Golden Door
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Movie Reviews of Golden Door
Movie Review: Golden Door
Summary: 4 Stars
This film is a Documentary-Drama with ancestors coming to a New Land and experiencing a whole new life and culture adaptation. A very good film and worth viewing for the whole family.Movie Review: sad brave story
Summary: 1 Stars
i sat down to enjoy a movie about my ancestors and i am sorry to say it was so dark i could barely see it at times .artsy maybe yes pretentious ? i had hoped for more i was ready for it and the movie never delivered except for the fact that Italy was dark and dingy and the boat was dark and the people everything was so dark i feel i missed one third the movie.....but the scenes at ellis island were tagic i appreciate my grandparents too late to share this with them...if only the movie could be seen be all to feel the bravery the desparation the humiliation they all had to endure to be AmericansMovie Review: Takes It Place Beside the Great Italian Films
Summary: 5 Stars
Three cheers for Martin Sorcesse. Not only does he direct some of America's finest films, he "discovers" films like "Golden Door" and brings them to America. I did not have the pleasure of watching this film in a movie theater (oh, how I wish I had: the cinematography is that stunning) but I did watch it on DVD, and its greatness still shines through. A mere plot description does not do this film justice. It is, at its most basic level, a story of coming to America from Italy-- certainly a worthy focus of a movie. But it goes so much beyond this theme: love story, homage to some of the great Italian films, a film about the mystery of human connection, even an adventure film. The cinematography, performances, the screenplay and stunning score work hand in hand to create an unforgetable cinematic experience. I tend to rate only books and movies that I truly love, so please forgive the superlatives -- but they are sincere.Movie Review: A Sicilian American looks back
Summary: 4 Stars
It was interesting to see what my ancestors had to do to become Americans. Although my ancestors from Sicily came through New Orleans rather than Ellis Island, I am certain it was similiar. Because they had such courage and bore so much, I am in their debt and must do my best every day to repay them for coming here and giving me this chance. The movie did a great job of pointing that fact out.Movie Review: An eye-opening look at the Ellis Island experience
Summary: 4 Stars
As the granddaughter of Polish immigrants (my grandmother immigrated to the US from Zamosc, Poland in 1917 when she was four years old), I grew up hearing stories about Ellis Island from my grandmother (who had quite a large collection of books on Ellis Island), and also read a number of novels and watched documentaries (Ellis Island) on the immigrant experience.
However, reading first-hand accounts of the events and seeing them brought to life on the big screen made quite a difference. Golden Door (released as New World in Italy) follows the Sicilian Mancuso family, headed by persnickety grandmother Fortunata, her son Salvatore, and his sons Angelo and Pietro. Salvatore is barely able to scratch a living from the rocky, unforgiving landscape (shown to perfection in haunting aerial shots), and after many false starts, begins to make arrangements to go to America. Fortunata has no desire to join them, and Pietro, a deaf-mute, identifies more closely with her. The first third of the film involves Salvatore's selling of his goods to finance the voyage, and the preparations that have to be made. Along the way, Salvatore meets the beautiful, mysterious Englishwoman Lucy, who is traveling in Sicily by herself and attempts to travel with the Mancusos.
The middle of the film chronicles the ocean steamship crossing, with its cramped, segregated male/female quarters, and a rough storm at sea. To be honest, the scenes of the living arrangements seemed too quiet from what I've read; when Lucy gets up at night, there's nary a peep (no young children on this ship, apparently). Also slightly disappointing was the fact that when they finally arrived in New York, there was no (standard) shot of the immigrants glimpsing the Statue of Liberty for the first time.
The final third deals with the Mancuso's fairly typical experience at Ellis Island, and this is where the film shines. Director Emanuele Crialese really did his homework on the battery of physical and psychological tests performed on prospective immigrants in order to determine their "fitness" for life in the United States, and it's slightly shocking by modern standards to see the humiliation that some were subjected to. The American Ellis Island staff in the film come off as cold and unconcerned, particularly with the heartbreaking situation of some of the "mail-order brides" forced into marriage after a dangerous ocean crossing. However, Crialese did include (brief) glimpses at other immigrants, including Eastern European Jewish, Middle Eastern, and other European countries. Small touches of wonder at their new situation are alternately funny and touching, such as immigrants scaling the frosted glass windows to look across the harbor, where they contemplate living in a skyscraper, or Salvatore's result of a block puzzle.
Crialese chose to shoot the film in Buenos Aires and personally chose all 700 extras, most of whom are descendants of Italian immigrants to Argentina. The scenery is effective, and the film was digitally colored to leach out bright hues, resulting in an appropriately washed-out, aged look (although not as garish as Tim Burton's use of digital coloring in Sweeny Todd). The Golden Door soundtrack includes folk songs, a hint of tango, and symphonic interludes, and works well with the visuals. An in-depth making-of features interviews in French and Italian (funny to hear the Italian lead Vincenzo Amato interviewing in French rather than his native Italian, but his French is quite good).
My only dislike of the film was the inserted "dream sequences" that featured hallucinations of giant vegetables and rivers of milk (the end sequence was downright creepy in an Andy Warhol kind of way). As Salvatore didn't strike me as lighthearted, these "hallucinations" come across as forced rather than a natural extension of his personality and took away from some of the gravity of the immigrant experience presented here.
Overall, this is a lushly realized look at the immigrant experience, including the many sacrifices and dangers along the way that are sometimes overlooked due to the romanticized view of the immigrant experience. Crialese has created a timeless tribute to the sacrifice of our grandparents who gave up everything (not just family living in the Old World, but often their language, culture, and customs) at the chance for a better life in America.