Cinema Paradiso
by Giuseppe Tornatore
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DVD Cover Information
Actor: Antonella Attili, Enzo Cannavale, Isa Danieli, Leo Gullotta, Philippe NoiretDirector: Giuseppe Tornatore
Cinematographer: Blasco Giurato
Writer: Giuseppe Tornatore
Editor: Mario Morra
Producer: Franco Cristaldi
Producer: Gabriella Carosio
Producer: Giovanna Romagnoli
Writer: Vanna Paoli
DVD: Region Code 1
Audio: English (Subtitled); Spanish (Subtitled); French (Subtitled); Italian (Subtitled); Italian (Original Language), Dolby Digital 2.0 Mono; English (Dubbed), Dolby Digital 2.0 Mono
Format: Anamorphic, Color, DVD, NTSC, Subtitled, Widescreen
Picture Format: 1.66:1
Running Time: 155 minutes
DVD Release Date: 2000-01-25
Audience Rating: R (Restricted)
Studio: Hbo Home Video
Movie Reviews of Cinema Paradiso
Movie Review: A beautiful masterpiece that grabs your heart
Summary: 5 Stars
Once in a while, a film comes along and dazzles audiences with its smooth viewability, if that is a word, brilliant acting, and well crafted plotline. In the case of Cinema Paradiso, we see these elements combined with a stunningly soothing musical score, excellent cinematography, and a combination of comedic, romantic, and dramatic moments. This film starts in the present, presenting us with the main character, Toto, as an old man, well into his fifties, returning to his hometown to hear his lifetime friend and mentor Alfredo has died. What follows for the duration of the film allows us to see his childhood, his adolescence, and the way he fights through tumultuous times of love, disaster, and peril.
Along the way, we are able to see his constant love for the movies and slowly evolving romance with the beautiful Elena. The romantic moments in this movie are especially touching, as are the scenes in which we see Toto struggle to win Elena's love.
What makes this film a truly brilliant one is the way everything wraps itself up in the end. We are able to see the people from his youth aged into the present, and the film ends on a perfect close. There are no loose ends to be tied up, and I admit that I became a little teary eyed throughout the last 20 minutes. The scenes of Alfredo's funeral and the destruction of the Paradiso are very sad, and will make you think of good times long forgotten, save but in your heart.
I recommend this movie to anyone. I am a college student, and I have loved this movie since the first time I saw it on an airplane when I was 8...admittedly, I can understand and appreciate it much more with age. It is a perfect date movie, and also makes for a nice way to spend an evening with a friend or even by yourself. Buy it today. I guarantee you'll love the story and music.
Summary of Cinema Paradiso
Cinema Paradiso's complex, interwoven tales of wartime Italy, a boy's coming of age, and the history of cinema can be viewed in their entirety on the Director's Cut included in this Deluxe Edition. Director Giuseppe Tornatore's additional 50 minutes of footage provides closure for the saga's detailing Alfredo's death, and Salvatore Di Vita's lost relationship with his teenage love, Elena. Most of the 50 minutes serves as a continuation of the story, rather than as previously deleted scenes. The original, already celebrated Cinema Paradiso follows Toto (Jacques Perrin), a Sicilian boy who persuades the town projectionist, Alfredo (Philippe Noiret), to teach him how to show films. Spanning nearly 50 years, the film craftily draws parallels between Toto's life and those lives he sees on screen. As Toto matures into Salvatore, a successful Italian filmmaker, the Cinema Paradiso ages as well. Salvatore's return home for Alfredo's funeral is also a goodbye to his Paradiso, demolished to become a parking lot. The film's heightened sense of nostalgia subtly mirrors our humanistic love of movies, making it a tribute to cinema as an artistic genre. The Director's Cut can be fulfilling if one felt unsatisfied by the more ambiguous ending of the theatrical release, but it also feels slightly overwrought. Two documentaries in this package feature fans and critics praising Cinema Paradiso, proving its endurance as a classic. However, as Salvatore discovers over the course of the film, there is no need to improve a masterpiece. --Trinie Dalton
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