Almost Peaceful
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Movie Reviews of Almost Peaceful
Movie Review: Button Up!
Summary: 3 Stars
European cinema can be a startling experience for U.S. viewers. In "Almost Peaceful" we seem to drop into the lives of the characters, flow with them for some time, and then drop out at the end of the film. Even in this serious/comic film, there seemed to be little build. That said, Simon Abkarian who played so well with Joan Allen in "Yes" is a Jewish tailor trying to start up his shop and rebuild his life after World War II's Hitler era. He employs a group of Jews who are also trying to rebuild their lives. His relationship with his wife Lea played by Zabou Breitman appears passionless and uninspired. They keep reading letters from their children received from camp. Lea has a crush on Charles, played by Denis Podalydes with such sadness as he longs for his family who apparently died in the camps. Vincent Elbaz plays a tailor and actor who has high energy and love of life, as he and his wife celebrate the birth of a second son. Stanislas Merhar plays the young tailor Maurice who has difficulty with romantic commitment and frequents a prostitute. Malik Zidi gives a good performance as the young tailor Joseph who the others help by continually re-doing his work as he puts buttons on the wrong side and other mistakes. Joseph eventually decides to work in the camp with children and the film ends. Michel Deville won the French Academy of Cinema's Best Director award in 1985 for "Peril en la Demeure." "Almost Peaceful" is an interesting peace, frequently moving, but one that from time to time left me wondering what was happening in the story. For instance, there is one fairytale sequence about a boy in a forest who breathes through a button in his neck. I'm not sure why. The film appears to be the characters' journey to find joy in the wake of profound tragedy. Enjoy!Movie Review: Broadway-style comedy of post-war Jewish-French Paris?
Summary: 3 Stars
Back home in Paris just freed from German occupants tailor revived his family business by deploying a mostly Jewish staff rich of the Holocaust memories.
A story of relationships and survivals in post-war-second France then still infested with local anti-Semitic Nazi-Hitler supporters at all levels of bureaucracy, where family duties left space for lust and outside sex affairs.
At all merits it looks like a sort of a comedy rather than a drama of a post-war Western European Jewry returned into nothing.
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