Bird
by Clint Eastwood
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DVD Cover Information
Actor: Diane Venora, Forest Whitaker, Keith David, Michael Zelniker, Samuel E. WrightDirector: Clint Eastwood
DVD: Region Code 1
Audio: English (Original Language), Dolby Digital 5.1; French (Original Language), Dolby Digital 2.0 Stereo; English (Subtitled); French (Subtitled); Portuguese (Subtitled); Spanish (Subtitled)
Format: Closed-captioned, Color, Dolby, DVD-Video, HiFi Sound, Letterboxed, NTSC, Widescreen
Picture Format: Letterbox, 1.85:1
Running Time: 160 minutes
DVD Release Date: 2001-01-30
Audience Rating: R (Restricted)
Studio: Warner Home Video
Movie Reviews of Bird
Movie Review: Dark
Summary: 1 Stars
I love this film and the review that follows is for the DVD quality only. Some have said that the DVD is a little dark in places. Others have claimed that the film was meant to be dark because of its subject matter. Well, to say that this DVD is a little dark in some scenes is a gross undersatement. It is so dark that you cannot see any of the people in these scenes. I have the laserdisc of the film and it is no where near as dark as this DVD. This DVD needed to be recalled!! It is a joke and I am going to try and get a refund because the whole master needs to be re-done. The "remastered 5.1 sound" is also a joke. Although it sounds good, the sound on the laserdisc is vastly superior. I was anxiosly awaiting this disc because the laser is not in widescreen, but the trade-off is not worth it.
Up-date: I have just viewed both DVD and Laser simultaneously on my fairly new Samsung LCD HD TV and they actually both look the same. Since the last time I watched my laserdisc copy was on my previous TV, which was a standard set, the overly dark picture seems to be related to the inability of LCD TVs to reproduce detail in extreme shadow areas. An interesting side-note, however, is that the DVD widescreen version does not add information to the sides of the picture, it justs masks off the top and bottom.
Summary of Bird
Clint Eastwood's moody, evocative direction and Forest Whitaker's strong, sensitive performance are the chief proponents to recommend an otherwise muted biopic of '40s jazz legend Charlie Parker, who fell victim to his chemical excesses and convinced the doctor who pronounced him dead that he was a good four decades older than he actually was. The film doesn't try to assign clear blame for Parker's demons, though the era's racism is addressed unflinchingly. Clearly a labor of love, Eastwood's movie structurally attempts to ape the angular music of bebop itself (there are flashbacks within flashbacks, which gets a little confusing), but doesn't quite capture the smolder of the period. Diane Venora registers strongly as Bird's wife, Chan, the woman who can't rescue Bird from the abyss into which he peers. --David KronkeBird The year: 1946. The event: Oakland's "Jazz at the Philharmonic." The music streaked into the unknown, daring listeners to grab hold and fly there, too. On stage was the creator of those new sounds: Charles "Yardbird" Parker. In the crowd was the 16-year-old who would someday bring Parker's extraordinary story to the screen: Clint Eastwood. "Americans don't have any original art except Western movies and jazz," observes Eastwood. Movie fans, of course, know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon, whose Dirty Harry films have been praised for their jazz scores, ventures deeper into that other original American art. Eastwood produces and directs Bird, a film burnished with the magic of that 1946 concert encounter between legend and future legend and honored with an Academy Award for Best Sound in its spellbinding recreation of a man and his music. Like jazz itself, Bird rings with counterpoints and embellishments. Past and future overlap as the film explores Yardbird's soaring skill and destructive excesses. Forest Walker (Good Morning Vietnam, The Color of Money), in his Cannes Film Festival Best Actor performance, is a candle ablaze at both ends as Parker. Diane Venora (Wolfen, Ironweed, F/X) shares that glorious light, winning the New York Film Critics Circle Best Supporting Actress Award for her portrayal of steadfast wife Chan Parker. For Bird's wall-to-wall-to-everywhere digitally-processed Surround Stereo soundtrack, Eastwood went to the source: Parker's recordings (including cuts never before released). Backgrounds were electronically eliminated. These parker "solos" were then rerecorded with accompaniment by modern musicians attuned to Yardbird's bold improvisations. It's "like Bird was in the studio," says music supervisor Lennie Niehaus. He's elsewhere, too. That's why jazz buffs and now film fans have a saying 'Bird liv
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