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Cradle Will Rock
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DVD Cover InformationActor: Bob Balaban, Hank Azaria, Jack Black, Joan Cusack, Rubén Blades Brand: Buena Vista Home Video DVD: Region Code 1 Audio: English (Unknown); English (Original Language) Format: Closed-captioned, Color, DVD, NTSC Picture Format: 2.35:1 Running Time: 132 minutes DVD Release Date: 2000-05-16 Audience Rating: R (Restricted) Studio: Buena Vista Home Video Product features: - As labor strikes break out throughout the country during the 1930s, the art and theater world of New York City is a growing cultural revolution. Nelson Rockefeller (John Cusack) commissions Mexican artist Diego Rivera (Ruben Blades) to paint the lobby of Rockefeller Center, while Italian propagandist Margherita Sarfatti (Susan Sarandon) gives Da Vincis to millionaires who help fund the Mussolini w
Movie Reviews of Cradle Will RockMovie Review: WE WILL ROCK YOU Summary: 5 Stars
In time of crisis, nothing is better than the `Panis et Circenses' politics. And the US government kwnew it for sure. So, in the late 20's, early 30's was created the Federal Theatre Project. Many treatre groups nation wide were sponsored by the government, as long as they staged plays that cheer the audience, which, by the way, was formed mostly by unemployed people. Later on, the Congress investigated the FT due to some accusasion of comunism. After a 20% cut in the sponsor, many plays had to close and many artists increased the number of unemployment. One of the plays most affected by it was "Cradle Will Rock", a pro-union musical directed by Orson Wells that is prohibited of being released. Tim Robbins's movie uses the Wells's production as an `excuse' to show us how art and politics can affect each other in many levels. The film is a wonderful American quilt with many tiny stories that little by little get togheter and creat a huge power over the audience. Besides "Cradle..." story, there is also the fight between Nelson Rockefeller and Diego Rivera over a mural painted by the artist in the lobby of The Rockfeller Center, in NY. The magnate went mad when he saw displayed in the painting Lenin's face. Another important pole of the movie is an ex-Mussolini's lover, who is in the US selling works by Italian geniuses, like Leonardo and Michelangelo, in order to get money to help Facism in Italy. All there plots look a bit distant from each other in the beginning, but as the movies grows, one can notice how all of them are showing the power of the art and the artists over a society that is changing. Robbin's direction is very effective and touching. He shows how much he loves the artistic class and arts in genneral. But it is nothing new coming from one of the most political actors in Hollywood. The script mixes comedy, with musical and drama in perfect doses. Although the film takes some Artistic licences, they do not ccpromise the accuracy of the facts. By the way, as it is said in the beginning, it is `based on a mostly true story'. The cast is a huge who-is-who, and every actor seem to be perfectly fit in his/her part. Joan Cusack has never been so deliciously hateful. Susan Sarando has a wonderful Italian accent and we can notice how sad her charater is because she has to sell works from masters to get money. Vanessa Redgrave is wonderful as a theatre enthusiast. She shines every scene she is in. The most importat female role belongs to Emily Watson, who perfectly plays an unemplyed-turn-to-actress singer who has to deal with lack of money in order to survive. The male cast is also exceptional. Hank Azaria is wonderful as the composer Mark Blitzstein, and it is amazing to watch his creation process of the show. John Cusack is as hateful as his sister, playing Nelson Rockefeller. Bill Muray is perfectly melancholic as a ventriloquist. If Karl Marx had written musicals instead of essays, he probably would have written something very close to " Cradle Will Rock", the play. It has an extremely polical tune. Once I read in an interview Tim Robbins saying that Emily Watson's character was the hero of the movie. But I'm not sure of it. I think she may be the most important, but it seems to me that the hero -- if it happens to be one-- is the ART, which is portrayed as having a power to transform society. It is a wonderful smart and touching movie, that needs be discovered. Another thing, how do you understand the ending? I could not come up with a conclusion. It is very open.
Summary of Cradle Will RockCRADLE WILL ROCK - DVD Movie "Based on a (mostly) true story," according to the opening titles, Tim Robbins's dazzling dramatization of one of the great stories in American theater indeed takes a few liberties with history. Ostensibly the story of the mayhem surrounding Marc Blitzstein's worker's opera The Cradle Will Rock, directed by Orson Welles for the WPA at the height of the Depression, Robbins paints a veritable mural around this incident, a city alive with plotting industrialists (John Cusack as Nelson Rockefeller), radical artists (Ruben Blades's Diego Rivera), and struggling citizens (Bill Murray's frustrated vaudeville ventriloquist Tommy Crickshaw). Lightning strikes when the government closes the show before it even opens and the cast marches 20 blocks to an empty theater and tosses the staging aside to perform in the aisles, the balconies, and the seats. It's a rare moment of cinema capturing the immediacy and charge of live theater on the screen and it's the heart of Robbins's often exhilarating film. His heroes are Blitzstein (a warm, gently impassioned Hank Azaria) and cheery WPA Theater director Hallie Flanagan (Broadway star Cherry Jones), but in the process he snidely turns Welles and producer John Houseman into sour, silly caricatures. The stew of artistic creation and political action gets murky and at times contradictory, but vivid performances and Robbins' driving pace and staccato crosscutting keep it humming through even the most didactic moments. The songs are by Blitzstein, and the character-rich cast also features Vanessa Redgrave, Susan Sarandon, John Turturro, Emily Watson, and Philip Baker Hall. --Sean Axmaker
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