Eugene O'Neill's A Moon for the Misbegotten (Broadway Theatre Archive)

Eugene O'Neill's A Moon for the Misbegotten (Broadway Theatre Archive)
by Gordon Rigsby, Jos? Quintero

Eugene O'Neill's A Moon for the Misbegotten (Broadway Theatre Archive)
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DVD Cover Information

Actor: Colleen Dewhurst, Ed Flanders, Edwin McDonough, Jason Robards, John O'Leary
Director: Gordon Rigsby, Jos? Quintero
Editor: Alfred M?ller
Editor: Max K. Curtis
Producer: Audrey Maas
Producer: David Susskind
Writer: Eugene O'Neill
DVD: Region Code 1
Audio: English (Original Language)
Format: Color, DVD-Video, NTSC
Picture Format: 1.33:1
Running Time: 134 minutes
DVD Release Date: 2002-04-23
Audience Rating: NR (Not Rated)
Studio: Image Entertainment

Movie Reviews of Eugene O'Neill's A Moon for the Misbegotten (Broadway Theatre Archive)

Movie Review: what you see is what you get
Summary: 5 Stars

This is an example of a product simply being what it is; that is: this is a transcription of the television special of the celebrated production of O'Neill's great play A MOON FOR THE MISBEGOTTEN, starring Jason Robards Jr. and Colleen Dewhurst at their peak. These two performances are probably among the greatest ever put on the American stage: Robards and Dewhurst were the perfect interpreters for the raging emotions of this tortured genius of a playwright. There's little filmic technique to speak of, and there's no real imagination in terms of the visual handling or the filming (to see a really brilliant example of "filmed theater" which truly transcends itself, you can check out Louis Malle's VANYA ON 42nd STREET), but it doesn't matter, because what you're getting, the absolutely sublime performances of Robards and Dewhurst, is transcendence enough.

Summary of Eugene O'Neill's A Moon for the Misbegotten (Broadway Theatre Archive)

Theatrical sparks flew when veteran Eugene O'Neill interpreters Jason Robards and Colleen Dewhurst joined forces in the celebrated 1973 revival of O'Neill's tender semi-autobiographical drama. In a towering performance, the great Robards portrays a cynical, self-hating alcoholic actor based on O'Neill's elder brother, Jamie. The majestic Colleen Dewhurst plays the earthy, gruff daughter of his scheming Irish tenant farmer (Ed Flanders), with whom the failed actor spends a soul-baring night of guilt-ridden confessions, tenderness, and absolution. Both Dewhurst and Flanders won Tony Awards for their performances.
Eugene O'Neill's final completed play stands among his most compelling achievements. But its reception was tardy in grasping the true quality of this swan song. Written in the early 1940s, A Moon for the Misbegotten was first produced by the Theatre Guild in 1947 and was a flop; O'Neill himself voiced insecurity about the play before his death in 1953. If only he had experienced Jose Quintero's production in 1973, he would have seen his work vindicated. From the start, Moon is an immense challenge to cast properly and to pace effectively. The smallest miscalculation can shift what should be emotionally wrenching into insufferable sentimentality. This long, lyrical drama offers no place to hide from the searingly intense light it casts on its two central characters. Yet the match here between Colleen Dewhurst and Jason Robards is so ideal that they set the gold standard for the play, which has since become much better known in an increasing number of subsequent revivals.

On one level a sequel to Long Day's Journey into Night, Moon continues the former's process of exorcism, but without its turmoil and rage. Instead, the tone--so beautifully calibrated in Quintero's sense of rhythm and musical shaping--is one of elegy, resignation, and compassion. Robards built a career on his uncanny ability to project himself as a soulmate of O'Neill's down-and-out, disillusioned breed of "misbegotten" mortals. He plays alcoholically self-destructive, poetry-quoting older brother Jamie Tyrone (from Journey) with hard-edged honesty. The "giantess" earth-mother Josie is eloquently realized by Colleen Dewhurst in a sturdy and stoical but nuanced portrayal that makes Jamie's confession at the heart of Moon just as much her story and need to experience a "night different from all the rest." Somehow, in the unexpected grace they share, both manage to break free, just for one night, from the patterns they've allowed to predict their behavior. Ed Flanders (who won a Tony with Dewhurst for the revival) brings a magnificent deadpan humor to the Irish tenant farmer father Hogan, concealing his love behind a shared ritual of play-acting with Josie.

The DVD is from a made-for-TV production, with the obvious limitations of camera angles and close-ups; it contains no frills (discounting nearly an hour of excerpts from other Broadway Theatre Archive titles), just the pared-down authenticity of O'Neill's characters brought to life with truth-seeking power. --Thomas May

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