Everything Put Together

Everything Put Together
by Marc Forster

Everything Put Together
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DVD Cover Information

Actor: Catherine Lloyd Burns, Courtney Watkins, Jacqueline Heinze, Megan Mullally, Radha Mitchell
Director: Marc Forster
DVD: Region Code 1
Audio: English (Original Language)
Format: Color, DVD-Video, NTSC
Picture Format: 1.85:1
Running Time: 88 minutes
DVD Release Date: 2002-04-09
Audience Rating: R (Restricted)
Studio: Gus

Movie Reviews of Everything Put Together

Movie Review: That's not my baby
Summary: 4 Stars

-Most movies usually show how friends bond together after a tragedy and how everything magically solves itself again. This movie on the other hand completely detaches from that and shows you how we should be careful about the people we call friends. The main character Angie not only looses her baby in the movie but also looses her friends. The nice about the movie though is that they don't make the friends seem like horrible people but rather just people that don't know how to properly communicate their emotions to a grieving mother. The baptism scene is a great example of that, because they didn't invite due to the fact that they thought it would be too painful for her, but instead had the opposite effect.

-The whole movie is an emotional roller coasters that we witness Angie go through. When we first meet her, she's a happy woman that's on the verge of giving birth. She is in love with her husband that loves her back very much and she's very lively and pretty sexual. All that goes to hell once she looses her baby and for me it was fascinating to watch her go through this horrible ordeal in her own way, and see how it almost drove her to the end. She goes from happy to depressed reclusive and see how it affects the people around her. I really loved that scene when she goes to see her baby at the morgue and after seeing him denies that it's him. It was really heartbreaking to watch because she wished with all her heart that her words would turn to reality and her baby would magically come to life.

-The performances here are pretty strong with Radha Mitchell owning the movie and commanding greatness in her own beautiful subtle way whenever she's on screen. Her character Angie is one that could have easily being played in a "woe is me" manner, but Mitchell plays her as sympathetic yet scary. The scene in which she denies that the baby at the morgue is hers is probably my favorite moment with her in the movie. So heartbreaking and so well acted. She has one scene in the movie in which she lets out a scream after she finds out that her baby is gone, and that scream should make anyone that watches the movie with the volume cranked up pee themselves a little bit. I doubt that's how real people act when they find out something horrible but hey it works in the movie. Her performance isn't her strongest since I strongly believe that title belongs to "High Art", but Mitchell is wonderful nonetheless and I was really happy to hear Meagan Mullally say she was the best actress she had ever worked with.

-Fans of "Will and Grace" should be pleasantly surprised by Meagan Mullally in this movie. She plays one of the pregnant friends and much like all the friends in the movie she shuns Angie after her loss. It would be easy to hate her, but Mullally plays as a lost friend that doesn't know how to deal with the current situation. Justin Louis who has great chemistry with Mitchell plays the loving husband. He is just a regular guy that tries his best to cope with the loss as well but knows that he can't show too much emotion because he needs to be strong for the woman he loves so much. The rest of the supporting players are great especially the actor that plays the doctor.

-This is an ultra low budget movie with people behind the scenes pulling multiple duties so I guess it's not much of a shock that the movie is shot with a DV camera. The roughness and unattractiveness that the DV employs does fit the tone for a lot of the movie since it fully conveys what Angie sees of the world which, is a very disheveled and bitter place. Overall, it would have been pretty nice to see the movie shot with film. The music unlike the cinematography doesn't reflect the budget since it feels like it's scored with a 60 piece orchestra instead being scored at the home of director Marc Foster's friend Thomas Koppel. The best way to describe the music is "Blade Runner" meets "Crash" which is very high praise in my book. Low budget stuff like this usually gets stuck with source music or worse some flavor of the month musician writing some incoherent mess, but in the case of this movie the music is very nicely done and even has a very nice song at the end for us to enjoy.

-Of all the disturbing elements of the movie, the one I thought was really messed up was how the end of the movie suggested that Angie might go back to being friends with the same back stabbing friends that left her out to dry. The one thing that's not certain though is whether she was indeed pregnant like she told them that she was, or whether she was faking it to see their reaction. I really hope that it was the latter because I would hate to think that she would go back to laughing and chatting with the same people that gave her the cold shoulder when she needed them the most. On the other hand if that is the case then I guess it would make the movie a lot better, because it will show how people can be so desperate to accepted that they will be pals with the ones that screwed them over.

-It's a very difficult movie to watch and not something I'd recommend for young viewers, but if you don't mind the low budget productions and the awkwardness of most of the scenes then you should check this out.

Summary of Everything Put Together

An idyllic suburban life has never been portrayed to more queasy effect than in Marc Forster's Everything Put Together. Angie (Radha Mitchell, High Art) seems to have it all--a loving husband, a close circle of friends, a baby on the way. But when her newborn dies of SIDS, the isolated grief that quickly intervenes presents an alarming portrait of modern-day tribal outcasting as the American dream gets turned inside-out to reveal a cruel undertow. Treated as though she might taint their own families with bad luck, Angie's girlfriends abandon Angie to her grief and increasingly unstable behavior. Forster (Monster's Ball) shuttles artfully between the intimate handheld camera commotion of communal activities--neighborly barbecues, shopping excursions, rap sessions among friends--and the motionless scenes of Angie's unhinged state when alone, to create an atmosphere of suburban suffocation matched only by Todd Haynes's Safe. Everything Put Together was shot entirely on digital video, and its innovative direction and excellent cast subvert the familiarity of the home video to chilling effect. --Fionn Meade

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