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Celebrity by Woody Allen
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DVD Cover InformationActor: Joe Mantegna, Judy Davis, Kenneth Branagh, Leonardo DiCaprio, Melanie Griffith Director: Woody Allen DVD: Region Code 1 Audio: English (Original Language), Dolby Digital 2.0 Mono Format: Black & White, Closed-captioned, DVD-Video, Letterboxed, NTSC, Widescreen Picture Format: Letterbox, 1.85:1 Running Time: 113 minutes DVD Release Date: 1999-08-10 Audience Rating: R (Restricted) Studio: Miramax
Movie Reviews of CelebrityMovie Review: The flimsiness of celebrityhood Summary: 5 StarsThis wry and devastating portrait of the cult of celebrityhood is one of Allen's most brilliant--and entertaining--films. It isn't Allen's first effort at deconstructing celebrityhood. "Stardust Memories" was. But "Celebrity" goes way beyond "Stardust" in both depth and self-criticism. For it must be recognized that the chief celebrity at whom Allen is poking fun is himself.
Kenneth Branagh's performance as the ersatz Woody Allen is simply stunning. He's captured Allen's nebbish persona so well that he almost begins to physically resemble Allen by the film's end. Some critics found the uncanny mimicry irritating, but to do so is to miss the whole point. Allen wants to show that there's a flimsiness to celebrityhood, a shallowness that all of the celebrities in the film exhibit to one degree of another. Having Branagh "play" Woody Allen is just a metaphor for the smoke and mirror nature of celebrityhood. It's all surface, and roles are interchangeable. Identity or personal substance isn't what matters. Getting into the spotlight for the requisite 15 minutes of fame is all that counts.
Performances in the film are especially good. It's as if the actors, knowing full well how flimsy celebrityhood is, really relished the opportunity to make the point on screen. Charlize Theron, Leonardo diCaprio, Winona Ryder, and Famke Janssen are fabulous. Judy Davis is less so, having perhaps played the woman on the edge of a nervous breakdown once too often. Joe Mantegna is superb as the only person in the film not obsessed (and ruined) by the lust for celebrity.
Finally, Woody takes aim at audiences--just as he did in "Stardust Memories"--who perpetuate celebrityhood by demanding that stars be larger than life and who wind up focusing on them rather than art. This gentle chiding on his part, if nothing else, makes "Celebrity" well worth seeing.
Summary of CelebrityWith an incredible all-star cast, this critically acclaimed comedy takes a hysterical look at the pleasures and pitfalls of fortune and fame! Following their divorce, the lives of a restless writer and his inhibited ex-wife take off in outrageously unpredictable directions! While Lee (Kenneth Branagh -- HAMLET, OTHELLO) explores the wilder side of his newfound freedom, Robin (Judy Davis -- DECONSTRUCTING HARRY) begins an improbable transformaiton from neurotic schoolteacher to high-profile T.V. talk show host! Whether it's partying with supermodels, sexy encounters with movie stars, or interviews with the cream of high society, CELEBRITY offers you a riotous excuse to rub shoulders with the kind of people we all love to celebrate! Woody Allen's portrait of the celebrity life--as seen through the eyes of a newly divorced couple--is a black-and-white, New York-style La Dolce Vita that's a chillier flip side to Allen's earlier New York valentine, Manhattan. Despite a few missteps, though, it's an admirable (if dark) and worthy addition to the Allen pantheon. Kenneth Branagh and Judy Davis (both boasting American accents) star as the once-marrieds, each struggling to build new, separate lives in a media-saturated, celebrity-driven world. He tries his hands at celebrity profiles (while peddling a screenplay to any star that will listen) and falls into the lap of a bosomy starlet (Melanie Griffith), the first in a long line of briefly attainable women. She runs into a producer (Joe Mantegna) who offers her a job as a TV?personality as well as a loving relationship. This seemingly simple double plot is punctuated with twists and turns in the form of flashbacks and innumerable side trips, all ravishingly photographed in black and white by the legendary Sven Nykvist, and populated by one of Allen's largest casts ever; if you blink you'll miss countless cameos by Isaac Mizrahi, Donald Trump, Hank Azaria, and a host of others. While Davis is splendid as usual (aside from the requisite nervous breakdown scene she's done one too many times), somebody should have told Branagh to put a kibosh on his Woody Allen imitation, which is so impeccable as to become irritating. His failure in the role, however, isn't entirely his fault, as it's also another in a long line of unlikable male protagonists that Allen has created, as if daring audiences to hate his main characters after loving them in such movies as Manhattan and Annie Hall. He's never more unlikable than in a painful sequence in which he tags along with a spoiled, temperamental teen idol (a shrewd and clever Leonardo DiCaprio) and proves himself the quintessential noodge. Far more enjoyable misadventures with Branagh include Charlize Theron in the film's best performance as a libidinous supermodel with a penchant for echinacea; a stunning Famke Janssen as a successful book editor Branagh almost moves in with; and Winona Ryder, acting like an adult for the first time, as an aspiring actress who catches Branagh's eye more than once. All manage to slip through Branagh's fingers by the end of the film. Despite the film's lack of focus, Allen aficionados will want this film for at least two wonderful moments, one in which Davis seeks solace from a streetwise fortune teller after she's fleeing her own wedding, and a beautiful nighttime scene in which Branagh romances a captivated Ryder at a subway kiosk. Both episodes prove that Allen, despite the fitful period he's moved into, still has that movie magic. --Mark Englehart
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