 |
Dolls by Takeshi Kitano
Buy this DVD movie at online store in your country
Canada
DVD Cover InformationActor: Hidetoshi Nishijima, Kyôko Fukada, Miho Kanno, Tatsuya Mihashi, Tsutomu Takeshige Director: Takeshi Kitano Brand: Universal Studios Cinematographer: Katsumi Yanagijima Editor: Takeshi Kitano Writer: Takeshi Kitano Producer: Masayuki Mori Producer: Takio Yoshida DVD: Region Code 1 Audio: English (Unknown); English (Subtitled); Japanese (Original Language) Format: AC-3, Color, Dolby, DVD, NTSC, Subtitled, Widescreen Picture Format: 1.85:1 Running Time: 114 minutes DVD Release Date: 2005-03-08 Audience Rating: Unrated Studio: Palm Pictures / Umvd Product features: - Legendary director & actor Takeshi Kitano (Brother, The Blind Swordsman: Zatoichi) departs from his usual stylish gangster thrillers to present a masterpiece that is both artistic and moving. Bound by a long red cord, a young couple wanders in search of something they have tragically forgotten. An aging yakuza boss mysteriously returns to the park where he once met his long-past girlfriend. A disf
Summary of DollsDOLLS - DVD Movie Dolls is a film of extraordinary beauty and tenderness from a filmmaker chiefly associated with grave mayhem and deadpan humor. That is to say, this is not one more Takeshi Kitano movie focused on stoical cops or gangsters. The title refers most directly, but not exclusively, to the theatrical tradition of Bunraku, enacted by half-life-size dolls and their visible but shrouded onstage manipulators. Such a performance--a drama of doomed lovers--occupies the first five minutes of the film, striking a keynote that resonates as flesh-and-blood characters take up the action. The film-proper is dominated by the all-but-wordless odyssey of a susceptible yuppie and the jilted fiancée driven mad by his desertion to marry the boss's daughter. Bound by a blood-red cord, they move hypnotically through a landscape variously urban and natural, stylized only by the breathtaking purity of light, angle, color, and formal movement imposed by Kitano's compositional eye and rigorous, fragmentary editing. Along the way we also pick up the story of an elderly gangster, haunted by memories of the lover he deserted three decades earlier and generations of "brothers" for whose deaths he was, in the accepted order of things, responsible. Another strand is added to the imagistic weave via a doll-like pop singer and a groupie blinded by devotion to her. This is a film in which character, morality, metaphysics, and destiny are all expressed through visual rhyme and startling adjustments of perspective. It sounds abstract--and it is--but it's also heartbreaking and thrilling to behold. Kitano isn't in it, but as an artist he's all over it. His finest film, and for all its exoticism, his most accessible. --Richard T. Jameson
|
 |