Films of Kenneth Anger 1
by Kenneth Anger
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DVD Cover Information
Actor: Joan Whitney, Katy Kadell, Marjorie Cameron, Renate Druks, Samson De BrierDirector: Kenneth Anger
Cinematographer: Curtis Harrington
Cinematographer: Kenneth Anger
Editor: Kenneth Anger
Producer: Kenneth Anger
Writer: Kenneth Anger
Cinematographer: Oleg Tourjansky
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 1.0; English (Original Language), Dolby Digital 1.0
Format: Black & White, Color, Dolby, DVD, NTSC
Picture Format: 1.33:1
DVD Release Date: 2007-01-23
Audience Rating: Unrated
Studio: Fantoma
Movie Reviews of Films of Kenneth Anger 1
Movie Review: the godfather of the cinema underground.
Summary: 5 Stars
Kenneth Anger is an American underground film maker, as well as an occultist who is much more influential in the realms of cinema and the occult than is recognized today. The audacity of his vision is simply startling, especially by the standards of the '40s and '50s. The films in this collection are a perfect introduction to Anger's vision and style. The first five serious film endeavors of Anger, beginning in 1947 (an auspicious year for Thelemites) with Fireworks, when he was only 17 years old.
Fireworks (1947): inspired by Anger's dream, where he is beaten and raped by a gang of sailors. Anger himself said that "this flick is all I have to say about being 17, the United States Navy, American Christmas and the Fourth of July."
Puce Moment (1949): a five minute fragment of what was supposed to become a feature film called "Puce Women". The music and the motion of this fragment make it's five minutes unforgettable. Also, the sheer nihilism of how Hollywood beauty is portrayed is undeniable.
Rabbit's Moon (1950): an awesome psychodrama involving mimes and children, ritualistically yearning for the unattainable moon to 1950's pop songs. The music ingeniously compliments the imagery and action. a strange blend of French comedy, Oriental mythology, and masonic symbolism.
Eaux d'Artifice (1953): a very beautiful tour of a magickal labyrinth of waterfalls and fountains, as we follow the water witch to her final destiny - all to the tune of Vivaldi!
Inauguration of the Pleasure Dome (1954): and it seems that they have saved the very best for last! This trippy descent into hedonistic rites is topped off with a healthy serving of Thelemic mysticism and magick. Here Anger introduces the mythology of Aleister Crowley for the first time. The Scarlet Woman is played by Cameron, the widowed wife of the famous rocket scientist and occultist Jack Parsons. Kenneth Anger has a bit part in this film as well, you can see him dressed in funereal black as the Goddess Hecate. The cabbalistic sign of Baphomet is seen as a backdrop for only a few seconds, but this would be the symbol La Vey was to employ as the symbol for the Church of Satan more than fifteen years later! This film plummets very quickly into delirium, as the orgies of pleasure and decadence reaches its crescendo, the Pleasure Dome that is being inaugurated is also an inescapable trap!
One of the best features to this collection is the audio commentary by Kenneth Anger for each film, giving us valuable insight into his artistic vision.
Summary of Films of Kenneth Anger 1
Cinematic magician, legendary provocateur, author of the infamous HOLLYWOOD BABYLON books and creator of some of the most striking and beautiful works in the history of film, Kenneth Anger is a singular figure in post-war American culture.A major influence on everything from the films of Martin Scorsese, Rainer Werner Fassbinder and David Lynch to the pop art of Andy Warhol to MTV, Anger's work serves as a talisman of universal symbols and personal obsessions, combining myth, artifice and ritual to render cinema with the power of spell or incantation.
Covering the first half of Anger's career, from his landmark debut FIREWORKS in 1947 to his epic bacchanalia INAGURATION OF THE PLEASURE DOME, Fantoma is very proud to present the long-awaited first volume of films by this revolutionary and groundbreaking maverick, painstakingly restored and presented on DVD for the first time.
Contains the films:
Fireworks (1947)
Puce Moment (1949)
Rabbit's Moon (1950, the rarely seen original 16 minute version)
Eaux d'Artifice (1953)
Inauguration of the Pleasure Dome (1954)
Recently restored by the UCLA Film Archive, Kenneth Anger's difficult-to-see early films are finally collected here onto DVD, alongside optional fascinating commentary by Anger himself. Scores of Anger fans have previously persevered through horrid rented VHS copies of these films, due to their inimitable beauty and strangeness. Anger is renowned for filmic experimentation that portrays invented occult or druggy subcultures while formally rejecting conventions of blockbuster filmmaking. As a result, he has also become the unofficial godfather of the music video, for his groundbreaking use of soundtracks that, in these early films at least, meld classical music with '50s bubble gum pop and '60s folk for a hypnotic, psychedelic effect. Fireworks is a monumental film credited as gay cinema's first masterpiece. Rabbit's Moon, presented in its original 16-minute version, and Eaux d'Artifice are Anger's two other brilliant black-and-white studies of European culture, namely Miming and the 17th century art of Water Fountains. Anger's commentary reveals directorial secrets, for example that Eaux d'Artifice's black-and-white appearance is tromp l'oeil that involved both manipulation of the camera and film development to heighten the film's metaphoric notion of artifice. Puce Moment, starring Yvonne Marquis, is a colorful, campy tribute to silent film glamour, in which the star debates what gown to wear for a party. Inauguration of the Pleasure Dome is the first Anger film to investigate mythology in relation to Aleister Crowley's witchcraft, subject matter that consumed Anger in consequent projects. Kenneth Anger's films exist in a timeless, stylized void that is both alluring and terrifying. Watching these selections will prove that Anger's aesthetic contributions to cinema are noticeable fifty years later. --Trinie Dalton
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