City Lights
by Charles Chaplin
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DVD Cover Information
Actor: Harry Myers, Virginia CherrillDirector: Charles Chaplin
DVD: Region Code 0
Audio: English (Unknown), Dolby Digital 2.0 Mono; English (Original Language), Dolby Digital 2.0 Mono; English (Dubbed), Dolby Digital 2.0 Mono
Format: Black & White, Dolby, DVD, NTSC
Picture Format: 1.33:1
Running Time: 87 minutes
DVD Release Date: 2000-02-08
Audience Rating: G (General Audience)
Studio: Image Entertainment
Summary of City Lights
With "City Lights," Charlie Chaplin gambled that the power of good storytelling and the appeal of The Little Tramp could overcome any perceived advantages of the captivating but still primitive technology of sound. His gamble paid off as critics and fans alike raved about this touching and simple story of a young blind woman who believes the Little Tramp is a wealthy duke. In a series of comic adventures that only Chaplin could pull off, The Tramp sets out to earn the money that will pay for an operation to restore the young woman's sight. While he succeeds, his efforts land him in jail, but the girl still has a successful operation and yearns to meet her benefactor. The closing scene in which she discovers that he is not a wealthy duke but only The Little Tramp was described by critic James Agee as "the highest moment in movies" and brought the audience to tears.City Lights is a film to pick for the time capsule, a film that best represents the many aspects of director-writer-star Charlie Chaplin at the peak of his powers: Chaplin the actor, the sentimentalist, the knockabout clown, the ballet dancer, the athlete, the lover, the tragedian, the fool. It's all contained in Chaplin's simple story of a tramp who falls in love with a blind flower girl (Virginia Cherrill). Chaplin elevates the Victorian contrivances of the plot to something glorious with his inventive use of pantomime and his sure grasp of how the Tramp relates to the audience. In 1931, it was a gamble for Chaplin to stick with silence after talking pictures had killed off the art form that had made him famous, but audiences flocked to City Lights anyway. (Chaplin would not make his first full talking picture until 1940's The Great Dictator.) After all the superb comic sequences, the film culminates with one of the most moving scenes in the history of cinema, a luminous and heartbreaking fade-out that lifts the picture onto another plane. (Woody Allen paid homage to the scene at the end of Manhattan.) This is why the term "Chaplinesque" became a part of the language. --Robert Horton
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