drooling, eating, and messing their pants, allowing for those that brought them into this world to take care of all their needs, as they're are totally helpless and completely dependant on the kindness of others...right? That's pretty much what I thought, and so did Mr. And Mrs. Davis...but we were both wrong....so very wrong...
It's Alive (1974), not to be confused with the dreadful 1969 Larry Buchanan made for TV movie of the same name, was written and directed by the extremely multi-faceted schlock auteur Larry Cohen, who's had some recent successes with stories produced into the films Phone Booth (2002), Cellular (2004), and Captivity, scheduled for 2004, but will probably see a release in '05. It's Alive stars John P. Ryan (Class of 1999) and Sharon Farrell (Night of the Comet). Also appearing is William Wellman Jr. (The Puppet Masters), James Dixon (Q: The Winged Serpent), and Andrew Duggan (Bone).
Frank (Ryan) and Lenore (Farrell) Davis are expecting a baby...and now it's hospital time as the birth is nearing. Things appear normal, but difficulties arise as the doctor estimates the bambino a whopping 11 pounds (ouch!)...what they don't know (at least until it's born), is that, not only is this one big baby, but it has some unusual features, like extended fangs, claws, and a humongoid head, along with the creepiest eyes I've seen this side of Bette Davis. Oh yeah, it also possesses a thirst for flesh and is extremely mobile, which is evident as it kills all those within the delivery room (except Lenore) in short order and then runs off (what a lil' rascal), escaping by breaking through a skylight, leaving no witnesses and everyone wondering just what the heck happened (Lenore is no help, claiming she was out of it the whole time). The answers do not come quickly, but the bodies sure do, as brutally mutated victims begin popping up in the surrounding community and the Davis' gain unwanted notoriety as the couple that spawned a killer freak. The police soon begin a manhunt (or, infanthunt, to be more accurate...well, to be completely accurate, I'd call it a freakymonsterbabyhunt, but that's a mouthful), as no one knows where the terrifying tot will strike next, or what its' motivations are...at least those past its' seemingly insatiable hunger...for HUMAN FLESH!
It's Alive is probably one of the best exploitation films I've seen come from the 70's. It's listed as a horror film, but viewers expecting over-the-top gore will be sorely disappointed. Instead, what Larry Cohen brings forth is a sort of realistic drama/thriller, one that features a freakish, mutant cannibal baby...no easy feat, I'll tell you what. As with his 1982 film Q (it's about a giant winged serpent terrorizing New York), the characters presented are infused with a perceived sense of realism, like these are people you might or could know, people who actually reside in the same world as you. Sure, there's that completely unrealistic element of the hideous mutant cannibal baby, but when the two are combined, Cohen creates a story that almost exists beyond the screen, and will causes the hair on the back of your neck to continue standing long after the movie is over. Some will feel the pacing is too slow, extended periods where nothing happens, but I felt this was deliberate, as to not only allow for the tension to build, but also to focus on the development of the characters, the main ones, finding themselves having to deal with this completely unique and terrifying experience, along with incorporating various other aspects involving local law enforcement, the medical establishment, and the pharmaceutical industry (it's thought maybe the child was a result of long term usage of a certain medication) and their own, particular views and opinions of the situation. I thought John P. Ryan was really good as the distraught father, living in denial. His character actually scared me almost more than the creature, as he appeared to me as a pot always on the verge of boiling over, or a taught piece of twine near its' snapping point. He's got serious anger management issues (don't tell him I said that). I also thought Sharon Farrell did well, the mother suffering from a sort of post-partum depression of not only the birth, but of her now on-the-lam child, filling her time with meaningless tasks avoiding the horror of her birthing of a mutant, but also the very real possibility that it will soon be dispatched by local law enforcement, or her husband, as his abject rejection of the abomination along with his anger management issues forces him to take matters into his own hands. One thing you'll notice about Cohen films is they often look like they're made on a low budget, but I think, while he may not have the money of others, he makes the most of what he has, often filming on location, adding to the overall sense of reality...think Martin Scorsese's Mean Streets (1973) or Frank Henenlotter's Basket Case (1982)...and the musical scoring by the legendary Bernard Herrmann adds so much. The effects aren't great, but they are notable as an early work of special effects master Rick Baker.
I thought the widescreen picture looked pretty good here (much better than the VHS copy I had), although I thought the audio a bit soft. Special features include a commentary track by Larry Cohen and a trailer for this film along with the sequels, It Lives Again (1978) and It's Alive III: Island of the Alive (1987), both also available on DVD.
Cookieman108
Movie Review: A suprisingly sedate and human monster-baby movie
Summary: 4 Stars
I gotta say I was pleasantly surprised by this movie. The relatively mixed reviews did a good job of lowering my expectations. What I realize now, which I hadn't then, is that 'It's Alive' is a film that is prominent enough and strange enough that it's more likely to draw the attention of non-horror buffs. So when I hear this being accused of being cheap and incompetent, what I'm thinking is a lot different from what the writer likely is. Sure, this film is cheap, but as far as low-budget 70's horror goes this is fairly sharp and professional, and stands alongside most of the 'Classic' films of the era fairly nicely. (And it is, technically, definitely a cut above a few of them, such as 'The Last House on the Left' and 'Shivers'.) It's an odd film though, in execution, in that it takes an extremely odd, outrageous premise and creates a relatively uneventful, low-key film. If you're looking to see a film with a whole lotta baby combat you're probably gonna be disappointed. It's got some of that, no doubt, but the film is more interested in the infant's family. Of all the 70's cult horror films I've seen, `It's Alive' is unquestionably the one that is most interested in the people in the film. Needless to say, that isn't going to be to everyone's taste, but it worked for me.
Technically this film is competent, though it does have a few particularly rough edits. The acting isn't great, but it's perhaps above average for this sorta film, with out a single stunningly bad performance. Special note goes to John Ryan as Frank Davis. His stoicism could be interpreted as simply wooden acting, but however you take it it fits the role well enough. Again, the film is mostly about how the baby's rampage effects him, so you need to like and be interested in the guy, and I was. He's just got a good, sad face that naturally fits the emotions of the film. The score is by Bernard Hermann, so you get something that is quite a bit more lush and dramatic then you'd usually find in cult horror. The oft-repetitious score occasionally gets on my nerves, but it's works alright in general and gives the whole thing an added air of class and professionalism.
Shots of the baby are wisely kept to a minimum, and the thing looks alright. Better than I would've thought. The baby murder scenes are competently done as well, with some amusing baby-cam. The film isn't scary, but it manages to be fairly serious, far moreso than I would've imagined. The murder of the milkman is especially well done, as is the aftermath of the infants opening rampage. Despite the premise I never laughed at the movie, which is an impressive feat, and intentional humor is kept to a minimum, which is nice as it would be very tempting to turn such a film into a horror-comedy. It does have *some* humor in it, yes, but not a ton, and certainly not enough to move into horror-comedy territory.
The film is pretty slow, I'll admit, but I was interested enough in what was going on with the Davis family that I didn't mind, and it all comes to a fairly effective climax. The later scenes, where the baby returns to the Davis house and Frank searches all around for it are surprisingly tense, and the final confrontation out in the city is, yes, touching. More than a few movies out there have tried to make you sympathize with the monster, but none does a better job than 'It's Alive'.
I must also note that the box art is awesome. I remember seeing that in the video store as a little kid, and it is indelibly imprinted on my mind. (Same goes for the 'Deepstar Six' box. I gotta see that movie someday, though I assume that it sucks.) It's also got perhaps the most awesome tagline ever: 'There's only one thing wrong with the Davis baby... It's Alive!'. Sweet.
Grade: B
Movie Review: The Real Problem with the Davies Baby Is...It's Alive!
Summary: 4 Stars
Prolific cult-flick auteur Larry Cohen delivered one of his first B-grade horror hits with this tale of a mutant baby who goes on a murderous rampage immediately after emerging from the womb of his seemingly normal middle-class mom. As with all of his genre films, IT'S ALIVE demonstrates Cohen's skill in using the fright format to address important issues. While not as bitingly satirical as 1985's THE STUFF, Cohen's jab at the marketing and advertising industry, this flick nonetheless offers deep and clever--and still surprisingly germane--comments on unplanned pregnancy, chemical-based birth control, and the negative effects that pollution and environmental toxins may be having on the unborn.
Also skillful is Cohen's ability to convey his social message while simultaneously delivering the genre goods to full effect. The terrifying titular character seemingly lurks around every corner and generates goosebumps aplenty, yet Cohen actually keeps the bloodthirsty bambino--make-up effects for which were created by Oscar-winning FX man Rick Baker--off camera most of the time, thereby creating suspense and shocks that make the climactic scenes pay off even better.
Some critics have faulted IT'S ALIVE by claiming it's an insult to audience intelligence in asking viewers to accept the idea of such a nefariously necrotic neonate. But genuine genre fans will dismiss this criticism in light of the long tradition of murderous moppets in the movies, a tradition that includes classics such as VILLAGE OF THE DAMNED (1960), ROSEMARY'S BABY (1968), THE EXORCIST (1973), and THE OMEN (1976), to name just a few.
All in all, IT'S ALIVE is a worthy genre entry that will delight horror fans and Cohen fans alike. The DVD version from Warner Home Video is well worth the price of admission, offering a very good widescreen transfer of the flick and some cool extras that include a delightful feature commentary from Cohen himself.
Movie Review: Cohen's The Man!
Summary: 4 Stars
There aren't too many directors that could pull-off a horror film about a mutant, killer newborn on the loose, but there aren't too many directors like Larry Cohen either. No matter how outlandish the premise of a Cohen film might be, he has a real knack for getting you to least play along, because outside of the fantastic elements, dramatically Cohen's films ring true.
I think you could look far and wide in contemporary horror films, before you would find characters this well-drawn, performances as sincere, or social observations as keen as Cohen's. It's Alive perfectly captures the "everyman for himself " bad morale and cynicism of the 70's, as the monster-baby's troubled family is both exploited and ostracized. It is absurd, Cohen knows that, yet he plays it with a strait face, never allowing the film to slip into parody. Like George Romero, Cohen is a thinking-mans genre director who isn't afraid to make a "smart" horror film, that's still entertaining to watch.
This Warner Brother's DVD looks grainy, the color leans to the yellows, and some of the night scenes are bit too dark. This is true of many low-budget 70's films, but I think it could have looked better. The audio is fine, and does a decent job presenting the late, great Bernard Herrmann's last film score.