Dark Victory (Restored and Remastered Edition)
by Edmund Goulding
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DVD Cover Information
Actor: Bette Davis, George Brent, Geraldine Fitzgerald, Humphrey Bogart, Ronald ReaganDirector: Edmund Goulding
Brand: DAVIS,BETTE
Cinematographer: Ernest Haller
Editor: William Holmes
Producer: David Lewis
Producer: Hal B. Wallis
Writer: Bertram Bloch
Writer: Casey Robinson
Writer: George Emerson Brewer Jr.
DVD: Region Code 1
Audio: English (Original Language); English (Subtitled); Spanish (Subtitled); French (Subtitled)
Format: Black & White, Closed-captioned, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 104 minutes
DVD Release Date: 2005-06-14
Audience Rating: NR (Not Rated)
Studio: Warner Home Video
Product features:
- Bette Davis' bravura, moving-but-never-morbid performance as Judith Traherne, a dying heiress determined to find happiness in her few remaining months, remains a three-hankieic. But that success would never have happened if Davis hadn't pestered studio brass to buy Dark Victory's story rights. Jack Warner finally did so skeptically. Who wants to see a dame go blind? he asked. Almost everyone: Dark
Movie Reviews of Dark Victory (Restored and Remastered Edition)
Movie Review: Wonderful!!
Summary: 5 Stars
Loved it!! Excellent movie with lots of great actors. Loved Betty Davis Performance!! Millie
Summary of Dark Victory (Restored and Remastered Edition)
Bette Davis?s bravura, moving-but-never-morbid performance as Judith Traherne, a dying heiress determined to find happiness in her few remaining months, remains a three-hankie classic. But that success would never have happened if Davis hadn?t pestered studio brass to buy Dark Victory?s story rights. Jack Warner finally did so skeptically. Who wants to see a dame go blind? he asked. Almost everyone: Dark Victory was Davis? biggest box-office hit yet and garnered Academy Award nominations for 1939?s Best Picture, Actress and Original Score (Max Steiner).Critic Pauline Kael called this shamelessly enjoyable, vintage Bette Davis weepie a "kitsch classic," and time hasn't diminished its ability to give the tear ducts a good flushing. Davis plays a swinging socialite, living the fast life of booze, smokes, and--with the help of Humphrey Bogart as her Irish stableman--raising thoroughbred horses. When a brain tumor starts giving her headaches and eroding her vision, she falls in love with her surgeon (George Brent), who grows more determined than ever to cure her. Davis gives one of her most vibrant performances, and her costars also include Ronald Reagan and Geraldine Fitzgerald. The film received Oscar nominations for best picture, best actress, and for Max Steiner's score. --Jim Emerson
Even in the 21st century, very few film stars create and define their own genre--and certainly not in the complete way Bette Davis did. The Bette Davis Collection gives an exceptionally good survey of essential Bette, with four of the five films absolute knock-down classics from her long reign at Warner Bros. Davis's personality was so strong that she tended to overpower her directors, but William Wyler was one of the few to maintain his own distinctive style with her, and The Letter (1940) is a triumph for both of them. At a humid Malaysian plantation, Davis kills a man in the brilliant opening sequence, and the remainder is a darkly suggestive unraveling of the complicated explanation.
Dark Victory (1939) and Now, Voyager (1942) would be on anybody's list of most representative Davis pictures. In the former, she's a doomed heiress nobly losing her eyesight, a multiple-handkerchief situation that proved one of her biggest hits. Voyager allows Davis one of her favored techniques (appearing frumpy for at least part of her performance) as a mother-dominated spinster who comes out of her shell. Her match with Paul Henreid--and the music of Max Steiner--turns this into one luscious melodrama.
If Mr. Skeffington (1944) is not as celebrated as those films, it is nevertheless a characteristic Warners work-out. Davis wasn't shy about playing unsympathetic roles, and Fanny Skeffington--vain, selfish, married for practicality--is an exasperating tour de force. She gets good support from Claude Rains as the sensible, adoring husband. The Star (1952) is no classic, but its Pirandellian aspects will appeal to the actress's fans: Bette plays a washed-up Oscar-winning star desperate to get herself back in the public eye (think if it as a less witty postscript to All About Eve). There's some hint the main character is modeled more on Joan Crawford than Bette herself, in which case Davis must have loved playing it.
Extras are modest, with short featurettes giving background on three of the discs, and director Vincent Sherman providing commentary for Mr. Skeffington. But the films themselves, and their neurotically intense star, are quite capable of standing alone. --Robert Horton
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