Henry Fool

Henry Fool

Henry Fool
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DVD Cover Information

Actor: James Saito, James Urbaniak, Maria Porter, Parker Posey, Thomas Jay Ryan
Brand: Sony
DVD: Region Code 99
Audio: English (Unknown), Dolby Digital 2.0 Stereo; English (Original Language), Dolby Digital 2.0 Stereo
Format: AC-3, Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, Widescreen
Picture Format: Anamorphic Widescreen, 1.78:1
Running Time: 137 minutes
DVD Release Date: 2003-12-16
Audience Rating: R (Restricted)
Studio: Sony Pictures Home Entertainment

Movie Reviews of Henry Fool

Movie Review: An absolutely brilliant, mesmerizing film
Summary: 5 Stars

One tries not to throw the word brilliant around too often, as doing so robs the word of any meaning, so I am quite sincere when I bestow the word brilliant on this remarkable film - after all, what is artistic brilliance if not the ability to call forth beauty from the midst of ugliness? This story takes place against a depressing backdrop of poverty, desperation, and dysfunction. Simon Grim (James Urbaniak) works as a garbage man, endures physical attacks on the streets, and comes home each night to a thoroughly dysfunctional family. His mother is obviously depressed and, at times, nonresponsive, while his sister Faye (Parker Posey) is irresponsible and only interested in fulfilling her own sexual needs as often as possible. Simon himself seems anti-social if not mentally challenged. Then a stranger named Henry Fool (Thomas Jay Ryan) shows up and changes everything. He has a magnetic personality, albeit one that pushes some people away while drawing others in, and he befriends Simon. Beaming literary pretentiousness, Henry goes on and on about his personal memoirs (or confessions), which he assures Simon will revolutionize the world and society when they are completed and published. When Simon begins following Henry's lead, he produces a new kind of poetry, one which Henry hails as cutting-edge and revolutionary. While his mother and sister ridicule him, Simon is encouraged by Henry to keep writing, rightly pointing to some amazing changes that occur in individuals who read a sampling of his work. Critics initially hail his great poem as poorly written and pornographic (the ultimate put-down), yet Simon perseveres through doubt, tragedy, and controversy, eventually meeting with great success - which changes the lives of these characters irrevocably.

In many ways, this film really is all about Henry Fool himself. He's a mystery for much of this film, a strange external force that shows up out of nowhere and changes the lives of those around him. He is an exceptional fellow - but not necessarily what he appears. As the film progresses, we learn more and more about his troubled past and witness his emotional decline in both the present and the future. His darkest secrets and weaknesses are revealed, he becomes more and more dependent on alcohol and cigarettes, and the mask covering the ugliness of his life begins to slip. Even at his worst, though, he is thoroughly human and morbidly fascinating (and something of a mirror to the souls of many of us, if we're honest enough to admit it), especially at the end when the story has basically come full circle.

There is no character like Henry Fool, and Jay Henry Thomas is absolutely amazing in the role. Great performances abound in this film, while Hal Hartley's direction is impeccable. I don't know what to call the world Hartley has created in this film: it's hyper-surreal yet completely realistic at the same time. It deals with an amazing range of issues head on; oftentimes shockingly direct yet always poignant and surprisingly deep. As others have said, this is not a film that could ever have been borne of a major studio; only an independent filmmaker can take the kind of chances that Hartley takes here, or take such a seemingly simple idea and imbue it with such depth, emotional resonance, and integrity. Henry Fool is nothing less than a stellar, bloody brilliant film.

Summary of Henry Fool

HENRY FOOL - DVD Movie
Simon (James Urbaniak), a shy garbage man, lives with his sister (Parker Posey of Party Girl and Waiting for Guffman, among dozens of other movies) and mother, who both treat him with minimal respect. Into Simon's life comes Henry Fool (Thomas Jay Ryan), a heavy-drinking self-proclaimed great writer who goads Simon into writing an enormous poem. The poem becomes the source of great controversy, proclaimed by some as a great work of art, denounced by others as perverse trash. As Simon's star rises, he tries to draw attention to Henry's work as well, to little avail. Though the premise seems simple, Henry Fool takes on something of an epic sweep as it follows the effects of fame on Simon's and Henry's lives. This rumination on art and inspiration was hailed by some critics as the best film yet by writer-director Hal Hartley (Trust, Simple Men, Amateur), while others felt it brought out his worst self-indulgences. All of Hartley's movies defy easy interpretation, and Henry Fool is no exception. Still, it's a rare film that even tries to tackle such subjects, let alone does so with a combination of intelligence and humor (ranging from verbal quirkiness to scatological embarrassment). Hartley's films, surprisingly enough, feel warmer and more accessible on video; perhaps watching them in one's home makes them seem more intimate and less abstract. --Bret Fetzer
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