Cinema Paradiso - The New Version

Cinema Paradiso - The New Version
by Giuseppe Tornatore

Cinema Paradiso - The New Version
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DVD Cover Information

Actor: Antonella Attili, Enzo Cannavale, Isa Danieli, Leo Gullotta, Philippe Noiret
Director: Giuseppe Tornatore
Cinematographer: Blasco Giurato
Writer: Giuseppe Tornatore
Editor: Mario Morra
Producer: Franco Cristaldi
Producer: Gabriella Carosio
Producer: Giovanna Romagnoli
Writer: Vanna Paoli
DVD: Region Code 1
Audio: English (Subtitled); Italian (Original Language), Unknown
Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.66:1
Running Time: 155 minutes
DVD Release Date: 2003-02-18
Audience Rating: R (Restricted)
Studio: Miramax

Movie Reviews of Cinema Paradiso - The New Version

Movie Review: Welcome to the Paradiso.
Summary: 5 Stars

I was able to see the extended version a few years ago. I paid dearly for a VHS copy from Ebay. As much as I loved and enjoyed viewing the original, I wanted to see the extra footage, primarily to find out what happened to Elena. During the end credits of the original version, there were two quick shots of an adult "Toto" and "Elena". That meant there was more to the film.

Having seen the extra scenes, I feel, like many of you, that the story had changed. The original theme or point, which to me always has been, the love of the cinema and movies was now regulated to the background. This change didn't diminish my love for the film, but I feel the sweetness, the innocence, the spirit of the first version was lessened. Like so many have said before me, the extra sex scenes were completely unneccessary, as were the scenes of Toto visiting with his sister's family. But a few others added to the story. The scene where Alfredo mentions having a another wife and child die in childbirth added to his sad state. It only reinforces his quote that he was a slave to the cinema. He probably loved the movies as much as Toto did, but he was not rewarded. He suffered losses, both emotional and physical.

The added scenes at the end where Toto finally learns what happened to Elena and that they are able to meet are a good closure to their story, though I did feel the scenes were longer than needed to be. I liked knowing Toto finally finds his Elena again, but I would have been content in seeing that he learn she always loved him and ended it at that. Like another viewer said, it is the soldier and princess story. They were never meant to be together. If should have been enough for Toto to know, Elena loved him so he could move on and not let her loss haunt him anymore.

As for the scene where we learn it is Alfredo who asks Elena to let Toto go, I am unsure whether this added to the film or altered it. I will say it does add a bit to the story which is Toto's love for the movies. I have read many other viewers comments saying the film is about the love between Toto and Alfredo, or between relations and how they affect your lives. I agree in part, but I feel this film centers on Toto's one true passion, his love for movies.

We see it early on before he even starts to develop his unique and special friendship with Alfredo or before Elena enters the picture. Toto's main love affair has always been with movies. The relationships he developed with Alfredo and Elena only added to this. Toto felt strong ties to his family, to Alfredo, to Elena, to the cinema paradiso, and to his little village. But they are only a part of what made him the man he is. The driving force has always been his desire to do what he always loved, making movies. Alfredo knew this, that is why he felt it neccessary to end the relationship between Toto and Elena. His mother knew this, that is why she wished him love and good fortune when he left for Rome, knowing it was right. Elena knew this, that is why she left the cinema before Toto could return. Although leaving the note was her was of saying, "Yes, I do love you."
A curious scene in both versions always stuck with me. When an adult Toto returns for Alfredo's funeral, there is a scene between him and his mother when he tells her, he feels as though he abandoned her. I felt it was just the opposite, that he was the one who felt abandoned. When he left for Rome as a young man, he found success, but he was alone. He did not have the comfort of his mother's love, of Alfredo's love and guidance near him, nor the sense of belonging, the familiarity of his village. That sense of loss, or abandonment shadowed his life. He still fulfilled his dreams but he wasn't happy. He forgot how much the movies meant to him. He wallowed instead in the loss of Elena and how he never set foot in his childhood home for 30 years. I feel it was Alfredo's parting gift, the film of Kisses, that reminded him how much he truly loved the movies. He just needed someone to remind him.

The scene where the Cinema is destroyed is dramatic and poignant in the way that it shows the passing of time in the real world and Toto's life. Keeping away from his old town preserved the place and the people there to the same time as when he left. To him, the town remained as he wanted to remember them. But seeing that it did change, that everyone grew older, and that the Cinema had to go because it had no place in this new day was the cross over into reality which he had not wanted to see in 30 years. He felt abandoned because it all changed without him. But he had Alfredo's gift and it was the way he could remember it. With all the passion each kiss gave, and the power to move him to tears.

Summary of Cinema Paradiso - The New Version

This Miramax Classics presentation of CINEMA PARADISO: THE NEW VERSION brings you the critically acclaimed triumph as never seen before! A famous Italian filmmaker, haunted by the memories of his first love, returns to his hometown after an absence of 30 years. Upon his return, he reconnects with the community and remembers the highlights and tragedies that shaped his life and inspired him to follow his dream of becoming a filmmaker. For those who have never seen it -- and those who have never forgotten it -- director Giuseppe Tornatore's (MALENA, THE STAR MAKER) cherished Academy Award(R)-winning motion picture (1990, Best Foreign Language Film) is now fully restored, digitally remastered, and includes 51 minutes of never-before-seen footage!
Cinema Paradiso's complex, interwoven tales of wartime Italy, a boy's coming of age, and the history of cinema can be viewed in their entirety on the Director's Cut included in this Deluxe Edition. Director Giuseppe Tornatore's additional 50 minutes of footage provides closure for the saga's detailing Alfredo's death, and Salvatore Di Vita's lost relationship with his teenage love, Elena. Most of the 50 minutes serves as a continuation of the story, rather than as previously deleted scenes. The original, already celebrated Cinema Paradiso follows Toto (Jacques Perrin), a Sicilian boy who persuades the town projectionist, Alfredo (Philippe Noiret), to teach him how to show films. Spanning nearly 50 years, the film craftily draws parallels between Toto's life and those lives he sees on screen. As Toto matures into Salvatore, a successful Italian filmmaker, the Cinema Paradiso ages as well. Salvatore's return home for Alfredo's funeral is also a goodbye to his Paradiso, demolished to become a parking lot. The film's heightened sense of nostalgia subtly mirrors our humanistic love of movies, making it a tribute to cinema as an artistic genre. The Director's Cut can be fulfilling if one felt unsatisfied by the more ambiguous ending of the theatrical release, but it also feels slightly overwrought. Two documentaries in this package feature fans and critics praising Cinema Paradiso, proving its endurance as a classic. However, as Salvatore discovers over the course of the film, there is no need to improve a masterpiece. --Trinie Dalton
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