Indecent Proposal [Blu-ray]

Indecent Proposal [Blu-ray]

Indecent Proposal [Blu-ray]
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DVD Cover Information

Actor: Art Chudabala, Demi Moore, Robert Redford, Seymour Cassel, Woody Harrelson
Brand: REDFORD,ROBERT
Blu-ray: Region Code 1
Audio: English (Subtitled); French (Subtitled); Spanish (Subtitled); Portuguese (Subtitled); English (Original Language); French (Original Language); Spanish (Original Language); French (Dubbed); Spanish (Dubbed)
Format: Anamorphic, Color, Dolby, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 116 minutes
Blu-ray Release Date: 2009-06-09
Audience Rating: R (Restricted)
Studio: Paramount

Movie Reviews of Indecent Proposal [Blu-ray]

Movie Review: Author of the Novel Supports the Movie
Summary: 5 Stars

People keep asking if I'm okay with Paramount's rendering of my novel "Indecent Proposal" (ComteQ Publishing, Paperback). After all, a number of changes took place from my page to Hollywood's screen -- and, it is customary for the novelist to be fashionably upset at Hollywood. But I'm happy with the result.

Liberties were taken. This is true. But the main elements of my novel were kept intact -- temptation, sin, regret, redemption, forgiveness. In other words, Hollywood skimmed the surface, but with glamour.

After all, the billionaire (in the novel) is an Arab sultan, and the couple he tempts and traps, well, the guy is Jewish and his wife is high-class Gentile, somewhat like Grace Kelly. You'd expect Omar Sharif for starters, not Robert Redford.

In her review of the MOVIE for The New York Times, Janet Maslin paid tribute to the theme of the book and the movie as being "powerfully seductive." I'm okay with this and I'm okay with the Times' Sunday review of the BOOK (originally published in 1989), which, in part, runs as follows:

Of a "Jewish writer and gambler, who makes a bargain with the Devil (a handsome oil-rich billionaire.) The struggle between these two embraces a number of primal issues, the sanctity of marriage versus the love of money, the Jew versus significant non-Jews such as shiksas and sheiks, skill versus luck, materialism versus spirituality, Israel versus the Arab countries, the past versus the future, and the religious world versus the secular one."

Times' BOOK revieweer Barbara Raskin goes on to say, "In precise, almost clinical language, Mr. Engelhard tracks the changes Joshua [Kane] and Joan go through after receiving their ungodly offer. Suspicion, jealousy, anger, second guessing, pain and fear begin to torment them as they struggle with his and hers temptations -- It's her body and his soul on the line."

I believe that the movie captures all that, though yes, for the conflicts in politics and culture and for the depths of emotions there is always and still the book. That does not change. A novelist's task is to find the human heart. Hollywood is about box office.

Surely I would have cast it differently and surely I would have been happier if Hollywood had stuck to my novel as is. But Hollywood is seldom completely true to the novel ("Gone With The Wind" a notable exception) and I understand why. One art form is about pictures, the other is about words.

Beethoven would not dare tell Picasso how to paint his Third Symphony. Each artist, in his own medium, must be allowed to find his own vision. This is obvious but it must be said, a movie is a movie and a book is a book and both have their challenges and their merits.

Yes, when I dealt with these "primal issues" I was surprised that the title roles would be taken by Redford, Demi Moore and Woody Harrelson. If I had qualms, these were dispelled at the grand opening when it struck me that all this stardom and a $40 to $50 million budget all happened from words I wrote on the kitchen table.

(I have this notion that we all face temptations every day, some big, some small. This one, on love and money, is big.)

I am always ready for people to knock the movie. People do this for a reason, which I will explain at a later time, perhaps in a blog. I have a theory about this. I was lucky with the reviews of the book. The Times' wrote: "Is this book fun to read? You betcha." The same goes for the movie, now especially in this Blu-Ray format.

Thank you for listening -- Jack Engelhard, the authorIndecent Proposal



Summary of Indecent Proposal [Blu-ray]

Adrian Lyne buffs the premise of Honeymoon in Vegas to a fine gloss in this yuppie melodrama that poses the conundrum of whether the loving husband of an equally loving wife will accept $1 million to allow his wife to spend one night with a billionaire who looks like Robert Redford. All the cynics please take a number and form a line at the right. Demi Moore and Woody Harrelson play Diana and David Murphy, high-school sweethearts who marry and who are doing very well ? Diana is a successful real-estate agent, and David is an idealistic architect who has built a dream house by the ocean ? until the recession hits. Suddenly, David loses his job, and they can't make the mortgage payments. Dead broke, they borrow $5000 from David's father and head to Las Vegas to try to win money to pay the mortgage on their house. At first, they get $25,000 ahead ? but inevitably the house always wins, and they end up losing it all. While Diana is in the fancy casino boutique trying to lift some candy, she is spotted by billionaire John Gage (Robert Redford), who is immediately attracted to her. John invites Diana and David to an opulent party, and it is there that John offers David $1 million for a night with his wife. David is wracked by this moral dilemma, but Diana finally makes the decision on her own, with ensuing consequences for their ideal marriage and their bank account.
One of the biggest teases in film history, this film's sensational plot finds a young wife (Demi Moore) solicited for sex by a wealthy bachelor (Robert Redford), for which the latter offers to pay a cool million bucks to her and her underachieving husband (Woody Harrelson). The two accept Redford's deal, and their marriage is ruined. The twist in the film, though, is that the sin doesn't lie with the rich guy, but rather with this unfocused, immature, equivocating couple who would do such a thing, naively believing it would get their lives on track. Director Adrian Lyne, who caused an even greater stir by filming Lolita (the one starring Jeremy Irons), thus pulls a kind of thinking person's bait and switch, promising something tawdry and then turning the story around so its focus is on a rite of passage for the estranged spouses. Still, Lyne has some peculiarly garish ideas at times: the final disposition of that million dollars is like a joke out of Monty Python. --Tom Keogh
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