Dark Command
by Raoul Walsh
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DVD Cover Information
Actor: Claire Trevor, George 'Gabby' Hayes, John Wayne, Roy Rogers, Walter PidgeonDirector: Raoul Walsh
Brand: WAYNE,JOHN
Cinematographer: Jack A. Marta
Producer: Sol C. Siegel
Writer: F. Hugh Herbert
Writer: Grover Jones
Writer: Jan Fortune
Writer: Lionel Houser
Writer: W.R. Burnett
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Original Language), Dolby Digital 2.0 Mono
Format: Black & White, DVD, Full Screen, NTSC
Picture Format: 1.33:1
Running Time: 94 minutes
DVD Release Date: 2000-05-16
Audience Rating: NR (Not Rated)
Studio: Republic Pictures
Movie Reviews of Dark Command
Movie Review: On to Kansas
Summary: 5 Stars
DARK COMMAND is a good, old-fashioned western. The movie takes places in Kansas on the eve of the Civil War. Not just anywhere in Kansas, either - the movie's set in bloody Lawrence, the hotbed of guerilla activity during that war. Perhaps no guerilla leader was more notorious than Kansas's William Quantrill, the school teacher turned raider who fought against the Union until his death in 1865.
Although DARK COMMAND is a work of fiction, it doesn't try hard to hide its sources. DARK COMMAND is adapted from a novel by the talented and prolific W.R. Burnett, whose Hollywood credits include either the based-on novel and/or screenplay for such action classics as Little Caesar, the original Scarface, The Asphalt Jungle, High Sierra, and dozens of others. John Wayne plays a roustabout Texan named Bob Seton who's traveling through with dentist/barber/sidekick Andrew `Doc' Grunch (George `Gabby' Hayes.) While in Lawrence Seton meets and immediately falls for pretty Miss Mary McCloud (Claire Trevor), local belle and daughter of the president of the town's bank, a Virginian (where you were from counted a lot in Kansas prior to the Civil War.) Seton's competitor for the affections of pretty Miss McCloud, and a bit later for the office of town marshal, is schoolteacher William Cantrell (Walter Pidgeon.) That the real life Quantrill was also a Lawrence, Kansas schoolteacher is, well, probably something more than a coincidence.
Of course, Cantrell loses both the election and the heart, if not the hand, of Miss McCloud to Seton. As filtered through the Hollywood lense that's more than enough justification to embark on a campaign of pillage and murder, which Pidgeon's Cantrell proceeds to do with a certain amount of righteous dignity. Raoul Walsh, whose last movie before this one was the classic gangster movie `The Roaring Twenties,' directed DARK COMMAND with his usual relentless flair. Also in 1939, the young John Wayne had finally broken through to the a-list after playing the Ringo Kid in John Ford's `Stagecoach.' `Stagecoach' co-star Clair Trevor is billed above Wayne on the credits, but this is very much a John Wayne movie. The two principals, director Walsh and star Wayne, were at strong points in their careers and this movie did nothing to derail them. Wayne wasn't an icon yet but he had the moves down - he's shy and awkward around the women folk, toweringly commanding with men. One of the text extras on the film quotes Walsh's observation that `Wayne had learned to walk and talk' by the time DARK COMMAND was filmed, and if you watch some of Wayne's earlier b-movies you'd have to agree with Walsh's shrewd assessment.
I've seen a handful of Raoul Walsh movies in the past year and enjoy them tremendously. Pidgeon's Cantrell seems to be a prototypical Walsh heavy - he's erudite, urbane and refined, and, we suspect, substantially smarter than the hero. If Hollywood was about to fall in love with Freud Walsh definitely wasn't leading the charge. Even the presence of a maternal housekeeper, played in American Gothic style by Marjorie Main, doesn't do anything to explain what makes Cantrell tick. Cantrell is a Walsh villain, which means he's evil because he's evil and that's that. We'll have to understand him through action rather than introspection. In lesser hands this would leave us with a scowling, carpet-chewing bad guy. But DARK VICTORY'S script is tight, Walsh was a master at action dramas, and Pidgeon is too good an actor - he never drops Cantrell's courtly façade, and he's all the more a menace for it.
Fans of old b-westerns will get a kick out of seeing a (very) young Roy Rogers and `Gabby' Hayes together in the same movie before they became cinema trail mates. Hayes' slightly mush-mouthed `gol-durn-it' routine can be grating, but Walsh uses him as a relatively subtle comic foil to good effect. If you've watched a few too many b-westerns chances are you'll find oddly touching the one scene between Hayes and Rogers. Rogers is in mortal danger and Hayes is his best and only hope. Hayes drops the Gabby act and lets George take over. It's a nice way for Walsh, through Hayes, to turn the tension up a notch and let us know that this is important. It's been my experience that Walsh's movies are filled with such nice touches, and it's one reason why I like them so much. DARK COMMAND has more than enough going for it to rate a strong recommendation. The script is good, performances are uniformly strong, and Walsh is a master at keeping things moving. It's a great early John Wayne western.
Summary of Dark Command
In this pre-civil War saga, Walter Pigeon, as Confederate renegade William Cantrell, along with his raiders, clashes with the new marshal of Kansas City, Bob Seton (John Wayne). Their long-standing rivalry of love and power reaches dangerous proportions when Seton exposes Cantrell and his guerillas, who have been raiding both Union and Confederate lines. Roy Rogers co-stars in one of his earliest film roles.Historically dubious but vigorously entertaining, Dark Command is the best of John Wayne's many movies for Republic (not counting Wayne's lovely producing debut Angel and the Badman and those two John Ford films). Set in "Bleeding Kansas" just before and during the Civil War, it highlights the romantic triangle of amiable but unschooled Texan Wayne, banker's daughter Claire Trevor, and schoolmaster Walter Pidgeon--just long enough for the earnest pedagogue to become embittered, turn into bushwhacker William Quantrill (here Cantrell), and start wreaking havoc in the Border States. This was Republic's first star vehicle for Wayne, following his breakthrough in Stagecoach (away from Republic), and it's an uncharacteristically impressive production: good writers working from a W.R. Burnett novel, Raoul Walsh brought in to direct, music by Victor Young, and strong costars and supporting cast (Marjorie Main, Porter Hall, Raymond Walburn--and Roy Rogers and Gabby Hayes!). Wayne himself is delightful. --Richard T. Jameson
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