American Psycho (Uncut Killer Collector's Edition)

American Psycho (Uncut Killer Collector's Edition)
by Mary Harron

American Psycho (Uncut Killer Collector's Edition)
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Category: DVD
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DVD Cover Information

Actor: Bill Sage, Chlo? Sevigny, Christian Bale, Josh Lucas, Justin Theroux
Director: Mary Harron
Brand: LIONS GATE HOME ENT.
Writer: Guinevere Turner
Writer: Mary Harron
Producer: Alessandro Camon
Producer: Chris Hanley
Producer: Christian Halsey Solomon
Producer: Clifford Streit
Writer: Bret Easton Ellis
DVD: Region Code 1
Audio: English (Original Language); Spanish (Original Language)
Format: Closed-captioned, Collector's Edition, Color, DVD, NTSC, Special Edition, Surround Sound, Widescreen
Picture Format: 2.35:1
Running Time: 101 minutes
DVD Release Date: 2005-06-21
Audience Rating: Unrated
Studio: Lions Gate

Movie Reviews of American Psycho (Uncut Killer Collector's Edition)

Movie Review: Multiple Miggs-What did he say to you, Clarisse?
Summary: 5 Stars

Ok all you wanna be Siskel and Eberts you are SUPPOSED to, actually, review the DVD as well-extras, quality, bonus features you know that sort of thing. Obviously the plot is above in the description of the film you are going to purchase.

Everyone's a friggin critic or reviewer.

Summary of American Psycho (Uncut Killer Collector's Edition)

Patrick Bateman (Christian Bale) is a Wall Street yuppie obsessed with success, status and style, with a stunning fianc? (Reese Witherspoon). He is also a psychotic killer who rapes, murders and dismembers both strangers and acquaintances without provocation or purpose. Based on the controversial novel by Bret Easton Ellis, the film offers a sharp satire to the dark side of yuppie culture in the '80s, while setting forth a vision that is both terrifying and chilling.
The Bret Easton Ellis novel American Psycho, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (I Shot Andy Warhol) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (Go Fish) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. --Sean Axmaker
The Bret Easton Ellis novel American Psycho, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (I Shot Andy Warhol) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (Go Fish) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. --Sean Axmaker

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