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Gunga Din

DVD Cover Information Actor: Billy Bletcher, Cary Grant, Douglas Fairbanks Jr., Mel Blanc, Victor McLaglen Director: George Stevens, Robert Clampett DVD: Region Code 1 Audio: English (Original Language), Dolby Digital 2.0 Mono; English (Subtitled); Spanish (Subtitled); French (Subtitled) Format: Black & White, Closed-captioned, DVD-Video, NTSC, Special Edition, Subtitled Picture Format: 1.33:1 Running Time: 117 minutes DVD Release Date: 2004-12-07 Audience Rating: NR (Not Rated) Studio: Warner Home Video

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Movie Reviews of Gunga Din

Movie Review: An unbeatable adventure...and a killer comedy
Summary: 5 Stars

Having grown up watching this on New York's "Million Dollar Movie," then airing on an RKO-owned TV station and thus dominated by the erstwhile studio's earlier hits, I was oblivious to the abrupt edits and grainy image quality already creeping into the televised prints. It was enough to savor Cary Grant's loopy, comic performance (as Archibald Cutter, arguably the closest he ever got onscreen to his true working class identity as Archie Leach), Doug Fairbanks, Jr.'s virtuous elegance, Victor McLaglen's signature bluster, and Sam Jaffe's soulful valor. By the time the veddy British colonel (Montagu Love) recited Kipling's title poem as an elegy for a fallen hero, you couldn't be sure if the print really had gotten that murky, or if your vision was blurred by the tears unleashed by the shameless (and highly effective) sentiment of the scene.

Flash forward to the '70s and Los Angeles, when the feisty Z Channel, a cable upstart actually programmed by movie buffs, wanted to air the movie. They approached the director's son, George Stevens, Jr., about finding a better print, perhaps one closer to the original release. Stevens the younger reportedly gave them more than they could have dreamed for--access to the director's own print, which included footage never theatrically exhibited. Turns out that Stevens had shot footage that violated a curious proviso, imposed by the Kipling estate, that no attempt be made to dramatically portray the writer himself.

What to do, then, with the several key shots, during the exposition and again during that final, tear-jerking scene, with the mustachioed, bespectacled 'journalist' who, while unnamed, was clearly intended to be ol' Rudyard himself? Sadly, the only practical solution was the cutting room floor or, in the case of that final shot, which showed the Kipling figure shoulder to shoulder with the surviving principals, to blow up the negative and crop the offending character from the frame.

With the loan of the director's print, however, the Z Channel and its subscribers got to see a version of "Gunga Din" that solved the narrative hiccups that had plagued the movie for 30 years. Stevens' beautifully-shot, sun-drenched images of his reimagined sub-continent were immaculate, convincingly conjuring its desolate beauty in Southern Californian locations (largely in the Simi Valley, if memory serves). The fluid editing, terrific stuntwork, and, of course, rapid-fire wisecracks of Grant, Fairbanks, and McLaglen underline an early fight sequence (an ambush by Thugs while the soldiers are searching a seemingly abandoned village) as THE blueprint for Indiana Jones, Butch and Sundance, and the "Lethal Weapon" pictures. (As for racial stereotypes, script writers Ben Hecht and Charles MacArthur weren't reactionaries; their fanatical assasins, based on historical fact, seem less far-fetched in the context of recent fundamentalist radicalism than they may have 20 years ago, while the title character, as portrayed by Jaffe, anchors his comic naivete with the gravity of his devotion and glimmers of fatalism.)

I managed to tape an airing on my Beta machine, and subsequent viewings made clear to this older, presumably more film-savvy buff what had been intuitive to the wide-eyed eight-year-old. This was, and is, a wonderful movie. In a year famously regarded as the high water mark for Hollywood's "golden age" of studio-produced magic, "Gunga Din" still stands as a worthy peer to the year's better-served, more easily obtained classics. Whatever legal hurdles presently block its release, "Din" almost certainly survives in a superb print.

Now, who's going to have the taste, not to mention commercial wisdom (and it would be that) to bring this back to life on DVD? You might even tempt no less a light than Spielberg to 'fess up and salute the source, much as Lucas did for the Criterion edition of Kurosawa's 'The Seventh Samurai.' Come to think of it, perhaps Criterion would be the logical candidate to restore a '30s adventure masterpiece to vivid glory.