Bonnie and Clyde

Bonnie and Clyde
by Arthur Penn

Bonnie and Clyde
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DVD Cover Information

Actor: Estelle Parsons, Faye Dunaway, Gene Hackman, Michael J. Pollard, Warren Beatty
Director: Arthur Penn
Brand: Warner Brothers
Cinematographer: Burnett Guffey
Editor: Dede Allen
Writer: David Newman
Writer: Robert Benton
DVD: Region Code 1
Audio: English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 1.0; French (Original Language), Dolby Digital 1.0
Format: Color, Dolby, DVD, Full Screen, Letterboxed, NTSC
Picture Format: 1.78:1
Running Time: 112 minutes
DVD Release Date: 1999-05-18
Audience Rating: R (Restricted)
Studio: Warner Brothers/Seven Arts

Movie Reviews of Bonnie and Clyde

Movie Review: Beatty and Dunaway Are Brilliant
Summary: 5 Stars

A minute or so into the first scene (which begins with a close-up of a luscious, red-lipsticked, sensuous mouth) a young woman goes to the window of her second story bedroom and looks down on a young man milling about the family car parked in front of the house. "Hey, Boy!" she calls to him, "What c'you doin' with my mama's car?" And with that, the world got it's first glimpse of what was to become one of the most celebrated couples in cinematic gangsterdom, as portrayed by Warren Beatty and Faye Dunaway, in "Bonnie & Clyde," directed by Arthur Penn and produced by Beatty. The red lips, of course, belong to Bonnie Parker (Dunaway), and in the first moments of the film, as she looks at herself in the mirror, then sprawls pensively across her bed, you feel her sense of longing, of wanting "something," of yearning for that intangible element that is seemingly just beyond her grasp. And then she meets Clyde Barrow (Beatty). Just released from prison, Clyde has a twinkle in his eye and a devil-may-care attitude that fits Bonnie's needs like a hand in a glove; and so begins the story of two real life criminals as they embark upon their now legendary, if infamous, spree of bank robberies and murder. How they actually met and came together is of no consequence here; the fact is, it happened, and unbeknownst to Bonnie and Clyde, their exploits and short lives would become--some thirty-odd years later-- the subject of a cinematic masterpiece. Beatty makes few movies, which apparently works to his advantage, because when he does, it's usually a film worth waiting for. And this is arguably one of his best, if not the best, he's every done. As Clyde, Beatty fairly oozes charm, with a down-home, southern, easy-going manner that belies who and what his character really is. But Beatty makes him memorable with an Oscar worthy performance in the role that will most likely be THE one for which he will be remembered, and with good reason, for he has never before or since been more charismatic or accessible than he is here. It is quite simply a remarkable performance by a talented actor at the top of his form. And Faye Dunaway, as well, has never been more beautiful or appealing, ever. Period. Her Bonnie is without question the stuff of which legends are born. But does her portrayal reflect the real Bonnie Parker? Of course not; neither does Beatty's reflect the real Clyde Barrow. But Dunaway's work here is nothing less than extraordinary and-- as with Beatty's Clyde-- this will probably be the role for which she will be remembered, as it showcases not only her exquisite beauty but here abilities as an actress more than any other part she's played, including her role in "Network," for which she won the Oscar for Best Actress. As the director, Arthur Penn-- it goes without saying-- played a tremendous part in the success of this film. It may have been Beatty's vision originally, but it was Penn who summarily made it his own and brought it to fruition. His handling of the camera to enhance the drama of the story is acute, from his use of close-ups (as in the opening scene of Dunaway's mouth, and later her eyes), to the more expansive vistas he uses to capture the action that is so well choreographed and staged. His pacing of the film, which maintains the necessary tension and emotional level throughout, is perfect, and the expertise through which he elicits exemplary performances from his actors is evident. Of all the elements that go into the making of a great film, choosing the right director is of unparalleled concern, and in this case it is obvious that Penn was indeed the right man for the job. The memorable supporting cast includes Michael J. Pollard (C.W. Moss), Gene Hackman (Buck Barrow), Denver Pyle (Frank Hamer), Dub Taylor (Ivan Moss) and Estelle Parsons, as Blanche Barrow, the role for which she received the Oscar for Best Supporting Actress. A landmark film, "Bonnie & Clyde" has received criticism for glamorizing the lives of notorious criminals; but upon reflection, though the stars involved may have "beautified" the subjects of the film, there is certainly nothing in the presentation of the way they lived, and especially the way they died, that could be construed as "glamorous." What this film does, however-- and so successfully-- is evoke a sense of the desperation of a particular time and place in the history of America. Some may deem this perspective of infamy as politically incorrect; but the Great Depression was a fact of life, and gangsters like Bonnie and Clyde-- as with Jesse James before them-- were often hailed as heroes by certain factions who were themselves struggling to stay alive. The importance of a film like this, or perhaps on a grander scale, one like "Schindler's List," is that it maintains an awareness of events that for posterity simply must not be forgotten.

Summary of Bonnie and Clyde

A SOMEWHAT ROMANTIZED ACCOUNT OF THE CAREER OF THE NOTORIOUSLYVIOLENT BANK ROBBING COUPLE AND THEIR GANG.
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