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Hallelujah I'm a Bum by Lewis Milestone
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DVD Cover InformationActor: Al Jolson, Chester Conklin, Frank Morgan, Harry Langdon, Madge Evans Director: Lewis Milestone Brand: JOLSON,AL Cinematographer: Lucien N. Andriot Editor: W. Duncan Mansfield Producer: Joseph M. Schenck Writer: Ben Hecht Writer: S.N. Behrman DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Mono Format: Black & White, Closed-captioned, Dolby, Dubbed, DVD, Full Screen, NTSC, Subtitled Picture Format: 1.33:1 Running Time: 82 minutes DVD Release Date: 2002-02-05 Audience Rating: NR (Not Rated) Studio: MGM (Video & DVD)
Summary of Hallelujah I'm a BumThe legendary Al Jolson is the self-proclaimed "Mayor of Central Park" in this "stylized, sophisticated and lyrical" (Pauline Kael) comic operetta Â? one of the most decidedly different and delightful musicals ever made! A unique attempt to expand the boundaries of the format, Hallelujah I'm a Bum! captures Jolson at his charismatic best and "reveals more than any of his other surviving films just why [he] was so great a star" (The London Times)!Bumper (Jolson) is the happiest hobo in New York. He's just fallen head-over-heels in love with the beautiful young amnesiac (Madge Evans) he's rescued from a park lake. But when he discovers her true identity, the "Mayor of Central Park" suddenly finds himself competing for her affections with a rich playboyÂ...the Mayor of New York (Frank Morgan, The Wizard of Oz)! Al Jolson says, "You ain't seen nothin' yet," but this isn't The Jazz Singer. Jolson found one of his better movie roles in Hallelujah, I'm a Bum!, a curious 1933 artifact of the early-sound, pre-Code era, a movie replete with music, political comment, and occasionally risqué humor. Jolie plays "the mayor of Central Park," a happy hobo who cleans up after he meets an amnesiac beauty. Alas, the workaday world isn't what it's cracked up to be, as his leisure-minded pals knew all along. Although never quite clicking into classic status, the movie is borne aloft on the Rodgers and Hart score (which includes "You Are Too Beautiful" and much rhyming dialogue) and director Lewis Milestone's fluid tracking shots of hoboes marching and singing through Central Park. That's Harry Langdon, former silent clown, as the Communist tramp warning about the impending revolution as he picks up garbage--a measure of this film's true oddness. --Robert Horton
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