Candyman 2 - Farewell to the Flesh
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Movie Reviews of Candyman 2 - Farewell to the Flesh
Movie Review: Superb; Outdoes Even The Original
Summary: 5 Stars
A perfect sequel to the original "Candyman", the second - and best - of the series involves the Candyman's modern-day descendants and also delves much further - and more graphically - into the origins of the character. The special effects are ghastily realistic, the production design and production values flawless, vivid characterization, and the acting again award-caliber, with special mention going to Kelly Rowan and Timothy Carhight as the main 'protagonist' couple, the little girl who brilliantly plays their lovable young daughter (sorry, I can't remember her name), and of course the always excellent Tony Todd, who turns in great performances even in weak movies and absolutely shines in something like this. "Farewell To The Flesh" also features some of the most memorable visual imagery around, including the unsettlingly surreal sight of the Candyman in the middle of a vast Mardi Gras celebration, slowly stalking down center street amongst the costumed festivities unnoticed (or possibly Unseen?)
Masterful, probably among the top 5 Clive Barker-related movies ever made, which I feel just about says it all.
Movie Review: This is the last film that was good under Candyman
Summary: 5 Stars
This movie is a little less that its prodessesor but still is quite scary. Definitely watch this movie on a Friday night, you will be disturbed beyond your wits. once again do not watch it repeatedly. u will get bored..lol. i recommend this film..but dont get the sequels to this..please dont waste your time watchin them.Movie Review: good sequel
Summary: 4 Stars
this one has Tony Todd reprising his role as the Candyman. good horror and the story drags here and there but its fast going and enjoyable nontheless. Todd knows how to stick it to the people, especially in the beginning where the guy is sliced in the bathroom. other scenes like when the cop chants the guys name in the mirror and suddenly he is hooked and he is thrown out of the window, then the brother of the woman gets shot down I thought was a highlight in the movie. it tells also of how Candyman came to be, he was a slave and they caught him with some guys daughter, they tortured him and cut off him hand(thats where his hook comes in at) then they rub honey all over him and the bees just start crawling on him. its pure fun if you can stand the slow pace and some wooden dialouge but in the end it pays off.Movie Review: Prety decent horror movie
Summary: 4 Stars
They don't make horror movies like they used to. (Shining, Omen, Exorcist.) If you happen to be browsing by the Horror movie section, skip the Friday the 13th, and the Holloweens, rent this one instead. And if you are building a Horror movie DVD library, include this one. I saw the first one and honestly I liked them both equally. The blonde this time is Canadian Kelly Rowan being pursued by Candyman Tony Todd. There's plenty of blood, and screaming and the New Orleans setting is also a nice touch. I dropped the fifth star because I'm an old hag at horror movies and still waiting for a really scary one.Movie Review: Come . . . Be Candyman's victim
Summary: 5 Stars
Candyman: Farewell to the Flesh takes up the story of the Candyman legend and runs with it, giving us a much greater understanding of the man who would become the hook-gutting avenger of wronged souls; it offers a short and respectable summary of the first movie and then proceeds not to redo what has happened before but to carve its own name indelibly in the flesh of cinematic horror. I think this movie stands as a testament to proper sequel-making in the horror movie genre.I love the opening sequence of this film. The smarmy academic professor who is an expert on the Candyman but does not believe in him (the same man who needled Helen as she worked on her project in the original movie) is speaking about his new book in a New Orleans bookstore. Naturally, he proves his disbelief by theatrically calling out Candyman's name five times in front of his own reflection. Let's just say he ends up a convert to the Candyman religion. Then we meet Annie Tarrant (Kelly Rowan), a devoted schoolteacher in a poor neighborhood of town. Her brother is accused of killing the lecturing professor, but Annie does not believe his own statements of guilt. She believes something about her father's death is responsible for her brother's unexplainable behavior. That death, we learn, precipitated an enduring tragedy in the Tarrant family. Annie's mother is dying of cancer and seems to be holding something back from her questioning daughter. Annie herself, foolishly trying to prove to her frightened students that Candyman isn't real, calls him, and then things really get ugly. People die, many of them Tarrants, and the Candyman seems to engage in some sort of romantic courtship of Annie. Tarrant family secrets are eventually revealed, and in the process we get a bird's-eye view of the suffering inflicted upon Daniel Robitaille a century earlier - for those who don't know, he was lynched for having loved a white woman; his right hand was cut off with a rusty blade, and then he was smeared with honey and left at the mercy (or lack of it) of a whole colony of angry bees.
By the end of the movie, Candyman is not some horrible monster bent on destruction just because he enjoys gutting people; he is quite real, and his humanity shines through the robes of gore he has wrapped himself in over the decades. If you saw off his hand, will he not jam a hook in the stub of his arm and start gutting people? If you scratch his face, will not hordes of bees pour forth from his body? I love Candyman; he really is one of the most complex, sympathetic yet disturbing "monsters" wandering the horror universe today. Much of the credit for his power must go to Tony Todd, who portrays him brilliantly. Maybe the ending of this movie leaves a little bit to be desired, but the journey features some pretty decent gore and a lot of almost philosophical horror ruminations. If you want to call Candyman, go ahead; he's real enough to me that I'm not going to do it.