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Adoration by Atom Egoyan
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Canada
DVD Cover InformationActor: Devon Bostick, Kenneth Welsh, Louca Tassone, Rachel Blanchard, Yuval Daniel Director: Atom Egoyan Brand: SON Producer: Atom Egoyan Writer: Atom Egoyan Producer: Jennifer Weiss Producer: Laurent Pétin Producer: Marcy Gerstein Producer: Michèle Pétin Producer: Robert Lantos DVD: Region Code 99 Audio: English (Unknown); English (Subtitled); Spanish (Subtitled); English (Original Language); Spanish (Dubbed) Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, NTSC, Subtitled, Widescreen Picture Format: Anamorphic Widescreen, 1.78:1 Running Time: 100 minutes DVD Release Date: 2009-10-13 Audience Rating: R (Restricted) Studio: Sony Pictures Home Entertainment
Movie Reviews of AdorationMovie Review: Atom Egoyan's World: Challenges and Theses Summary: 5 Stars
Atom Egoyan, an Armenian born in Cairo in 1960 and living and working in Canada, is a unique voice among contemporary filmmakers. His films rarely follow a linear structure, electing instead to rely on flashbacks and flash forwards to alert the viewer to respond emotionally to the fragments of story provided - those fragments emphasizing his obsession with alienation and isolation, the by-products of a society homogenized by technology, bureaucracy, and mob rule. His films have collected a wide audience of viewers who prefer to be intellectually challenged rather than be 'entertained': 'Next of Kin', 'Speaking Parts', 'The Adjuster', 'The Sweet Hereafter', 'Felicia's Journey', 'Ararat', 'Where the Truth Lies', 'Chloe', and this little masterpiece, 'ADORATION'.
Young Simon (Devon Bostick) is enthralled with the Internet and creating videos to place on the Internet. His parents died in an automobile accident years ago and he has been raised by his uncle Tom (Scott Speedman), a angry young man who has never married and whose only other family member living is his father Nick (Thomas Hauff) for whom he has little affection. Simon tends to his ill grandfather, videotapes him telling stories about his daughter, Simon's mother Rachel (Rachel Blanchard), swearing that Simon's father Sami (Noam Jenkins) intentionally caused the fatal accident, not unlike a terrorist action. At school Simon takes French from teacher Sabine (Arsinée Khanjian) who encourages Simon's penchant for drama by encouraging a story Simon has created: he postulates that Sami placed explosives in Rachel's bag while pregnant Rachel flew to Israel with the intention of exploding the airplane killing 400 people. Simon takes his developing tale to the Internet chat rooms where the story then leaks out to the parents of the teenagers chatting. The 'news' results in Sabine being fired from her job. Sabine visits Simon and Tom's house disguised by an elegant burka, and encounters the angry Tom who had already had a previous encounter with Sabine over a towed car. The intensity of the make-believe story of Sami being a terrorist creates havoc in the town, between Tom and Simon, and with Simon's relationship to his grandfather. There is a surprise twist to the true background of Simon's parents, Sabine, Tom, and the grandfather and Simon's fictional 'play' opens doors of emotional reaction from Simon's internet chatroom experience and from all of the people involved in the story.
While this 'summary' of the plot is confusing to read, so is the progress of the tale Atom Egoyan has filmed. He intensifies the drama with moments of utter beauty and shared love as well as condemnations from the people who are adversely affected by Simon's concocted 'lie', a falsity perpetrated by his 'accomplice' Sabine. Keeping the action level low, accompanied by the hauntingly beautiful music for solo cello and solo violin by Mychael Danna, and enhanced by the tight cinematography of Paul Sarossy, only makes this little film that much more powerful to observe and digest. As with all of Egoyan's films, it is the afterburn that lingers in the mind of the viewer that drives the power of the work home. Grady Harp, September 10
Summary of AdorationSynopsis: Item Type: DVD Movie Item Rating: R Street Date: 10/13/09 Wide Screen: yes Director Cut: no Special Edition: no LanguageENGLISH Foreign Film: no Subtitlesno Dubbed: no Full Frame: no Re-Release: no Packaging: Sleeve Please note: This supplier will be closed on 11/24, 11/25, 12/26, 1/2 for the holidays. The shipping cut off is 12/10 to try and have the products delivered by Christmas. Adoration is welcome addition to Canada-based Atom Egoyan?s (The Sweet Hereafter) oeuvre that slows down and examines our fast-paced, technology-laden information age. Egoyan?s new film, like his politically charged Ararat, thematically tackles the fears and suspicions surrounding international travel, and attempts to expose what those fears are rooted in. Adoration riffs off of an actual failed terrorist attempt in 1986, for which a Jordanian man tried to pack explosives in his wife?s bag before boarding an airplane. In this film, brooding teen, Simon (Kevin Bostick), is implored by his French teacher, Sabine (Arsinée Khanjian), to tell his peers that his father was a terrorist under the same rubric, as a drama exercise. Simon, whose parents died in a car accident, is living with his Uncle Tom (Scott Speedman), and is also close to best friend Hannah (Katie Boland), though neither confidant learns of Simon and Sabine?s fiction until the escapade has spiraled out of control via internet video chat rooms. The film has a characteristically Egoyanian contemplative stillness throughout, and the mood remains heavy. Scenes of familial interaction, alternating between flashback and invented memory, weave a tale in which Simon?s fantastic plot is as palpable as the real one. Often, narrative is relayed through internet conversation, as Simon sits in his dark room debating ethical concerns amongst, at first, his friends, then teachers, then Jewish populations who take offense at the cultural insults Simon implies. While the film conveys how quickly information is disseminated in today?s media, it more seeks to address and question the validity and quality of our news, and our eagerness to judge what we know little about. --Trinie Dalton
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