Hill Street Blues - Season 1

Hill Street Blues - Season 1
by Edwin Sherin, Don Weis, Ben Bolt (II), Mark Frost, John D. Hancock

Hill Street Blues - Season 1
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DVD Cover Information

Actor: Barbara Bosson, Lindsay Crouse, Lisa Sutton
Director: Ben Bolt (II), Don Weis, Edwin Sherin, John D. Hancock, Mark Frost
Brand: HILL STREET BLUES
DVD: Region Code 1
Audio: English (Original Language); English (Subtitled); Spanish (Subtitled); English (Dubbed); French (Dubbed); Spanish (Dubbed)
Format: Closed-captioned, Color, Dubbed, DVD-Video, Full Screen, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 850 minutes
DVD Release Date: 2006-01-31
Audience Rating: NR (Not Rated)
Studio: 20th Century Fox

Movie Reviews of Hill Street Blues - Season 1

Movie Review: The best show of its era
Summary: 5 Stars

There was a time in the 1980s when the best hour of television was on Thursdays at 10:00 when Hill Street Blues came on. At the time, I was a dedicated fan, and though I'd caught the show occasionally in syndication, it'd been years since I'd really seen the show. Rewatching the first season of this show reminded me that even two decades later, this remains a quality show.

Prior to Hill Street Blues, cop shows tended to focus almost entirely on the mystery of the week. Characters rarely changed from week to week, so you could watch the episodes in almost any order. The personal lives of the characters was completely secondary, often just enough to give them a bit of dimension. Hill Street Blues changed that.

Unlike most cop shows, Hill Street Blues really was an ensemble show, taking place in the Hill Street Precinct of an unnamed but generally run-down city. The central character is Captain Frank Furillo, who is as much a bureaucrat as a cop; while generally a good guy, he knows when rules need to be bent or broken, but there are certain lines he won't cross. There are street cops, most notably Officers Hill and Renko who bicker like a married couple and detectives like LaRue and Washington, the former being an alcoholic who is always on the brink of self-destruction. A favorite of many is Mick Belker, a grungy diminutive detective whose bite is as bad as his bark, yet he always has time to talk to his mother.

Some cop characters start off as stereotypes, but eventually develop some depth. Howard Hunter starts off as the semi-fascist leader of the EAT (essentially a SWAT team) and Henry Goldblume is Hunter's bleeding-heart liberal contrast. Goldblume evolves in this season, but Hunter will take several seasons to really seem human.

It is amazing that in this era when story arcs can often takes many episodes if not entire seasons, that there was concern when certain Hill Street Blues stories took three or four episodes to resolve; could the audience handle it? Apparently so. In fact, though some parts of this show are dated (the first season is 28 years old, after all), overall Hill Street Blues holds up well. With both humor and gravity, this is an excellent show. If you enjoy today's crime dramas (CSI, Numbers, Cold Case, etc.), check out the show that really kicked off the modern version of the genre.

Summary of Hill Street Blues - Season 1

Drama that explores the lives and careers of a group of people who work at an inner city police precinct.
No Track Information Available
Media Type: DVD
Artist: HILL STREET BLUES
Title: SEASON 1
Street Release Date: 02/06/2007
Domestic
Genre: TELEVISION
Created by Steven Bochco and one of television's most influential series, Hill Street Blues was not your father's cop show. The Emmy-winning pilot episode, "Hill Street Station," immediately established the series as less a police procedural than an up-close and personal "interface with the police experience." To establish gritty, documentary-like realism, the show featured sequences, such as the pre-credit roll call, that were filmed with a hand-held camera. There was chaotic, overlapping dialogue. There were sudden, shocking bursts of violence that claimed popular characters. Story lines were not wrapped up at the end of the hour, but instead, unfolded serially throughout the season. It's no wonder that Hill Street, while championed by most critics, was initially not embraced by viewers. It was, in the beginning, one of television's lowest rated shows, its case not helped by NBC's criminal practice of juggling it in its primetime schedule). But there is justice in Hollywood. Hill Street Blues won the Emmy for best drama in its first season. Also honored were several members of the ensemble, including Daniel J. Travanti as the compassionate and incorruptible Precinct Capt. Frank Furillo, Michael Conrad as the avuncular Sgt. Phil Esterhaus (whose cautionary, "Let's be careful out there," became the show's pop culture signature), and Barbara Babcock as the wildly sexual Grace Gardner, who rocks Esterhaus's world (particularly in the episode that earned her her statuette, "Fecund Hand Rose").

There were no big stars on Hill Street Blues (or, for that matter, no little stars, as one of the cast members jokes during a near-hour-long reunion featurette included as a bonus feature on this three double-sided disc set). Each was an indelible character, among them Charles Haid as cowboy cop Andy Renko, Veronica Hammel as sexy public defender Joyce Davenport, Bruce Weitz as the untamed, animalistic Belker, Keil Martin as LaRue, whose descent into alcoholism is one of the season's most compelling dramatic arcs, and James Sikking as the gung-ho Howard Hunter. Once daring, Hill Street Blues seems almost quaint today, with none of the graphic sex or language that scandalized NYPD Blue (in one episode, a captured cat burglar, portrayed by a pre-L.A. Law Michael Tucker, makes a reference to "wolf pee-pee"). The ethnic portrayals, too, are not exactly nuanced. But the human dramas at the heart of Hill Street still make for arresting television. --Donald Liebenson

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