Airport (Full Screen Edition)
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DVD Cover Information
Actor: Burt Lancaster, Dean Martin, George Kennedy, Jacqueline Bisset, Jean SebergDVD: Region Code 1
Audio: English (Subtitled); Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Surround
Format: Color, DVD, Full Screen, NTSC
Picture Format: 1.33:1
Running Time: 137 minutes
DVD Release Date: 2001-05-01
Audience Rating: G (General Audience)
Studio: Good Times Video
Movie Reviews of Airport (Full Screen Edition)
Movie Review: The original airplane disaster movie
Summary: 5 Stars
This first of the big airplane disaster movies features an outstanding cast, a host of distinctive characters, and a widely interesting web of subplots. While all things lead to disaster in the air, there is a much greater human component to Airport than what you will see in the disaster movies of today. Perhaps the human drama does not play out to perfection on one or two occasions, yet it all kept my rapt fascination even as I wondered why disaster had not yet struck an hour and a half into the film (which lasts for two hours and seventeen minutes). Airport (1970) picked up ten Academy Award nominations, including best picture, Helen Hayes walked away from it with her second Oscar, and a host of sequels followed in its wake, so obviously it did many things right.
The first half of the film actually seems like some kind of 1970s TV pilot. Mel Bakersfield (Burt Lancaster) is the airport manager working himself to death in order to keep the place running smoothly, campaigning when he can for expansion and modernization. His brother-in-law pilot Vernon Demerest (Dean Martin) assumes the role of Bakersfield's antagonist, criticizing airport measures for keeping the runways operational and the flights on schedule, especially on nights such as the one in question, when a major snowstorm is wreaking havoc on the ground as well as in the air. Bakersfield is locked in an unhappy marriage with a regal yet noxious social gadfly, facing the fact that the woman he now cares about may be leaving her job at the airport for a better opportunity elsewhere. Demerest has some kind of marriage of convenience to Bakerfield's sister, and he is carrying on with a lovely and suddenly pregnant stewardess (they still called them stewardesses back in 1970) played by the engaging Jacqueline Bisset. Then you have the heavy of the group, Joe Patroni (George "If it's an airplane movie, I'm in it" Kennedy), the only man for the job of getting an airplane stuck in the snow out of the way of the main landing strip. Helen Hayes plays a delightfully entertaining serial stowaway, and while she is naturally fantastic in her role, the size and importance of her part would not seem to merit the Best Actress award she received for her performance. About the time you start looking for Aaron Spelling's name to come up in the closing credits, we are finally introduced to a nervous fellow putting together an attache case of explosives. He is presented in the most sentimental of lights, and one can't help but feel sorry for him and for the rash decision he has made, nor can one do anything but curse the otherwise forgettable character who plays the dumbest airplane passenger in history.
Eventually, the plane takes off for Rome with both the stowaway and the bomber on board; soon thereafter, puzzle pieces begin to fall into place, and the pilots, aware of the danger, try to turn around and head for home. Their safe return faces two major obstacles: the bomber on board and the stuck airplane jutting out on the only landing strip they can safely attempt to land on through the roaring blizzard. Don't expect a lot of special effects or outrageous acts of unrealistic heroics (although there is a priest who delivers a most unorthodox and intensely satisfying blessing to the aforementioned dumbest airplane passenger on earth). What happens is presented very well, but the real drama lies in the characters' relationships. I am a huge Dean Martin fan, and I thought the man delivered a terrific dramatic performance in this movie, standing equally beside the likes of the legendary Lancaster, Bisset, and Hayes. The story may seem to develop slowly for those used to or expecting quick and impressive action and special effects, but this movie follows the old creed that there can be no real tragedy unless the audience knows and cares about the characters.
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