Buffalo Bill and the Indians, or Sitting Bull's History Lesson
by Robert Altman
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DVD Cover Information
Actor: Burt Lancaster, Geraldine Chaplin, Harvey Keitel, Joel Grey, Paul NewmanDirector: Robert Altman
Brand: Sony
Producer: Robert Altman
Writer: Robert Altman
Producer: Dino De Laurentiis
Writer: Alan Rudolph
Writer: Arthur Kopit
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Mono; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Mono
Format: Anamorphic, Closed-captioned, Color, DVD, NTSC, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 123 minutes
DVD Release Date: 2001-05-08
Audience Rating: PG (Parental Guidance Suggested)
Studio: MGM (Video & DVD)
Movie Reviews of Buffalo Bill and the Indians, or Sitting Bull's History Lesson
Movie Review: A History Lesson, Of Sorts.
Summary: 5 Stars
I too first saw this film in a theatre in 1976 after its release; I was with a few other people and to this day none of them probably care for this movie.
I read a lot on the west and have several books about Buffalo Bill Cody, so I wanted to see what Mr. Altman had done with this movie. I can not argue with anyone who doesn't care for this picture, would not try to couch my review so that they would.
Though I realize that the film doesn't give a total picture of what was going on at this time in the still unsettled west it does have a quality of those times to it. Buffalo Bill here is not the young, agile Army Indian Scout of old, nor the brazen hero awarded the Medal of Honor, he has been tempered both by age and the bottle; but let no one doubt that he in fact had done many things that were historical. He was notable and respected in his time, and more over he was a capable western man and scout. Later he was bankrupt not only in money but also in spirit; and his final show days with the 101 Wild West show are pitiful to this day.
One needs to remember, too, that shortly after Sitting Bull left Wild Bill's show, he was savagely murdered by his own Indian Police tribesmen at Pine Ridge Reservation. Though the movie doesn't bring this out, and that was not never its intent, the 'west' was yet an unsettled area in some places, with several places being very dangerous. There are some western writers who claim the Apache were still making raids out of the Sierre Madre into the 1930s.
But men like Buffalo Bill and Frederick Remington who realized not only that the western times were changing, saw their 'west' disappearing, being replaced by something alien, with which they were totally unfamiliar. Each man attempted in his own way to keep "their" west alive in order that later people could visually see and understand it as they had experienced it. Today both men have come in for more than their share of disrespect. In the several college history of art courses I took, not a single painting of our American west was ever to be found in either text book or on mid-term exam.
Some of the flux existing in these times has been captured brillantly on film by Mr Altman, whether that was his intent or not. Even Burt Lancaster's character, Ned Buntline, is at odds & ends and seems to be very much adrift in that new west that is replacing the old west. Even his blue G.A.R. uniform of Civil War days harkens back to a more familiar time, and as he rides off for the final time he doesn't have a clue where he is going.
I treasure this movie and watch it not only for its surrealism, symbolism, and realism, but because it does attempt to show the physical being and personalities of the Wild West Show itself. I'm old enough to have heard and read of what this show looked like, but thanks to Altman's sets I can more plainly realize it, and realize it in blazing color.
I think and have always thought that this is a very worthwhile movie.
Semper Fi.
Summary of Buffalo Bill and the Indians, or Sitting Bull's History Lesson
BUFFALO BILL AND THE INDIANS - DVD MovieRobert Altman was often ahead of his time--once at the cost of being behind himself. Buffalo Bill and the Indians, a snorting exposé of the U.S. predilection for buying into heroic myths, opened on July 4, 1976. Clearly the film was positioned as the ultimate bicentennial event, Altman-style. But Altman had already delivered that a year earlier: the splendiferous, deeply disenchanted yet exhilarating Nashville. Both Nashville and Buffalo Bill are films about America-as-show business, hucksterism, and the rare miracle of performance. But everything Altman got so thrillingly right in Nashville, which teems with life and mystery and widescreen dynamism, came out flatfooted and obvious in Buffalo Bill, a cramped, smirky inside joke that ends up being on the joker.
The setting is the base camp for Buffalo Bill Cody's Wild West Show, where the blustering Indian fighter of legend is gearing up for his latest national tour. Apart from sharpshooter Annie Oakley (Geraldine Chaplin) and her great friend, the Sioux chieftain Sitting Bull (Frank Kaquitts), the show is populated by phonies and opportunists. Biggest phony of all is Cody (Paul Newman), whose fame has been based more on the penny-dreadful scribblings of Ned Buntline (Burt Lancaster) than on any real accomplishments; even his long blond tresses are fake. Altman and cowriter Alan Rudolph (working from a play by Arthur Kopit) thump their insights about the Establishment's feet of clay as if they were breaking-news bulletins instead of countercultural clichés. Only the occasional ineffably mysterious Altman zoom shot offers relief. --Richard T. Jameson
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