Dancer, Texas Pop. 81

Dancer, Texas Pop. 81

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Movie Reviews of Dancer, Texas Pop. 81

Movie Review: A great little movie
Summary: 5 Stars

Even before television turned the world into a fake global village, the majority of small town adolescents seem to have dreamed of moving to a big city. This yearning is the subject of the story in "Dancer, Texas Pop. 81". Its makers have an interesting point of view on a matter which movies have covered numerous times in the past.

The film opens on the morning of Graduation Day at the local school. Four boys, who are members of the graduating senior class of five, are sitting in lawn chairs in the middle of the two-land road that goes past the town. At first, this seems to be both silly and dangerous. Then we learn that these lads are best friends who, years earlier, made a sacred vow to move to Los Angeles together the Monday after they finished high school. They even bought their bus tickets at the end of their sophomore year. The scene becomes a metaphor for the highway of life.

The movie takes place over a three day period. There is not much of a plot. The only central question is which, if any, of the four will actually get on the bus come Monday. Writer and director Tim McCanlies presents us with vignettes which create four exceptionally strong character studies. In fact, all of the town's residents are shown to be unique individuals. You rarely see so many interesting people in one movie.

Breckin Meyer, Peter Facinelli, Ethan Embry and Eddie Mills, all relative newcomers, show great promise in portraying their characters. These are, respectively, Keller, Terrell Lee, Squirrel and John. Occasionally, Peter Facinelli slips out of character. When he does, it's a little too obvious he's a city boy playing at being one from the middle of nowhere. After all, Jeff Davis County, Texas, where the picture was made, is bigger than Rhode Island and has a lot more cows than people living on it.

Is a place like Dancer really the middle of nowhere? That's the fundamental question McCanlies examines so thoroughly here. With brilliant assistance from cameraman Andrew Dintenfass, the country around the town is spectacularly photographed. There has to be more than scenery to make people live their whole lives in a place, but the visuals in the film help us to see that being nowhere is often a state of mind.

"Dancer, Texas Pop. 81" is as much a comedy as it is a drama. The humor is rarely aimed at people who live in isolated places, Much of it derives from the characters' keen observations on the hazards of living in huge cities, as well as from eccentricities which could exist in people living anywhere.

The philosophy of the movie is probably best summed up in a scene where the four boys are sitting around a campfire. One of them wonders out loud how much they have missed by growing up in a place like Dancer, Texas. Another boy agrees that it's a good question, but then counters by asking what others might have missed by not growing up in such a place. McCanlies is happily neutral on the issue, allowing the film's viewers to decide such questions for themselves.