Beowulf

Beowulf
by Robert Zemeckis

Beowulf
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DVD Cover Information

Actor: Angelina Jolie, Anthony Hopkins, Crispin Glover, Ray Winstone, Robin Wright
Director: Robert Zemeckis
Brand: Paramount
Producer: Jack Rapke
Producer: Jacqueline Lopez
Producer: Josh McLaglen
Producer: Martin Shafer
Writer: Anonymous
Writer: Neil Gaiman
Writer: Roger Avary
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); French (Subtitled); Spanish (Subtitled); English (Original Language); French (Dubbed); Spanish (Dubbed)
Format: AC-3, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen
Picture Format: 2.35:1
Running Time: 115 minutes
DVD Release Date: 2008-02-26
Audience Rating: PG-13 (Parental Guidance Suggested)
Studio: Paramount
Product features:
  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC

Movie Reviews of Beowulf

Movie Review: Holding Out for a Hero
Summary: 5 Stars

Written around 700 AD and being of unknown authorship, "Beowulf" may be one of the purest fantasies ever told--it was one of the first to tell the story of a warrior who fought demons and a dragon. In the hands of director Robert Zemeckis and screenwriters Neil Gaiman and Roger Avary, the story transcends what we might have envisioned when reading the epic poem. This latest film adaptation is a triumph of classic storytelling, giving us a both hero to root for and monsters to be afraid of; it's a story told in the language of entertainment, having the power to capture its audience with compelling characters and breathtaking visuals. It's an honest to goodness fable that tells it like it is, completely free of long-winded setups and complicated details.

Relying on the same motion capture technique he utilized in "The Polar Express," Zemeckis has crafted an entirely computer generated film that has an appropriately surreal look. This is especially true of the characters, which exist in a gray area between the realistic and the fantastic; they don't look phony by any means, but they're not completely authentic, either. I suppose part of this can be blamed on the limits of computer technology, which still isn't able to fool an audience despite major advances. The thing is, I don't think the film should have looked too realistic, simply because it's telling an unrealistic story. "Beowulf" is a purely imaginative piece, and as such, the film needed a purely imaginative look. Zemeckis chose to make the entire thing one big special effect--there are no individual effects that enhance live-action scenes.

Taking place in the sixth century, Ray Winstone voices the title character with the perfect mix of pride, arrogance, and youthful impulsiveness. He also gives Beowulf a hard-edged masculinity that's just as expected as it is cliché. Upon hearing that a monster is terrorizing a Danish kingdom, Beowulf and his Geat men come to the rescue. His motives are purely ego driven--he only wants to fight in glorious battle and be remembered for it. Stories of his past battles make this clear because they're all so dramatic, downright boastful. Basically, it's obvious that he's exaggerating practically everything he says to make himself look more like a hero. All arrogance aside, he does believe himself capable of killing the creature that attacked the mead hall of the drunken, disgraced King Hrothgar (Anthony Hopkins) and the quiet, suspicious Wealthow (Robin Wright Penn).

This creature is Grendel (Crispin Glover), a character that, like Frankenstein's Monster, is hideous yet pathetic. He's a grotesque sight to behold: he's massive, hunched over, and deformed, bearing little if any resemblance to a human being. His soft, pitiful voice--which speaks in a Scandinavian tongue--is pretty much his only connection to the rest of us. Here's a character that's truly nightmarish in appearance. And when his anger is added to the mix, it gets even worse; he loses control at the sounds of merrymaking, forcing him to retreat from his cave and attack the mead hall. As he breaks through the wooden door, the orange flames in the fire pit become a cold blue that engulf everything surrounding it. Beowulf is able to lure Grendel back by making his men sing, after which the two engage in fierce combat. Because Grendel has no armor or weapons, Beowulf decides to "fight him on equal terms" by stripping completely naked. How this was necessary, I have no idea, but I guess it doesn't really matter.

It's only after the battle is finished that Beowulf learns of Grendel's mother (Angelina Jolie), a seductive water demon whose feminine curves are accented by shifting slivers of gold paint. Her hair ends as a living, tentacle-like ponytail, and her feet are naturally high heeled. When Beowulf first meets her, he carries a golden horn given by Hrothgar as a gift; in the presence of Grendel's mother, the horn glows like molten metal, just as the water she emerges from becomes a phosphorescent blue. In this strange yet magically erotic atmosphere, she temps Beowulf with promises of fame and fortune. At what price, no one can say, but considering how fiercely protective she was of her son, I think it's safe to assume that it'll be quite high.

When the film flashes forward by a number of years, signs of Beowulf's age are not the only differences--his views on glory, battle, and fame have changed, forcing him to wonder if his years of arrogance were worth it. At one time, he would scream, "I am Beowulf!" at the drop of a hat, but now, there doesn't seem to be any reason to do that anymore. It doesn't help that he's keeping a big secret, one he's held onto for many years. The arrival of a monstrous fire-breathing dragon brings his past back up to the surface, and he must face it whether or not he's ready to.

But to face his past is to redefine what it means to be a hero. The young Beowulf believed it was all about winning battles, but the older Beowulf begins to feel that there's something more to it, something that doesn't rely on physical brute force and bloodshed. In Zemeckis' film, Beowulf is just like any character on a Hero's Journey: he matures as his quest nears its end. He looks back on what he's been through and is able to draw strength from it. This well-established narrative formula is one of the things that make "Beowulf" an incredibly enjoyable film; it follows the most basic rules of fantasy storytelling, which is both necessary and effective. This movie thoroughly accomplishes what it set out to accomplish--it's an engaging, exciting, and highly artistic vision, made with style and precision. Odin be praised.

Summary of Beowulf

In the age of heroes comes the mightiest warrior of them all, Beowulf. After destroying the overpowering demon Grendel, he incurs the undying wrath of the beast?s ruthlessly seductive mother who will use any means possible to ensure revenge. The ensuing epic battle throughout the ages, immortalizing the name Beowulf. Academy AwardŽ winner director Robert Zemeckis tells the oldest epic tale in the English language with the most modern technology, advancing the cinematic forum through the magic of digitally enhanced live action. A stellar cast is led by Ray Winstone ("The Departed," "Sexy Beast") in the title role. Joining him are Academy Award winner Anthony Hopkins as the cursed King Hrothgar, John Malkovich, Robin Wright Penn, Brendan Gleeson, Crispin Glover, Alison Lohman and Oscar Winner Angelina Jolie as Grendel?s mother.
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