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Alien 3 by David Fincher
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DVD Cover InformationActor: Brian Glover, Charles Dance, Charles S. Dutton, Paul McGann, Sigourney Weaver Director: David Fincher Brand: Fox Producer: David Giler Writer: David Giler Writer: Dan O'Bannon Writer: Larry Ferguson Writer: Ronald Shusett Writer: Vincent Ward Writer: Walter Hill DVD: Region Code 1 Audio: English (Unknown), Dolby Digital 2.0 Surround; English (Subtitled); Spanish (Subtitled); English (Original Language), Dolby Digital 2.0 Surround; French (Original Language), Dolby Digital 2.0 Surround Format: Anamorphic, Closed-captioned, Color, Dolby, DVD, NTSC, THX, Widescreen Picture Format: 2.35:1 Running Time: 114 minutes DVD Release Date: 2007-01-02 Audience Rating: R (Restricted) Studio: 20th Century Fox
Movie Reviews of Alien 3Movie Review: That's Why They Call It Puppy Love! Summary: 5 Stars
After escaping LV-426 in pretty horrendous condition, the remaining crew of the Nostromo (Ripley, Newt, our surviving Colonial Marine, and Bishop) run into a little problem in the crash landing department. This kills two of the three residents in their stasis pods right away and trashes the synthetic Bishop beyond salvageability, leaving Ripley sitting amongst the residents of a prison planet that has been tucked away and forgotten. Still, she's safe because there aren't any Xenos on this rock, right? Unbeknownst to her or the residents of this unarmed rock (unless you call a few flares, some flammable liquid, and some handtools having weaponry), however, she did bring a little bundle of joy into the fold here and, more importantly, she herself finds that perhaps, in this big misadventure, that she has finally managed to step into a pothole of enormous proportions. As far as the Alien series (or Legacy, as the box set indicates) goes, this movie is oftentimes cast off as something that is worth forgetting. In many ways this is because it is a reversion toward the die cast in the first movie and forgotten in the second, where only one alien menaces a group of people instead of an armada of them and where the people find themselves without enough "heat" to "pack." Still, being a fan of the idea and of the furthering of the Alien concept, I didn't exactly see it in that light. Instead of seeing it as a reversion in any sense, I saw the storyline as something that explored the outskirts of the society that they had landed within as it explored how the people managed to get along and the power structure involved therein. This touched on their belief system, the fact that even a hairless (because of the little Lice problem that the planet has) Ripley can be considered a supermodel amongst a colony of forgotten "lifers," and that they find someone shouting "Xeno" much the same as anyone else would. Further, it explores the way the Alien adapts to its host, showing you the body difference in the beasties that come from the atypical human model vs. something that manages to come from an animal like a dog. With the dogburster this requires a little creative ingenuity and it looked pretty good, holding the characteristics of its kind and its host's bodytype quite nicely. The only problems I had with the whole thing was that Newt, someone we had to watch salvaged from the jaws of a Queen in the 2nd installation, is dead on arrival and doesn't really give while the giving is good, and that the Alien's view is sometimes shot through its eyes. Personally, I thought this was something of an insult to the people that watched Ripley trudge through the depths of LV-426 for what amounted to futility, and I wanted to see something tragic happen besides drowning in a stasis chamber. Also, the view of the alien, while interesting when its running up walls, is something that you have to be in the mood for. It does add an odd prospective to the viewing, but I'd sometimes like to watch the man and monstrosity meet in an awe-inspiring puddle of fear-driven demise. This is a movie that I like in quite a few ways, but that I know isn't exactly the most embraced chapter in the storyline. It doesn't involve the dripping of acidic blood in most of its chapters, the alien decides to check in and say hello when it feels the need, and you really don't get anything like you did in Aliens. So, saying that you will or won't like it is something of a rocky road. If you were a fan of the first two then I'd recommend you watch it, and if you like movies of this type then you should check it out as well. You simply have to keep in mind beforehand that the movies are different from one another and, although the gore emitted by the dooms of so many is a nice thing, the storyline is a little on the easily guessed side and there are some flaw in it. Still, its all about the engine of destruction and the doom it brings, and in that the Alien quite simply never disappoints!
Summary of Alien 3Lt. Ripley (Sigourney Weaver) is the lone survivor when her crippled spaceship crash lands on Fiorina 161, a bleak wasteland inhabited by former inmates of the planet's maximum security prison. Ripley's fears that an Alien was aboard her craft are confirmed when the mutilated bodies of ex-cons begin to mount. Without weapons or modern technology of any kind, Ripley must lead the men into battle against the terrifying creature. And soon she discovers a horrifying fact about her link with the Alien, a realization that may compel Ripley to try destroying not only the horrific creature but herself as well. The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine
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