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In Dreams by Neil Jordan
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DVD Cover InformationActor: Aidan Quinn, Annette Bening, Katie Sagona, Paul Guilfoyle, Robert Downey Jr. Director: Neil Jordan Brand: Paramount Cinematographer: Darius Khondji Writer: Neil Jordan Producer: Charles Burke Producer: Redmond Morris Producer: Stephen Woolley Writer: Bari Wood Writer: Bruce Robinson DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 5.1; English (Subtitled); English (Original Language), Dolby Digital 5.1 Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, Widescreen Picture Format: 1.85:1 Running Time: 100 minutes DVD Release Date: 1999-06-01 Audience Rating: R (Restricted) Studio: Dreamworks Video
Movie Reviews of In DreamsMovie Review: Haunting, moving, emotional, and totally involving! Summary: 5 Stars
Perhaps one of the most evocative thrillers ever created for film, "In Dreams" is one of the most visually and psychologically stunning films that has ever come to the silver screen. It isn't very often that I can say this about a film and mean every word of it; even the best of movies have their flaws. Personally, I found this one to be quite flawless. The story and actors work together in every way possible to make the movie flow at a steady pace, and in the end, everything that is supposed to make sense does. Annette Bening is Claire Cooper, wife of an airline pilot, mother of a little girl, and illustrator of childrens books. The family lives in a town that sits near a reservoir, which covers a ghost town that was abandoned in order for the reservoir to be built. Claire is beginning to have strange dreams as soon as the film begins, one being a little girl who is led into an orchard-like place full of apples by a long-haired individual. Soon after, her daughter is abducted from a school play, causing Claire to realize that the dreams she is having are visions of the future, believing that the killer is channeling them into her mind in order for her to find him. After they find the body of her daughter, Claire runs her car off the dam, ultimately surviving the fall and going into a coma for six months. During this period, she has visions of an orchard filled with apples, nursery rhymes written in blood on a wall, and a small boy tied to a bed in a room slowly filling with water. Going home from the hospital proves to be a bad decision, and after much mayhem, she is put into a mental institution, where she begins having dreams about the death of her husband. As the dreams keep coming, people keep thinking that she is crazy, until she finally escapes to find herself face-to-face with the killer himself, who has a dangerous surprise for her. Little can be said to denounce the film; it simply is that good. What really keeps it moving are the macabre images of decay and death the pervade throughout the entire movie, keeping in touch with the sinister environment that is necessary for the movie's story. The images of the haunting dreams are the most significant, and these scenes are shot with poor color clarity and slightly soft-edged images to complete the sense of surrealism. The underwater photography used in filming the reservoir sequences is stupendous, and quite frightening as well. Moviegoers expect to see a sunken ship or marine vessel underneath the surface of water, but to see a town completely covered with water is a whole new ball game, a game that seems to have won. There is not an over-abundance of blood or gore in the film; scenes include a second-long shot of a dog eating a corpse, a man wearing sunglasses being stabbed in the eye, and a woman with slit wrists that hardly bleed. The story is based on the novel "Doll's Eyes," written by Bari Wood, and screenwriters Bruce Robinson and Neil Jordan, who also directed the piece, have done a masterful job in bringing to the story a sense of overwhelming suspense and uncertainty. The truly magnificent aspect of the story is that everything that happens in the beginning and middle will all be tied back together in the end, making for a very satisfying and involving thriller. The performances by the actors also make the movie enjoyable. This is, without a doubt, the best of Annette Bening's films, encompassing even her performance in American Beauty. This is clearly her movie, as she will be the centrifuge for all that goes on throughout the entire experience. Robert Downey, Jr. is a perfect psychotic, his long, dirty hair and sensational eyes pierce right into the subconscious of those who see him act in this movie, the element that creates the upset in Claire's life. Aidan Quinn is a convincing husband, though I did not particularly care for the way in which the character of the husband is portrayed; he could've been a little more sensitive to his wife's feelings. Stephen Rea plays the doctor who refuses to give up on Claire, and he does a good job in carrying us with him in his quest for the truth, even if that quest picks up later than is needed. Under the glorious direction of Neil Jordan, "In Dreams" is a perfect and almost sparkling example of terrific thriller-making. It may well be said that this is the best movie I have ever seen in a long time, simply for the fact that it is solid entertainment that never stops moving, even if its audiences cannot keep up.
Summary of In DreamsClaire coopers once peaceful family life takes a chilling turn when a mysterious serial killer invades her seemingly idyllic new england town and through her dreams provides deadly premonitions of his next moves. Now only she can stop him. Studio: Paramount Home Video Release Date: 01/06/2004 Starring: Annette Bening Stephen Rea Run time: 100 minutes Rating: R Director: Neil Jordan Anyone who has seen and loved Neil Jordan's The Company of Wolves should feel right at home in his off-beat psychological thriller In Dreams. A sexy, very adult take on "Little Red Riding Hood," Wolves unreeled as a series of surreal "fairy tales" interwoven within the heated dreams of a young girl verging on womanhood. Wolves' patron saints were Freud and Jung (as sifted through Jordan's wickedly fertile imagination), and the duo are very much aboard for In Dreams as well. Here's a movie that takes place entirely in dreamtime, where the dark, violent fantasies of Claire Cooper (Annette Bening)--wife, mother, and illustrator of children's books--play out unpoliced by superego, conscience, or society. On the face of it, Claire's a clairvoyant whose mind becomes more and more possessed by child-killer Vivian Thompson (Robert Downey Jr.). Cops and shrinks refuse to take her seriously until she loses her own daughter and much, much more. Tapping into weird images of her soulmate's childhood, when he was abused by a hateful mother in a house now submerged in a nearby reservoir, Claire comes closer and closer to her gender-shifting bad boy (and his latest victim). From start to finish, In Dreams dwells in hyperreality. Whether leeched of or drenched in color, slipping eerily through an underwater world, rushing madly toward catastrophe--every hallucinatory shot is saturated with menace. It's the kind of potent, unresolved menace that haunts your waking day after a particularly unsettling nightmare. Watch this gorgeous film as therapeutic (?) theater inside Claire's mind, where she and her murderous doppelganger act out a terrible Oedipal drama driven by sex and jealousy. Bening and Downey deliver superb, risky performances, and Darius Khondji's cinematography, with almost every frame punctuated by blood-reds, is sensuously dreamlike. In Dreams is one of those great, flawed films that reaches for more than it ultimately achieves. But what a welcome change from the dullness and shallowness of the formulaic sure things that dominate movie screens as the 20th century draws to a close. --Kathleen Murphy
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