Bandits

Bandits

Bandits
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DVD Cover Information

Actor: Hannes Jaenicke, Jasmin Tabatabai, Jutta Hoffmann, Katja Riemann, Nicolette Krebitz
DVD: Region Code 1
Audio: English (Unknown); English (Subtitled); Spanish (Subtitled); French (Subtitled); German (Original Language), Dolby Digital 2.0 Surround
Format: Closed-captioned, Color, Dolby, DVD, Letterboxed, NTSC, Subtitled, Widescreen
Picture Format: 1.85:1
Running Time: 110 minutes
DVD Release Date: 2004-08-31
Audience Rating: R (Restricted)
Studio: Sony Pictures Home Entertainment

Movie Reviews of Bandits

Movie Review: Wonderful rock musical/comedy/drama hybrid.
Summary: 5 Stars

Six out of ten directors these days use music-video techniques in narrative film, and most of them in a hackneyed way, but in Bandits Katja von Garnier shows them how it should be done. Utilizing the kinetic energy of music-video techniques but blending them seamlessly with charged cinematic storytelling, a crackling script, and uniformly good acting, von Garnier's film is a playful and satisfying journey, one of the few rock-band stories to have held my gaze.

The movie's first asset is its diverse lead characters: Jasmin Tabatabai is electrifying as loose cannon Luna, while also having penned most of the songs on the soundtrack. During the music-video sequences, which are so expertly edited and nicely timed in the film so they don't seem jarring at all, she becomes a rock goddess, while also holding her own with comic timing and during the more sensitive sequences. Katja Riemann is great as brainy, middle-aged drummer Emma, and when Emma and Luna share their heart-to-heart on the street after Luna's drunken binge, it's the most beautiful moment in the film, where von Garnier reins in her camera and lets the actors breathe. Not-too-bright, vulnerable bassist Angel (Nicolette Krebitz) and melancholy keyboardist Marie (Jutta Hoffman) round out the band, helping to provide shades, diversity and tension.

The music itself isn't for everybody, but the sheer diversity of styles incorporated in this movie is refreshing: From hard rock to riot-grrl punk, from girl pop to acoustic folk, from blues to a lounge act (destined to go bad, L7 style) -- though it's not perfect music, it fits the tone of the movie perfectly, augmented by the fact that it *is* written and performed by the Bandits of the movie (aside from covers).

In the end, like Run Lola Run, Bandits negotiates its stylistic innovations such as disrupted time (absolutely brilliant editing by Hans Funck), dramatic ellipses and "invisible" payoffs with a sense of fun and moments of true catharsis to make a grandly enjoyable whole.

Summary of Bandits

Four tough women in a German penitentiary join forces to form a rock band. When administrators take them to perform at a policeman's ball, the prisoners escape, kidnapping a convenient boy-toy hostage (Werner Schreyer), along the way. Their band, Bandits, becomes a national sensation as the women continue to evade the police. The movie is a wild ride, with quite a respectable score of rock songs--some catchy, some haunting--composed and performed by Bandits members themselves. All are sung in English (which seems to be the universal language of rock & roll). But although the picture is a lot of fun, it's no Spice World; there's a harder edge, a deeper agenda here. These women were all prisoners for a reason. Each fugitive's story is gradually revealed as the plot progresses. Luna (sultry Jasmin Tabatabai), the lead singer and guitarist, is a loose canon with a real attitude problem. And she likes to rob banks. Emma (Katja Riemann), the brains of the group, had a successful jazz career in America before her abusive boyfriend drove her over the edge. Marie (Jutta Hoffmann), the band's middle-aged keyboard player, is suicidal: something to do with her involvement in her husband's death. Angel (lovely Nicolette Krebitz), is the team's weak link; she can't be trusted. As the Bandits pull off each increasingly improbable narrow escape, the film takes on the radiance of myth, ascending ultimately to an apocalyptic finale. --Laura Mirsky
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