Confidentially Yours

Confidentially Yours
by François Truffaut

Confidentially Yours
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DVD Cover Information

Actor: Fanny Ardant, Jean-Louis Trintignant, Jean-Pierre Kalfon, Philippe Laudenbach, Philippe Morier-Genoud
Director: François Truffaut
Cinematographer: Néstor Almendros
Producer: François Truffaut
Writer: François Truffaut
Producer: Armand Barbault
Writer: Charles Williams
Writer: Jean Aurel
Writer: Suzanne Schiffman
DVD: Region Code 0
Audio: English (Subtitled); French (Original Language), Unknown
Format: Black & White, DVD, NTSC, Subtitled
Picture Format: 1.33:1
Running Time: 110 minutes
DVD Release Date: 2002-04-23
Audience Rating: PG (Parental Guidance Suggested)
Studio: Fox Lorber

Movie Reviews of Confidentially Yours

Movie Review: Of Love and Death
Summary: 5 Stars

This movie was a holy grail of sorts for me when I first saw it years ago in Berlin at a Truffaut retrospective. In German, it is titled "Auf Liebe und Tod" ("Of Love and Death"). I asked the ticket taker what it was called in the original, and she didn't know. Being in the days before the www, I finally found out it was called "Vivement Dimanche!" in French ("I Eagerly Awaiting Sunday to Come"). It took me another year before I traced its English title, "Confidentially Yours." Isn't it amazing how these widely divergent titles reflect their languages and cultures?

Well, then years later, the wait became trying to find a VHS to rent, then later I pensively waited for the DVD release. But, now I have the DVD, and couldn't be happier!

Of course, the DVD doesn't have many "extras," but since I don't buy DVDs for extras, it's no big deal. The subtitles by Laurent Bouzereau, however, are excellent, and at least faithful to my memory of the German dubbing (speaking no French, I suppose this means the German dubbing was also faithful), and in much more a sophisticated vernacular than the old VHS I saw.

As with "The Bride Wore Black," "Confidentially Yours" is Truffaut's overt hommage to the master of suspense, Alfred Hitchcock. Unlike "bride," though, there's no Bernard Herrmann score, but not to worry! French composer and Truffaut favourite Georges Delerue ("The 400 Blows," "Jules and Jim," "Hiroshima Mon Amour") conjures a dark soundtrack worthy not only of Herrmann, but hearkens back to Max Steiner, Miklos Roscza and Franz Waxman with his forboding themes on the lower strings.

Actually, although "Confidentially Yours" is inspired by Hitch, it is also a tribute to the great film noirs of the 1940s, and even has an element of screwball comedy about it. Jean-Louis Trintignant stars as the luckless Vercel, a small-time realtor in Southern France who's been framed for murder. So, like Hitch's man on the run, Vercel must hide out while Gal Friday Barbara, played with sophisticated wit, sexiness and charm by Fanny Ardant (who bears an eerie resemblance both to Geena Davis and Patricia Neal), who sets about proving his innocence. Of course, Vercel's fate only sinks further as two more murders are attributed to him as he eludes the cops.

Through a series of twists and double-crosses that are more out of Howard Hawks' "The Big Sleep" than Hitchcock, Ardant eventually gets Trintignant off the hook, and in the process discovers -- voila! -- she's been in love with her rather abrasive boss all along.

"Confidentially Yours" is a fitting denouement for Truffaut: A neat and tidy bundle of murder, betrayal, revenge, love and lust in a lighthearted vein. Francois, you left us too soon!

Summary of Confidentially Yours

François Truffaut's last film is both a homage and a lark. Without the brooding poutiness it's a homage to Alfred Hitchcock, and it's possible to watch this film just for the parallels or outright hat-tipping that goes on. It's the story of an older, hapless real-estate agent, Vercel (Jean-Louis Trintignant), under suspicion for a ruthless murder. Since this is a black-and-white, subtitled French film, the agent's voluptuous, intelligent secretary (a sharp and sexy Fanny Ardant) is hopelessly in love with him. While he hides out in the back office, she tries to get to the bottom of the crime; this is not so much a whodunit as a cinematic treat about the conventions and setups of film noir. Under the beautiful cinematography of Néstor Almendros, this is a film rainy Sunday afternoons were made for. --Keith Simanton
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