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Four Weddings and a Funeral by Mike Newell
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DVD Cover InformationActor: Andie MacDowell, Hugh Grant, James Fleet, John Hannah, Simon Callow Director: Mike Newell Brand: MACDOWELL,ANDIE Cinematographer: Michael Coulter Editor: Jon Gregory Producer: Duncan Kenworthy Producer: Eric Fellner Producer: Richard Curtis Writer: Richard Curtis Producer: Tim Bevan DVD: Region Code 1 Audio: English (Original Language), Dolby Digital 2.0 Surround; French (Original Language), Dolby Digital 2.0 Surround; Spanish (Subtitled) Format: Closed-captioned, Color, DVD-Video, Full Screen, Letterboxed, NTSC, Widescreen Picture Format: Letterbox, 1.85:1 Running Time: 117 minutes DVD Release Date: 1999-09-07 Audience Rating: R (Restricted) Studio: MGM (Video & DVD)
Movie Reviews of Four Weddings and a FuneralMovie Review: "In the words of David Cassidy, in fact, while he was still with the Partridge Family - I think I love you." Summary: 4 StarsFOUR WEDDINGS AND A FUNERAL, made on a pauper's budget, is one of those little British films of which no one was expecting much. Surprisingly, though, it became the little engine that could and garnered much acclaim from fans and critics and cashflow in the theaters. It even shot up to the number one slot in the American box office. This was Hugh Grant's breakthrough film, the one which catapulted him to A-list prominence as a top flight comedic leading man. It made him a star.
Thru the course of four weddings (and one devastating funeral), the movie chronicles the on-again, off-again romance of Charles, chronically tardy at weddings and commitment-phobic (his pals call him "a serial monogamist"), and Carrie, the lovely independent American girl. I got so into this movie that it wasn't until at the end that I realized I didn't even know what these characters - and those in Charles's inner circle - did for a living, only that they seemed to be fairly well-off blokes and girls and a tight-knit, fun-loving bunch of pals. But most of the story does take place within the confines of the weddings (and that one funeral), because those are the only instances in which Charles and Carrie ever interact. But for one exception, that being a sequence in which Charles accidentally bumps into an engaged Carrie and she invites him to accompany her as she tries on different wedding gowns.
The screenplay is ridiculously good. And Mike Newell directs it, and I've always liked his stuff (ENCHANTED APRIL, INTO THE WEST, PUSHING TIN, and HARRY POTTER & THE GOBLET OF FIRE). The romance is nice enough, with Charles almost bemusedly wooing the ravishing Andie MacDowell. Back in 1994, when this movie was released, Andie MacDowell was the biggest name on this roster. At that time in her career, she was doing big things, what with GREEN CARD and GROUNDHOG DAY having done well, and this film only served to garner her even more notice. But if I were to nitpick, it'll be to say that we never do get to know her character as well as we come to know Charles. Even by the end of the film, Carrie comes off as enigmatic. But the love story is only one slice of a very savory pie. There's big heart in this terrifically fleshed-out supporting cast, these actors pitch perfect in their parts and most capable of winning over the audience. However, some are more pitch perfect than others, and so I point out Simon Callow as the gregarious Gareth, John Hannah who delivers a magnificent reading of W.H. Auden's "Funeral Blues," and Kristin Scott Thomas who underplays it as the acerbic and sad Fiona. Meanwhile, Rowan Atkinson is simply hilarious as the flustered new priest who gets a chance at conducting his first ever marriage ceremony (in which he breaks out "the Holy Spigot!!" Hah!). But all the actors involved here are wonderful, and that I'd actually feel a measure of sorrow when one of their characters abruptly passes away is a testament to this little film's ability to affect the audience. Charles and his crew, they seem like a great bunch of folks, even if they teeter towards posh.
But Hugh Grant owns this film. Hugh Grant wasn't really on Hollywood's radar before this picture, languishing as he was in forgettable made-for-TV films and overseas cinematic no-hopers. FOUR WEDDINGS is the film which, for the first time, showcased Hugh's comedic flair and impeccable timing. If you think he stammers and flutters those eyelids now, brother, he was a lot worse back in the day. But Hugh Grant oozes such charm and demonstrates such a quick and self-deprecating wit that the awkward habits somehow become disarming. For two samples of the man's dexterity with delivering convoluted lines, check out Charles's wedding toast and also his declaration of love for Carrie, with mad references to David Cassidy thrown in.
What I have is the Deluxe Edition DVD, which offers these special features: Filmmakers' audio commentary, which is okay and sometimes interesting, although, frankly, I would've preferred Hugh Grant and Andie MacDowell's two cents (and anyone else's in the cast, for that matter); 5 deleted scenes with optional commentary by the producer (including more with Rowan Atkinson's novice priest); "The Wedding Planners" and "FOUR WEDDINGS AND A FUNERAL: In the Making" are two behind-the-scenes featurettes; "Two Actors and a Director" is a 5 minute segment of interviews with Director Mike Newell and Hugh Grant and Andie MacDowell; a Behind the Scenes photo gallery; promo spots (pretty funny, actually, with Hugh and Andie each getting a 30 second spot to promote the movie); and the theatrical trailer. Not bad.
I can't help but bring up Hugh Grant's later film Notting Hill (Collector's Edition), and partly it's because it holds echoes of FOUR WEDDINGS AND A FUNERAL. Both films feature an out-of-his-league Englishman romancing an American beauty, although NOTTING HILL is decidedly more fairy tale. Both films have wonderful supporting actors and that tiny whiff of elegance, and both films will make you laugh but then do a one-eighty and make you sad and make you reflect. Oh, but then NOTTING HILL doesn't trot out characters with names like Duckface, Vomiting Veronica, and Miss Piggy. For whatever bragging rights that's worth.
Summary of Four Weddings and a FuneralThe champagne is flowingand so is the funin this "delightful and sly" (Roger Ebert) romantic comedy about two people who belong together but just can't seem to tie the knot. Ushering in two Academy Award?(r) nominations*, and starring Hugh Grant (Notting Hill), Andie MacDowell (Michael) and a superb ensemble cast that includes Oscar?(r) nominee** Kristin Scott Thomas, Four Weddings and a Funeral is truly "a very special occasion" (Rolling Stone)! Charlie (Grant) is always the best man but never the groom. Determined to avoid even a hint of commitment, this handsome English gentleman is notoriously late to every wedding. But today he's in for a real surprise because not only did he forget the ring...but he also just caught a glimpse of the girl of his dreams (MacDowell)! "Elegant, festive and very, very funny" (The New York Times), Four Weddings and a Funeral is engaging entertainment from beginning to end. *1994: Best Picture, Original Screenplay **1996: Actress, The English Patient A surprise hit and one of the highest grossing films ever to come out of Great Britain, this effortlessly enchanting romantic comedy finds confirmed bachelor Hugh Grant (Nine Months) attending weddings with his single friends as they all lament not being able to commit. Grant keeps running into an attractive American (Andie MacDowell) at these festivities and begins a long-running affair with her, even as he attends her own wedding, the funeral of one of his best friends, and his own pending nuptials. Featuring a spirited supporting cast including Kristin Scott Thomas (The English Patient) as the acerbic friend quietly in love with Grant, this touching and funny film with a mischievous sense of humor and some truly heartbreaking moments is destined to become one of the classic romantic comedies of all time. --Robert Lane
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