Herbert von Karajan: Beethoven - Missa Solemnis in D Major, Op. 123
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Movie Reviews of Herbert von Karajan: Beethoven - Missa Solemnis in D Major, Op. 123
Movie Review: An adequate, but not outstanding, performance
Summary: 3 Stars
Full disclosure: I prefer dramatic choral works performed with a full range of tempi, with singing devoted to pitch accuracy, rather than excessive vibrato and overly dramatic arrivals at the correct pitch. With these biases in mind, I was disappointed in this performance. Overall, the musical performance is good, and the recording and videography are both excellent. However, the slower movements (Kyrie, Sanctus, and Benedictus) are performed at a faster tempo than I prefer, and, in my opinion, lose much of their potentially-excruciating beauty as a result. I also did not enjoy the performances of the soprano and tenor soloists, who in my opinion brought operatic excess to parts that sound better when performed with less vibrato and greater accuracy in intonation. I guess I'll just continue to listen to my Robert Shaw CD. Movie Review: Monumental Missa beautifully played and filmed
Summary: 5 Stars
Herbert von Karajan was a fine choral conductor and nowhere is that more evident than in this DVD recording made from an Easter 1979 television broadcast of Beethoven's massive Missa Solemnis in D Major, Op. 123. Along with Bach's great Mass in B Minor, this is the finest musical setting of the traditional Catholic Mass. Beethoven spent some five years in its composition, and in a staggering manifestation of his genius, wrote it whilst simultaneously composing the titanic Symphony No. 9 in D minor, Op. 125. Beethoven was totally deaf by this time and both works contain problematic passages that are difficult to make sound properly, especially some of the vocal parts that are written in an unusually high tessitura. Karajan handles these difficulties with relative ease, smoothing over any vocal problems, presenting a monumental old-style performance of great power and fierce emotional impact.
With vocal and instrumental forces numbering some 200 or so, no claims of authenticity are offered. This is as traditional a performance as you can imagine. Its effectiveness lies in its perfection. Karajan conceives this Mass as a manifestation of Beethoven's inner religious musing, thus giving the slow movements a ruminative quality of inner-directed bliss and matchless sublimity. The more outgoing movements, with their mighty fugal utterances, are offered as a vast musical edifice proving Beethoven's secure mastery of Baroque contrapuntal musical structures. Never was Beethoven's greatness as a composer more evident than in his final works: with their blend of sui generis originality and the composer's self revealing vulnerability, they are utterly unique in musical history.
Karajan, the Berliner Philharmoniker, the Wiener Singverein and the four splendid soloists provide a superb blend of power and insight in this wonderful performance. The Gloria is earth-shattering in its mighty shout of praise. The Credo sure and certain in its statement of belief. The Sanctus is quiet and softly probing in its examination of faith, with a Benedictus that is utterly sublime in its beauty. The Agnus Dei and final Dona Nobis Pacem famously end the Mass with a question mark regarding humanity's fate, a psychic scar bequeathed by the recently terminated Napoleonic Wars. Karajan provides each movement with its proper interpretation, giving the Mass an inevitabilty Beethoven himself would have appreciated. This is an exemplary performance.
The film looks good for its age with only some slight ghosting. Sound in PCM stereo and DTS 5.1 is clear and full. The disc lasts 84 minutes.
A magnificent traditional performance that is strongly recommended.
Mike Birman