Movie Reviews for Billy Elliot

Billy Elliot

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Movie Reviews of Billy Elliot

Movie Review: Cheerful, positive winner
Summary: 4 Stars

Young Billy Elliot (Jamie Bell) defies macho convention as well as his close-minded father (Gary Lewis) and older brother (Jamie Draven) to pursue his love of dancing in a small English mining town during a strike.

This delightful film just made me happy with its cheerful T-Rex-heavy soundtrack, exuberant performances, and quirky characters. It's pretty clear how everything is going to turn out at the end, and some of the changes of heart undergone by certain character may not be entirely convincing, but this remains a sunny, upbeat film. Despite the language, which earns it an R rating, it also presents a positive message for young people about being willing to think outside boundaries and resist stereotypes.

Movie Review: A foreign gem
Summary: 5 Stars

Saw it tonight on TV. Hollywood, inspite of all it's wealth and technology could never make a movie as full of life and beauty as this. Definitely on my favorites list.

Movie Review: Billy Elliot DVD
Summary: 5 Stars

Billy Elliot is surely one of the best films ever made.

This film is a brilliant gem of cinema, with charm, warmth, and

hilariously funny.

The actors give a sterling performance and endear themselves to

the viewer.

While Billy Elliot is not the epic story of "Chariots of Fire",

I think it ranks just as high in entertainment.

Billy Elliot is one of the best films ever made.

Movie Review: An inspirational and heartwarming joy of a film...
Summary: 5 Stars

One of my friends recently told me that `Billy Elliot' was a solid A+ multiplied by one-thousand. That was enough to get me to search it out and watch it, since I had really up until that point heard very little about it at all. When I read the back of the DVD case this big smile forced itself onto my face, for `Billy Elliot' is just my kind of movie. Then I watched it, and while I don't know about the whole `multiplied by one-thousand' bit, I can truly say that `Billy Elliot' is a sold A+ and is most definitely the greatest movie of the year that was 2000 (yes, I have finally placed bias aside and concluded that `Gladiator' wasn't the greatest movie of the year; but of the Academy's final five I have no doubt it was the deserved winner).

Billy Elliot is an eleven-year-old boy who lives with his father and brother in a small coal mining town in England. Billy's father Jackie works hard to provide for his boys, but with the current strike forcing him to the picket lines monies are now very difficult to come by. Still, Jackie scrimps together whatever he can to send Billy to boxing lessons. When Billy catches a glimpse of Mrs. Wilkinson's ballet class though, he is instantly enamored and desires to dance as apposed to box. Of course the idea of a boy dancing is looked down on and so Billy keeps his lessons secret, but his secret is soon unveiled and he has to learn to stand up for himself and persevere despite any opposition from his family and friends.

`Billy Elliot' (originally titled `Dancer', and I'm so glad they changed the title since `Dancer' almost adds to the feminine stereotypes the film is fighting against in my opinion) is a beautiful testament to the human spirit and to the right that each and everyone of us has be exactly who we want to be, regardless of others opinions or expectations. The people around Billy seem ignorant and narrow-minded, condemning Billy for his interest and talent, but through conviction and dedication Billy is able to change the minds of those who oppose him.

The performances in this film are all phenomenal. Even small performances like Jamie Draven (who plays Billy's older brother Tony) and Jean Heywood (who plays Billy's Grandmother) are memorable and exciting. Julie Walters, who plays Billy's dance instructor Mrs. Wilkinson, scored an Oscar nomination for her performance in the film (although is she really supporting?) and rightfully so, for her effortless mix of tenacity and compassion helps create a brilliant canvas for Billy. Gary Lewis is amazing as Billy's father. Throughout the film he comes across so raw and real, like a real father and not a Hollywood fabrication (he's neither too lenient nor is he too restrictive) and his final scene, just his face and that stare of awe, made me cry. Stuart Wells is also fabulous as Billy's best friend Michael. He matches Bell's charisma and naturalness frame for frame.

But this is the Billy show, and so Jamie Bell gets top honors for creating a character that is believable and understandable and relatable. His performance (which rightfully won him a BAFTA) is utterly outstanding. How he missed out on the Oscar nomination is beyond me, for he captures every ounce of Billy's struggle magically. I love the way that when Billy is around other people he walks with a swagger, an almost forced manliness. I noticed this first when he was leaving the bookstore. He had been looking at the ballet book and was called out on it and so his leave, this macho walk as if he were a tough boy, felt as though he were compensating, as if his masculinity had been challenged and he had to defend it. These small details may go unnoticed by many, but when you do notice them you come to realize the brilliance that was this performance.

I want to make a quick mention of the outstanding soundtrack, which really plays much like its own character in the film. Each song is a perfect compliment to the scene in which it embodies.

`Billy Elliot' is such a heartwarming film and really should be seen by everyone (the course language may not be suitable for children, but you know your kids better than I do). The story itself is so beautiful and the touching relationship that forms between father and son as the film draws to its conclusion is almost too poignant for words. There aren't too many excellent father/son dramas made today, and despite being about so much more than that, the sheer satisfaction that comes from watching this fathers love for his son triumph in the end is the one thing that sticks with me longer and stronger than any other facet of the film.