Infernal Affairs (Wu jian dao)
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DVD Cover Information
Actor: Andy Lau, Anthony Wong Chau-Sang, Eric Tsang, Kelly Chen, Tony Leung Chiu WaiBrand: Buena Vista Home Video
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); English (Original Language), Dolby Digital 5.1; Thai (Original Language); English (Dubbed), Dolby Digital 5.1
Format: Closed-captioned, Color, Dubbed, DVD, NTSC
Picture Format: 2.35:1
Running Time: 101 minutes
DVD Release Date: 2004-12-07
Audience Rating: R (Restricted)
Studio: Miramax Home Entertainment
Movie Reviews of Infernal Affairs (Wu jian dao)
Movie Review: Amazing! End of story.
Summary: 5 Stars
Infernal Affairs begins as young police cadet named Chan Wing Yan (Tony Leung) is being groomed by the highest ranks of the Academy to eventually become an inside man for the police. His keen eye and steady dimeaner makes him the perfect candidate to infiltrate the Triads, who have taken control of Hong Kong's streets and are peddling massive amounts of drugs to it's citizens. At the same time, a different road is laid out for fellow Academy officer Lau Kin Ming (Andy Lau). Although we aren't witness to the actual path he takes, Ming becomes Yan's counterpart in the film, as he uses his position within the higher ranks of the police department to keep Triad Boss Sam a step ahead of any police actions. Sam is deftly played by Eric Tsang, who gives a highly effective, authentic performance here. What follows is one of the best table-turning, catch-me-if-you-can cop stories ever put to film.
Often compared with another great epic, Heat, Infernal Affairs is quicker, brighter and goes down in 40 minute less time. It's apparent why this film became a smashing success in Asia and in turn, exploded onto the world scene. Spawning a sequel (which is actually a prequel) and then a third installment.
Returning to the story; Yan, after leaving the Academy and subsequently earning his chops
on the street as a Triad footman for 10 years, becomes a member deep in Sam's inner circle. Yan continues to work directly and exclusively with Superintendent Wong (played by Anthony Wong) feeding him information that Wong puts to good use. He brings that information to his most elite police team led by Officer Ming, who unbeknownst to Wong, relays it back to the Triads. Ming showcases his moxie and stealth inside an active command center, feeding police channels and locations to Sam in real-time, within five feet of fellow officers. Yan, at the same time, finds a way to keep Wong informed. A brilliantly scripted Felix Chong & Siu Fai Mak screenplay lends weight, tension and gravity to even the simplest scenes. Finally, Wong is able to get Sam brought in to be interviewed, but by that time, they both know that each has an undercover man inside their particular camps. In a Pacino/DeNiro-esque face-off, Wong and Sam smugly challenge each other to find their respective moles. The rest of the film is yours to enjoy.
One aspect of this film that gets as much attention and kudos as the characters themselves
is Chan Kwong Wing's stellar, powerful, moody soundtrack. The original score begins the
film along with sweeping, abstract visuals that flow gracefully across the screen, accompanied by the undulating score. What stuck with me in particular (as a first time listener to his work) was the alternately light, then heavy drum tracks as they scurried from front to back, left to right, left-rear to right-rear and diagonally back; washing the entire room with energy and life. The mood shifted from forceful grandeur to intricate suspicion and back again. The perfect audio preview to what was to follow. Deep inside the film is a heart-wrenching female vocal track that seems to signal the true beginning to Yan and Ming's respective gambits toward finding out each another, and when she sings again, yet another chapter begins to take shape. It's brilliant in depth and scope. Never a track out of step with the film and only the most appropriate volume and energy. So rarely does a soundtrack fall into line and dance so well with a film. So rarely does one set the tone for a film.
Infernal Affairs is loaded with subterfuge and intrigue. We're privy to both sides of the proverbial infiltration equation from the start, but this formula gets more complex with near misses and natural character evolutions, even as the story itself appears to begin it's resolution. At least that's what I found. There is a touch generic cop vs. cop to it (if I must find a flaw), with a couple classic stand-offs, but very little mano a mano conflict. The film's confrontations are wholly group against group; good against bad. That can't be ignored. The beauty of the film is in the interaction. It has all of the elements of many crime dramas, but Infernal Affairs is genuine and sophisticated like none other.
Summary of Infernal Affairs (Wu jian dao)
An award-winning crime thriller in the intense tradition of HEAT and RESERVOIR DOGS ... critics everywhere have hailed INFERNAL AFFAIRS for its gritty action and international superstars. Chan Wing Yan (Tony Leung -- HERO) is a hard-nosed veteran cop sent undercover to infiltrate the notorious Triad crime ring. An expert at bringing down violent syndicates, Chan thinks it's going to be a routine mission. What he's not prepared for is the discovery that the Triad's boss (Eric Tsang -- THE ACCIDENTAL SPY) has planted a mole (Andy Lau -- THE LEGEND OF DRUNKEN MASTER) in the police department ... and now Chan is being hunted down. In this battle of wills, only one cop can win!With Infernal Affairs, Hong Kong filmmakers Wai Keung Lau and Siu Fai Mak have successfully taken a smart script and a great cast, added some stylistic cinematography, and dual-fistedly given a new twist to a formulaic genre. Lau Kin Ming (Andy Lau), a young, loyal gangster, is ordered by his Triad boss Sam (Eric Tsang) to join the police force. While on the inside the young mole can keep a close eye on police activity, ensuring the gang's activities will not be interrupted. Police Superintendent Wong (Anthony Wong Chau-Sang) has a similar plan. He takes a bright, ambitious police cadet Yan (Tony Leung Chiu Wai) and makes him an undercover cop with plans to get him inside the Triads. Years pass and both are now deep into their assigned roles. Undercover cop Yan, more or less living the life of a gangster, is now a member of Boss Sam's group, and "Officer" Lau has all the appearance of a good cop trying to bust up the Triads' drug ring. During a bust that could finally bring down Boss Sam, the moles inadvertently become aware of each other's existence, and each is left wondering who is on the inside. What follows is a unique and exciting twist on the classic cat and mouse chase in which each man is not fighting for his life, but for his anonymity. In addition to its plot twists, what lifts Infernal Affairs above the standard cop story is its subtle exploration of the relative nature of good and evil. Part action, part psychological examination, Infernal Affairs is a sharp and fresh take on the classic crime story, and the inspiration for a 2006 Martin Scorsese remake (The Departed). Not to be missed. --Rob Bracco
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