His Kind of Woman
by John Farrow
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DVD Cover Information
Director: John FarrowPrimary Contributor: Robert Mitchum
Primary Contributor: Jane Russell
Primary Contributor: VIncent Price
Primary Contributor: Tim Holt
DVD: Region Code 1
Audio: English (Unknown)
Format: Black & White, NTSC
Running Time: 120 unknown-units
Audience Rating: NR (Not Rated)
Studio: Warner Brothers
Product features:
- Film Noir
Movie Reviews of His Kind of Woman
Movie Review: Comedic Thriller with Brilliant Juxtaposition of Farce and Terror.
Summary: 5 Stars
The fact that "His Kind of Woman" achieves coherence is miraculous. One third of the film rewritten after its completion, reshoots, and scenes recast and reshot again at the insistence of executive producer Howard Hughes transformed this movie into particularly brutal film noir juxtaposed with romantic comedy and topped off with farce. It sounds like a recipe for disaster, but "His Kind of Woman" is splendid. The movie's title gives the impression of a clever romantic comedy featuring RKO's biggest stars at the time, Robert Mitchum and Jane Russell. And so it is. Sassy and sexy with sharp dialogue by Frank Fenton and Jack Leonard. But this is also, clearly and consciously, a menacing, introverted crime film in which Robert Mitchum's world-weary gambler has sold his fate without knowing what it is, and he's increasingly anxious to find out.
Crime boss Nick Ferraro (Raymond Burr) is eager to return to the United States to take control of his troubled syndicate but can't set foot over the U.S. border without being recognized. Ferraro's agent offers gambler Dan Milner (Robert Mitchum) $50,000 to leave the United States for a year so that Ferraro can assume Milner's identity to enter the U. S. Milner is to wait it out at a posh Mexican resort, Morro's Lodge. En route to the Lodge, Milner meets Lenore Brent (Jane Russell), a songstress claiming to be a millionaire, headed the same direction. At Morro's Lodge, Lenore tries to get a marriage proposal out of her daffy movie star boyfriend Mark Cardigan (Vincent Price). Cardigan is more interested in hunting. Lenore is more interested in Milner. And Milner is desperate to learn if he should expect a bullet in the head or a nice Mexican vacation. Eventually, an undercover U. S. Immigration agent (Tim Holt) arrives to clear up that mystery.
It's odd to interweave a snappy, sophisticated romantic comedy with existential dread, but Robert Mitchum is as notably introverted and aloof as he is romantic and formidable. Milner sold his fate and thereby lost control of his life. He has no choice but to act like a tourist, enjoy the amenities, and await whatever comes. He tries to find out what the plans are for him, threatening one of Ferraro's men, "I want information, and I'm beginning not to care how I get it." No dice. He's adrift in a world he doesn't understand and cannot control. To emphasize the point, this film has the most low camera angles I have ever seen. We spend a lot of time looking at the ceiling. But Milner has one distraction: The lovely Lenore, who is not what she says. The affable, self-absorbed Mark Cardigan keeps us all amused with his unconscious jabs at Hollywood culture. I can't praise Vincent Price's performance enough.
The unforgettable final act of "His Kind of Woman" juxtaposes the most sadistic violence ever seen in an American movie as of 1951 with some of the most successful farce ever -and gets away with it. Howard Hughes felt that "His Kind of Woman" ended too abruptly and insisted that the conclusion of the film be rewritten. The last 40 minutes were directed by Richard Fleischer, not John Farrow, who directed the original cut of the film, and partly written by Hughes, for a total running time of 2 hours -impossibly long in 1951. Milner's torture by Ferraro and his henchmen is cross-cut with Mark Cardigan's farcical attempts to enlist the Lodge's guests and Mexican police in rescuing Milner. Back-and-forth. One might think that Cardigan's antics were intended as comic relief, but they actually emphasize the horror of Milner's predicament. I found myself laughing out loud one minute and cringing the next. More than once. No one knows how it got past the Production Code Administration, but the last 40 minutes of "His Kind of Woman" are so effective and fascinating that you may want to watch them twice.
The DVD (Warner Brothers 2006): The single bonus feature is a very good audio commentary by UCLA professor of film and television Vivian Sobchack. Ms. Sobchack talks about stars, characters, cinematography, art direction, and the problems that the film had with the PCA. She compares the film's comedic and noir tones. And she provides a lot of detail about Howard Hughes heavy-handed involvement in the last 40 minutes of the film and its results. The commentary is nearly constant, with Sobchack kindly pausing briefly so that we can hear particularly good dialogue. She does not discuss the noir themes in depth, as that does not seem to be her specialty. That may disappoint noir fans, but themes are easy to figure out for yourself, and the commentary offers a wealth of information on other aspects of the film and its amazing recreation. It's worth listening to the entire commentary. Subtitles for the film are available in English, Spanish, and French.
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