Absolute Beginners
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Movie Reviews of Absolute Beginners
Movie Review: A different kind of musical
Summary: 4 Stars
I saw this film in its initial theatrical release in 1986, and enjoyed it quite a bit. For the most part, it holds up many years later. It is an extraordinarily flamboyant musical, and in explosively stylized musical numbers conveys the birth of rock 'n roll/mod culture in London. It is very imaginative. James Fox is a pleasure to watch as always as a corrupt, powerful fashion designer and David Bowie does a really wild musical number as an advertising man amped up on his own energy. The lovely Patsy Kensit is perfectly cast as Crepe Suzette, the seemingly carefree yet quite practical beauty who is desired by everybody. This movie is based on the Colin Mac Innes novel of the same title ( it was published in 1959; it's part of his London Trilogy ). The novel is a real delight; well worth reading.Movie Review: Interesting Film
Summary: 4 Stars
There's a movie musical somewhere in David Bowie's talent, but I'm not sure this is it. Don't be deceived by the cover, David's only a minor bit in this.The sets and lights are spectacular here, and the music's pretty good. I like the Sade song. Some of the British accent's a bit hard to catch, (I turned on the captions for the "Ted's not Dead" song)
Disappointing extras, and not even a copy of the film's preview. I'm never really partial to slide shows of promotional photos.
I think this film just came out at a time when musicals weren't popular. It probably would have fared better if released today. I'm sure some Broadway producer will be ... over it soon, given their proclivity to turn movies and TV shows into Broadway musicals.
Movie Review: The first music video musical
Summary: 3 Stars
Julien Temple had lots of experience making music video's before he made this film, and it shows. Basically, it is many music video's strung together to formulate a film, which is not such a good idea. The story needed much more dialogue and character definition. You'll watch the film and think it looks really neat, but you won't care for the characters. A few months after this film was released, Spike Lee had a hit with something called "Do the right thing". Spike's film is almost a copy of this, same plotline, same issues, but no music. Both films cover a hot summer heatwave where peoples tempers are on edge, race riots occur, etc etc. Why Spike got more attention, I'm not quite sure.Movie Review: Great movie; DVD not so great.
Summary: 3 Stars
One of the things I loved about this movie was the set design and costumes, all in spectacular colors. However, the color in this MGM-released DVD wobbles from vivid to washed-out and back to vivid, often during the same scene. Pretty disappointing -- what I might expect from a 2nd-generation VHS copy, but not a DVD.Movie Review: Dance. Song. Racism. What a heck of a town!
Summary: 2 Stars
With my new desire to get back to the unknown, I decided to start at the beginning with a little musical that I heard nothing about, never once caught a tune from a song, nor would think most mainstream video stores will carry. "Absolute Beginners" was a MTV promotion that was initially destined to be one of the biggest box office films of the year. It was a film for the younger generation, a multi-time film that discussed the issues that teens were facing in Britain and how these troubled, constantly hitting each note, teen's problems can relate to the youth of tomorrow. It could have been dubbed the "Moulin Rouge" of the 80s, but it disappeared. It made its very shallow mark on the world, snuck under the radar, and can now be found collecting dust at either the musical section, the comedy section, or the politically obscure section of that seedy video store that doesn't need chain money to survive. Alas, that wasn't where I found it - but I found it, watched it, tried my hardest to sing along with it, stared into Bowie's eyes, but found myself faded by the end. Did it not survive the test of time? Is 1950s London too far removed from our current society? Is Bowie too creepy? I think "Absolute Beginners" falls somewhere into each of these questions as the perfect example of cinema that starts out with a bang, but withers to a mere sparkle by the end.
"Absolute Beginners" opens with a huge number that takes us through the non-gritty streets of London which involve theft nightly, prostitutes on every corner, dance throughout, booze like rivers, and the swankiest ties on nearly every individual. Sounds like a place we would all hate to be ... right? Director Julien Temple keeps the mood light and flashy throughout most of the songs as we attempt to learn something about a plethora of our main characters. The one we follow most is Colin played by Eddie O'Connell who follows his dreams of being a photographer while shooting his favorite girl, Suzette (played by Patsy Kensit). These two have chemistry, and while Suzette looks like a pre-rehab Lohan, to me they worked. There was a huge spark between them, the chemistry was like lava, and I believed that these two could take me down a road I had never traveled. I was ready - but then, something happened. Temple takes us out of the nightlife, takes us out of the city we grew up with at the beginning, and completely reverses the roles without any dedication to the first. Suzette runs away, Colin becomes a pervert, and Bowie ... well ... I am not quite sure what his role is but he sings amazingly well while climbing a mountain - I can tell you that much. Temple gives us this flashy city, this opportunity to see those that inhabit it, but leaves us hanging high and dry when it is time to pull the trigger. We learn about Colin, mainly, but nobody else. I could probably watch this film again and still be equally confused as to whom is angry at whom, and what importance fashion had to that era. Also, were they teens really - they all seemed like they were pushing their late 20s, but maybe it was my TV.
Character development thrown right out the door, Temple tries to overcompensate by giving us bigger, more lavish songs using even more characters that we know nothing about. One of my favorite songs in the film uses this thought as a prime example. Temple uses a split house to show us the lives of Colin's parents (of which I didn't know it was them until after the film) and a song which screams apathy. Great song, too many characters, not enough time, suddenly dragged into another scene of missing coherency, and it just falls apart in your hands. Then, if that wasn't enough, we are rocking our heads to the beat of some great songs, rubbing our noggin' trying to understand where our characters are or are going, and Temple throws in hatred, anger, and politics into the final act. While I was hoping that this film would have a dedicated theme, I didn't think racism would be on the top of the bill. Suddenly, friends are missing, people are angry, and there is some random guy running around fighting Colin because he lives in poverty and has a friend of a different race? Somebody help me out here. It seemed completely rushed and overwhelming - nearly to the point of wanting to turn the film off. To me, the ending of "Absolute Beginners" was nowhere near the excitement from the opening number. That first part set the pace, and Temple could not keep up.
Overall, I must say that Temple can direct a music video, but I don't think he was quite prepared for the feature film. I don't think this film will ever make it into full "cult" status, and will probably remain unremembered or in the dollar bin for years to come. It is a fun film to watch initially, but when we get to that final part, it just explodes from the inside. I wanted some cutting edge work, but instead what I found was a freaky Bowie coupled with characters I cared nothing for. I could see how this film could relate to the youth of the 80s, but by the end it just felt forced. I think everyone in this production should have taken a moment and listened to "Motivation" by the ever-freaky Bowie in this film, it may have helped solidify this feature into better cult status. I am glad that I watched this film once, but that is all that my small brain can take. I loved the way that Temple caught me from the beginning, but he couldn't control his characters (way too many), and the songs didn't seem to match the final moments of the film. It came out of nowhere, and it was unwelcomed. If this was a film about racism, it needed to be from the beginning. "Absolute Beginners" was a welcomed adventure, but I don't think I will be dusting this film off in the future.
Grade: ** out of *****
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